1 %% 12:44 AM Wednesday, January 26, 2022
  2 %% Yukio Yoshida
  3 \version "2.22.2"
  4 %%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%%
  5 altoTwo = {
  6 \context Voice = "altoTwo" {
  7     %%\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
  8     \autoBeamOff
  9 %% 1-3
 10        \override NoteHead #'color = #blue
 11        \override Stem #'color = #blue
 12        \override Beam #'color = #blue
 13        \override Slur #'color = #blue
 14        \override Staff.StaffSymbol #'color = #blue
 15     \autoBeamOff
 16 %% 1-3
 17    f'1.\melisma | ees' | f' | \break
 18 %% 4-7
 19    ees' | f'2.. c'8 des' ees'4. | f'1 ees'4\melismaEnd aes'16 ges'8. |
 20    aes'1.^\markup { \hspace #8 \fontsize #2
 21                       \with-color #blue \musicglyph #"scripts.coda" } | \break }
 22 }
 23 
 24 alto = {
 25    \autoBeamOff
 26 %% 1-3
 27    r1 r4 aes( | aes2) ges8 ges2.. | r4 f8 ges8 aes1 | \break
 28 %% 4-7
 29    r4 bes4( c'2 bes2) | ges4 f ges8[ aes16] aes16 bes8 c' des'8 ees'4. |
 30    f'2 ges'4\melisma aes'16 ges'8. aes'16 ges'8. aes'16 ges'8.\melismaEnd |
 31    aes'1. | \break
 32 %% 8-10
 33    ges'8.[ aes'16] bes'4 bes'2 bes' |
 34    r8 ges'16[ aes'8.] ges'4 aes'8 bes'2 c''4~ |
 35    c''4 aes'4. ges'16 ees'[ c'8] aes8 f2 | \break
 36 %% 11-13
 37    bes2. aes4.. r16 ges16 f8.~ |
 38    f2.. ges8.[( aes16 bes16 c'16]) ees'8. ges'16 | aes'2 bes'2.. aes'8 | \break
 39 %% 14-16
 40    r8 e'4. e' ees'8 f'16 ges'4.. | aes'1. | ees'16 des'1( ees'4.) f'16 | \break
 41 %% 17-19
 42    ges'4 aes'4 bes'16 bes'8.( c''2.)~ | c''8 c''4 bes'8 aes'2 r4.. c''16 |
 43    des''1\(\melisma c''4.\melismaEnd  bes'8\) | \break
 44 %% 20-23
 45    r8 bes'8  bes'2.\melisma aes'16 f' des' bes ges\melismaEnd f8. |
 46    aes4 r4 ges2. f4~ | f1 r2 |
 47    R1.^\markup { \hspace #16 \with-color #blue
 48                                          \fontsize #2 "D.C." } \bar "||" \break
 49 %%%%%%%%%%%%%
 50 %%start Coda-sheet from here
 51    \set Score.currentBarNumber = #1
 52 %% 1-4
 53     bes'4^\markup { \hspace #-8 \fontsize #2 \musicglyph #"scripts.varcoda" }
 54           bes'2.\(\melisma f'16 ees'\melismaEnd bes8\) aes4~ |
 55     aes4 des'16( c' bes4) aes4. bes'16( ges' ees'8) r4 |
 56     c'4. bes2 aes8 ges2 |
 57     f2\(\melisma
 58        ges16 aes8 bes16 c'8 des'16 ees'8 f'16 ges'8\melismaEnd aes'4\) | \break
 59 %% 5-8
 60     bes'4 aes'2 bes'2. | bes'2.( c'' | bes'1) r2 | c'2 c'4 ees'2. | \break
 61 %% 9-12
 62     aes'8 r16 c''2\melisma aes'8 f'16 des'16 bes16\melismaEnd ges2 |
 63     aes4 ges2. aes2( | ges1.) | r8 aes2\melisma ges2..\melismaEnd
 64     \bar "|." \break
 65 }
 66 
 67 altoL = \lyricmode {
 68    \set stanza = #"1.                                                      "
