%% 12:53 AM Wednesday, January 26, 2022
%% Yukio Yoshida
\version "2.24.0"
%%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%
sopranoTwo = {
\context Voice = "sopranoTwo" {
    %%\override Score.RehearsalMark.break-visibility = #begin-of-line-invisible
    \autoBeamOff
%% 1-3
       \override NoteHead.color = #blue
       \override Stem.color = #blue
       \override Beam.color = #blue
       \override Slur.color = #blue
       \override Staff.StaffSymbol.color = #blue
    \autoBeamOff
    c''1.\melisma | bes'1. | c''1. | \break
%% 4-7
    bes'1. | \stemUp bes'16^([ aes' ges'8)] ees'4 bes'1 |
    ees''1 des''4 \melismaEnd c''16 des''8. \stemNeutral |
    c''1.^\markup { \hspace #8 \fontsize #2
                          \with-color #blue \musicglyph #"scripts.coda" } | \break }
}

soprano = {
    \autoBeamOff
%% 1-3
    r4 des'2. des'16 des'4..~ |
    des'8 des'8 ees'4 f'1 | aes'1( c''4) r4 | \break
%% 4-7
    bes'2. c'' | bes'16[^( aes' ges'8]) ges'8 f'4 ees'4 ees' des'4. |
    c'2 des'4\melisma c'16 des'8. c'16 des'8. c'16 des'8.\melismaEnd |
    c'1. | \break
%% 8-10
    r8. c'4.. des'8 c'4 c' c' | des'16[ ees'8.] des'4 c' des'2 c'4~ |
    c'4 des'4. f'16 aes'[ bes'8] c''8 des''2 | \break
%% 11-13
    aes'2. bes'8.[ c''16] c''16 des''4..~ |
    des''2 r4. ees''4. des''16  c''8 bes'16 | aes'2 ges' f'8 e'4. | \break
%% 14-16
    e' ees'8 f'16 des'4. des'16 c'2( | des'1.) |
    r8 f'8 ges'4( f'8[ ees'16 des']) c'8 des'4_( ees'8[ f'16 ges']) aes'8~ | \break
%% 17-19
    aes'4 r8 bes'8 des''1~ |
    des''4 r8 ees''2  des''4( c''8) aes'16 f'8. | des'1 c'4. r8 | \break
%% 20-23
    c'16 ees'4..\(\melisma f'16 ges'8 aes'16 bes'8 c''16 des''8
                                                     ees''16\melismaEnd f''4.\) |
    r4 c''8.  c''2\melisma ees''16 f'' ges''\melismaEnd  aes''4.~ |
    aes''1 r2 | R1.^\markup { \hspace #16 \with-color #blue
                                            \fontsize #2 "D.C." } \bar "||" \break
%%%%%%%%%%%%%
%%start Coda-sheet from here
   \set Score.currentBarNumber = #1
%% 1-4
    des'4^\markup { \hspace #-8 \column { " " " "
                                     \fontsize #2 \musicglyph #"scripts.varcoda" } }
    f'2. aes'16( bes' c''8) ges'4 | bes'8( c''4 des''4.) aes'2. |
    aes'16( ges') c''2 bes'8 des''2. |
    r8 f''2..\melisma ees''16 c'' aes' f' des'\melismaEnd c'8. | \break
%% 5-8
    c'4 des'2 c'2. | c'2.(\melisma des' | c'1)\melismaEnd  r2 |
    ges'1 ges'8 bes'4. | \break
%% 9-12
    bes'16( c'') f'2..\(\melisma ges'16 aes' bes' c'' des''\melismaEnd ees''8.\) |
    ees''4 f''2. ges''2( | aes''1.) |
    r8 ges''2\melisma aes''2..\melismaEnd
    \bar "|." \break
}

sopranoL = \lyricmode {
    \set stanza = #"1.                   "
    \override Score.LyricText.font-shape = #'italic
    \tiny
    A -- ve -- nue of the south wind
    Clean cool and an un -- com -- for -- tably warm bree -- ze
    Let a sug -- ges -- tion "of the" sap of po -- plar
    Com -- ing into the room shak -- ing the curtains
    Be -- nea -- th the bo -- dy of slee -- p in the af -- ter -- noon
    The "dream" of "stea - l" -- ing a nap
    Go out into the stree -- t and shak __ ing the cur __ tains.
%% Part-Coda
    The street with -- out any -- one and
    Enter the room shak -- ing the cur -- tains m __
    Leave the street and shak __ ing the cur -- tains. m __

}

sopranoTwoL = \lyricmode {
    \set stanza = #"2.       "
    \override Score.LyricText.font-shape = #'italic
    \override LyricText.color = #blue
    \tiny
    m --
%%Avenue of the south wind
%%Clean cool and an uncomfortably warm breeze
   bre -- e -- ze
}

sopranoM = {
    \autoBeamOff
%% 1-3
    r4 des'2. des'16 des'4..~ | des'8 des'8 ees'4 f'1 | aes'1( c''4) r4 | \break
%% 4-7
    bes'2. c'' | bes'16[^( aes' ges'8]) ges'8 f'4 ees'4 ees' des'4. |
    c'2 des'4\melisma c'16 des'8. c'16 des'8. c'16 des'8.\melismaEnd |
    c'1. | \break
%% 8-10
    r8. c'4.. des'8 c'4 c' c' | des'16[ ees'8.] des'4 c' des'2 c'4~ |
    c'4 des'4. f'16 aes'[ bes'8] c''8 des''2 | \break
%% 11-13
    aes'2. bes'8.[ c''16] c''16 des''4..~ |
    des''2 r4. ees''4. des''16  c''8 bes'16 | aes'2 ges' f'8 e'4. | \break
%% 14-16
    e' ees'8 f'16 des'4. des'16 c'2( | des'1.) |
    r8 f'8 ges'4( f'8[ ees'16 des']) c'8 des'4_( ees'8[ f'16 ges'] aes'8)~ | \break
%% 17-19
    aes'4 r8 bes'8 des''1 |
    des''4 r8 ees''2  des''4( c''8) aes'16 f'8. | des'1 c'4. r8 | \break
%% 20-23
    c'16 ees'4..\(\melisma f'16 ges'8 aes'16 bes'8 c''16 des''8
                                                     ees''16\melismaEnd f''4.\) |
    r4 c''8.  c''2\melisma ees''16 f'' ges''\melismaEnd  aes''4.~ |
    aes''1 r2 | R1. \bar "||" \break
%% --- From D.C to Coda; Only music midi file ---
%% 24-30(1-7)
    c''1.\melisma | bes'1. | c''1. |
    bes'1. | bes'16^([ aes' ges'8)] ees'4 bes'1 |
    ees''1 des''4 \melismaEnd c''16 des''8. | c''1. | \break
%% --- coda sheet; -------------------------------
%% 1-4
    des'4 f'2. aes'16( bes' c''8) ges'4 | bes'8( c''4 des''4.) aes'2. |
    aes'16( ges') c''2 bes'8 des''2. |
    r8 f''2..\melisma ees''16 c'' aes' f' des'\melismaEnd c'8. | \break
%% 5-8
    c'4 des'2 c'2. | c'2.(\melisma des' | c'1)\melismaEnd  r2 |
    ges'1 ges'8 bes'4. | \break
%% 9-12
    bes'16( c'') f'2..\(\melisma ges'16 aes' bes' c'' des''\melismaEnd ees''8.\) |
    ees''4 f''2. ges''2( | aes''1.) |
    r8 ges''2\melisma aes''2..\melismaEnd | \bar "|." \break
}