1 %% 12:45 AM Wednesday, January 26, 2022
  2 %% Yukio Yoshida
  3 \version "2.22.2"
  4 %%%%%%% bass; part %%%%%%%%%%%%%%%%
  5 bassTwo = {
  6 \context Voice = "bassTwo" { \hide Staff.BarLine
  7     %%\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
  8     \autoBeamOff
  9 %% 1-3
 10        \override NoteHead #'color = #blue
 11        \override Stem #'color = #blue
 12        \override Beam #'color = #blue
 13        \override Slur #'color = #blue
 14        \override Staff.StaffSymbol #'color = #blue
 15     \autoBeamOff
 16 %% 1-3
 17     r4 des2. des16 des4..~ | des8 des8 ees4 f1 | aes1( c'4) r4 | \break
 18 %% 4-7
 19     bes2. c' | bes16[^( aes ges8]) ges8 f4 ees4 ees des4. |
 20     c2 des4\melisma c16 des8. c16 des8. c16 des8.\melismaEnd |
 21     c1.^\markup { \hspace #8 \fontsize #2
 22                           \with-color #blue \musicglyph #"scripts.coda" } | \break }
 23 }
 24 
 25 bass = { \hide Staff.BarLine
 26    \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
 27    \autoBeamOff
 28 %% 1-3
 29    aes1.\melisma | aes1. | aes | \break
 30 %% 4-7
 31    aes1. | aes2.. des8 ees f4. | ges1 aes4\melismaEnd ges16 aes8. | ges1. | \break
 32 %% 8-10
 33    ges8.[ aes16] bes2 bes4 bes2 | r8 aes16[ bes8.] c'2 bes8 c'16( des'4..) |
 34    c'2 bes8 ges16[( f ees8]) c8 bes,2 | \break
 35 %% 11-13
 36    c2. bes,16[ c8] r16 c16 des4..( |
 37    ees8) aes2..( bes16) r16 aes16 bes4\(\melisma c'16\melismaEnd |
 38    des'2\) aes8 d'2.. | \break
 39 %% 14-16
 40    r1 aes8. bes16 c'4\( | des'1\) r2 |
 41    r8 c'8 bes4\(\melisma aes16 ges f ees\melismaEnd des4\)
 42                                      des16 c4\(\melisma f16 ges8\melismaEnd | \break
 43 %% 17-19
 44    aes8\) r16 aes16 c'4( des'1) | bes2. ges4 r16 f8. ees4 |
 45    bes,1\(\melisma c4.\melismaEnd des8\) | \break
 46 %% 20-23
 47    r8 bes,8 c4.\(\melisma des16 ees8 f16 ges8 aes16 bes16\melismaEnd c'4.\) |
 48    bes8[ aes] r4 ges8([ f8. ees8.]) des2_( | c8 bes,2..) r2 |
 49    R1.^\markup { \hspace #16 \with-color #blue
 50                                          \fontsize #2 "D.C." } \bar "||" \break
 51 %%%%%%%%%%%%%
 52 %%start Coda-sheet from here
 53    \set Score.currentBarNumber = #1
 54 %% 1-4
 55     des4^\markup { \hspace #-8 \fontsize #2 \musicglyph #"scripts.varcoda" }
 56     ees2.\( c4\) des4( | des) ges4 c2 ges4 r4 | f4. des4 des8 c2. |
 57     bes,1\(\melisma  des16 f aes bes\melismaEnd c'4\) | \break
 58 %% 5-8
 59     c'4 b2 ces'2. | c'2.( des' | c'1.) | c2 des4 f2. | \break
 60 %% 9-12
 61     bes8 r16 des'2\melisma bes8 ges16 ees c\melismaEnd aes,2 |
 62     bes,4 a,2. b,2( | a,1.) | r8 bes,2\melisma aes,2..\melismaEnd
 63                   \undo \hide Staff.BarLine \bar "|." \break
 64 }
 65 
 66 bassL = \lyricmode {
 67    \set stanza = #"1.        "