 69    \override Score . LyricText #'font-shape = #'italic
 70    \tiny
 71    A -- ve -- nue of the south wind
 72    Clean cool "and an" un -- com -- for -- tab -- ly warm bree -- ze
 73    "Let a" sug -- ges -- tion "of the" sap of po -- plar
 74    Com -- ing into the room shak -- ing the curtains
 75    "Be - nea -" th the bo -- dy of slee -- p in the after -- noon
 76    The dream of steal -- ing a nap
 77    Go out into the stree -- t and shak -- ing the cur -- tains
 78 %% Part-Coda
 79     The stree __ t without any -- one and
 80     En -- ter the room shak __ ing the cur -- tains m __
 81     Leave the street and shak -- ing the cur -- tains. m __
 82 }
 83 
 84 altoTwoL = \lyricmode {
 85    \set stanza = #"2.       "
 86    \override Score . LyricText #'font-shape = #'italic
 87    \override LyricText #'color = #blue
 88    \tiny
 89    m --
 90 %%Avenue of the south wind
 91 %%Clean cool and an uncomfortably warm breeze
 92    bre -- e -- ze
 93 }
 94 
 95 altoM = {
 96    \autoBeamOff
 97 %% 1-3
 98    r1 r4 aes4(| aes2.) ges2. | r4 f8 ges8 aes1 | \break
 99 %% 4-7
100    r4 bes4( c'2 bes2) | ges4 f ges8[ aes16] aes16 bes8 c' des'8 ees'4. |
101    f'2 ges'4 aes'16 ges'8. aes'16 ges'8. aes'16 ges'8. | \break
102    aes'1. |
103 %% 8-10
104    ges'8.[ aes'16] bes'4 bes'2 bes' | r8 aes'16[ bes'8.] ges'4 aes'8 bes'2 c''4~ |
105    c''4 aes'4. ges'16 ees'[ c'8] aes8 f2 | \break
106 %% 11-13
107    bes2. aes4.. r16 ges16 f8.~ |
108    f2.. ges8.[( aes16 bes16 c'16]) ees'8. ges'16 | aes'2 bes'2.. aes'8 | \break
109 %% 14-16
110    r8 e'4. e' ees'8 f'16 ges'4.. | aes'1. | ees'16 des'1( ees'4.) f'16 | \break
111 %% 17-19
112    ges'4 aes'4 bes'16 bes'8.( c''2.) | c''8 c''4 bes'8 aes'2 r4.. c''16 |
113    des''1\( c''4. bes'8\) | \break
114 %% 20-23
115    r8 bes'8  bes'2.\melisma aes'16 f' des' bes ges\melismaEnd f8. |
116    aes4 r4 ges2. f4~ | f1 r2 | R1. \bar "||" \break
117 %% --- From D.C to Coda; Only music midi file ---
118 %% 24-30(1-7)
119    f'1.\melisma | ees' | f' |
120    ees' | f'2.. c'8 des' ees'4. | f'1 ees'4\melismaEnd aes'16 ges'8. |
121    aes'1. | \break
122 %% --- coda sheet; -------------------------------
123 %% 1-4
124     bes'4 bes'2.\(\melisma f'16 ees'\melismaEnd bes8\) aes4~ |
125     aes4 des'16( c' bes4) aes4. bes'16( ges' ees'8) r4 |
126     c'4. bes2 aes8 ges2 |
127     f2\(\melisma
128        ges16 aes8 bes16 c'8 des'16 ees'8 f'16 ges'8\melismaEnd aes'4\) | \break
129 %% 5-8
130     bes'4 aes'2 bes'2. | bes'2.( c'' | bes'1) r2 | c'2 c'4 ees'2. | \break
131 %% 9-12
132     aes'8 r16 c''2\melisma aes'8 f'16 des'16 bes16\melismaEnd ges2 |
133     aes4 ges2. aes2( | ges1.) | r8 aes2 ges2.. \bar "|." \break
134 }