 68    \override Score . LyricText #'font-shape = #'italic
 69    \tiny
 70    m --
 71 %% Avenue of the south wind
 72 %% Clean cool and an uncomfortably warm
 73    bre -- e -- ze
 74    "Let a" sug -- ges -- tion "of the" sap of poplar
 75    Com -- ing "in - to" the room shak -- ing the curtains
 76    Beneath the bo __ dy of sleep in the after -- noon
 77    The drea __ m of steal __ ing a nap
 78    Go out into the stree -- t and shak __ ing the cur -- tains.
 79 %% Part-Coda
 80    The stree -- t without any -- one and
 81    En -- ter the room shak __ ing the cur -- tains m __
 82    Leave the street and shak -- ing the cur -- tains. m __
 83 }
 84 
 85 bassTwoL = \lyricmode {
 86     \set stanza = #"2.                    "
 87     \override Score . LyricText #'font-shape = #'italic
 88     \override LyricText #'color = #blue
 89     \tiny
 90     A -- ve -- nue of the south wind
 91     Clean cool and an un -- com -- for -- tably warm bree -- ze
 92 }
 93 
 94 bassM = {
 95    \autoBeamOff
 96 %% 1-3
 97    aes1.\melisma | aes1. | aes | \break
 98 %% 4-7
 99    aes1. | aes2.. des8 ees f4. | ges1 aes4\melismaEnd ges16 aes8. | ges1. | \break
100 %% 8-10
101    ges8.[ aes16] bes2 bes4 bes2 | r8 aes16[ bes8.] c'2 bes8 c'16( des'4..) |
102    c'2 bes8 ges16[( f ees8]) c8 bes,2 | \break
103 %% 11-13
104    c2. bes,16[ c8] r16 c16 des4..( |
105    ees8) aes2..( bes16) r16 aes16 bes4\(\melisma c'16\melismaEnd |
106    des'2\) aes8 d'2.. | \break
107 %% 14-16
108    r1 aes8. bes16 c'4\( | des'1\) r2 |
109    r8 c'8 bes4\(\melisma aes16 ges f ees\melismaEnd des4\)
110                                      des16 c4\(\melisma f16 ges8\melismaEnd | \break
111 %% 17-19
112    aes8\) r16 aes16 c'4( des'1) | bes2. ges4 r16 f8. ees4 |
113    bes,1\(\melisma c4.\melismaEnd des8\) | \break
114 %% 20-23
115    r8 bes,8 c4.\(\melisma des16 ees8 f16 ges8 aes16 bes16\melismaEnd c'4.\) |
116    bes8[ aes] r4 ges8([ f8. ees8.]) des2_( | c8 bes,2..) r2 |
117    R1. \bar "||" \break
118 %% --- From D.C to Coda; Only music midi file ---
119 %% 24-30(1-7)
120     r4 des2. des16 des4..~ | des8 des8 ees4 f1 | aes1( c'4) r4 | \break
121     bes2. c' | bes16[^( aes ges8]) ges8 f,4 ees4 ees des4. |
122     c2 des4\melisma c16 des8. c16 des8. c16 des8.\melismaEnd |
123     c1.^\markup { \hspace #8 \fontsize #2
124                           \with-color #blue \musicglyph #"scripts.coda" } | \break
125 %% --- coda midi; -------------------------------
126 %% 1-4
127     des4 ees2.\( c4\) des4( | des) ges4 c2 ges4. r8 | f4. des4 des8 c2. |
128     bes,1\(\melisma  des16 f aes bes\melismaEnd c'4\) | \break
129 %% 5-8
130     c'4 b2 ces'2. | c'2.( des' | c'1.) | c2 des4 f2. | \break
131 %% 9-12
132     bes8 r16 des'2\melisma bes8 ges16 ees c\melismaEnd aes,2 |
133     bes,4 a,2. b,2( | a,1.) | r8 bes,2\melisma aes,2..\melismaEnd \bar "|." \break
134 }