1 %% 12:54 AM Wednesday, January 26, 2022
  2 %% Yukio Yoshida
  3 \version "2.22.2"
  4 %%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
  5 tenorTwo = {
  6 \context Voice = "tenorTwo" { \hide Staff.BarLine
  7     %%\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
  8     \autoBeamOff
  9 %% 1-3
 10        \override NoteHead #'color = #blue
 11        \override Stem #'color = #blue
 12        \override Beam #'color = #blue
 13        \override Slur #'color = #blue
 14        \override Staff.StaffSymbol #'color = #blue
 15     \autoBeamOff
 16 %% 1-3
 17    r1 r4 aes4( | aes2) ges8 ges2.. | r4 f8 ges8 aes1 |
 18 %% 4-7
 19    r4 bes4( c'2 bes2) | ges4 f ges8[ aes16] aes16 bes8 c' des'8 ees'4. |
 20    f'2 ges'4\melisma aes'16 ges'8. aes'16 ges'8. aes'16 ges'8.\melismaEnd |
 21    aes'1.^\markup { \hspace #8 \fontsize #2
 22                       \with-color #blue \musicglyph #"scripts.coda" } | \break }
 23 }
 24 
 25 tenor = { \hide Staff.BarLine
 26    \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
 27    \autoBeamOff
 28 %% 1-3
 29    des'1.\melisma | des' | des' | \break
 30 %% 4-7
 31    des' | c'16[ bes aes8] ees4 ees1 |
 32    des1 ees4\melismaEnd des16 ees8. | des1. | \break
 33 %% 8-10
 34    c'4.. bes16 bes4 c' c'2 | bes16[ c'8.] c'2 bes8 c'16( des'8.) c'4. |
 35    bes2 c'8 des'16[( ees' f'8]) ges'8 aes'2 | \break
 36 %% 11-13
 37    f'2. ees'16([ f'8)] ges'16 ges'2( | f'4) ges'2.( ees'4..) des'16 |
 38    c'2.. des'8 b2~ | \break
 39 %% 14-16
 40    b4 bes8. aes16 ges4 aes2.( | bes2.) r2. |
 41    ges16 ges8.\([\melisma aes16 bes c'8 des'8.]\melismaEnd ees'2.\) ges16| \break
 42 %% 17-19
 43    aes8.\(\melisma bes c' des'\melismaEnd ees'\) ees'16 f'2~ |
 44    f'8 r4 des'4. bes8 ees'2 r16 f'16 | ges'1 aes'4. r8 | \break
 45 %% 20-23
 46    f'8 f'2..\melisma des'16 bes ges ees des\melismaEnd c8. |
 47    r4 f4 aes2( c'16[ ees']) f'4.( | ges'8 aes'2..) r2 |
 48    R1.^\markup { \hspace #16 \with-color #blue
 49                                           \fontsize #2 "D.C." } \bar "||" \break
 50 %%%%%%%%%%%%%
 51 %%start Coda-sheet from here
 52    \set Score.currentBarNumber = #1
 53 %% 1-4
 54     des'4^\markup { \hspace #-8 \fontsize #2 \musicglyph #"scripts.varcoda" }
 55     f'2. des'4 ees' | bes1 c'2 | c'8 des'2 ees'8 f'2. |
 56     r8 aes'1\melisma ges'16 ees' c'\melismaEnd bes8. | \break
 57 %% 5-
 58     c'4 d'2 ces'2. | c'2.(\melisma des' | c'1.)\melismaEnd |
 59     ees'1 ees'8 ges'4. | \break
 60 %% 9-12
 61     ees'8 bes1\(\melisma  bes16 c' des'\melismaEnd ees'8.\) |
 62     ees'4 fes'2. g'2( | a'1.) |
 63     r8 ges'2\melisma aes'2..\melismaEnd
 64               \undo \hide Staff.BarLine \bar "|." \break
 65 }
 66 
 67 tenorL = \lyricmode {
 68    \set stanza = #"1.        "
 69    \override Score . LyricText #'font-shape = #'italic
 70    \tiny
 71    m --
 72 %%Avenue of the south wind
 73 %%Clean cool and an uncomfortably warm
 74    bre -- e -- ze
 75    Let a sug -- ges -- tion "of the" sap of po -- plar
 76    Com -- ing "in - to" the room shak -- ing the curtains
 77    Beneath the body of sleep in the after -- noon
 78    The drea __ m of steal __ ing a nap
 79    Go out into the stree -- t and shak -- ing the cur -- tains
 80 %% Part-Coda
 81    The street with -- out any -- one and
 82    Enter the room shak -- ing the cur -- tains m __
 83    Leave the street and shak -- ing the cur -- tains. m __
 84 }
 85 
 86 tenorTwoL = \lyricmode {
 87    \set stanza = #"2.                                                       "
 88    \override Score . LyricText #'font-shape = #'italic
 89    \override LyricText #'color = #blue
 90    \tiny
 91    A -- ve -- nue of the south wind
 92    Clean cool "and an" un -- com -- for -- tab -- ly warm bree -- ze
 93 }
 94 
 95 tenorM = {
 96    \autoBeamOff
 97 %% 1-3
 98    des'1.\melisma | des' | des' | \break
 99 %% 4-7
100    des' | c'16[ bes aes8] ees4 ees1 |
101    des1 ees4\melismaEnd des16 ees8. | des1. | \break
102 %% 8-10
103    c'4.. bes16 bes4 c' c'2 | bes16[ c'8.] c'2 bes8 c'16( des'8.) c'4. |
104    bes2 c'8 des'16[( ees' f'8]) ges'8 aes'2 | \break
105 %% 11-13
106    f'2. ees'16([ f'8)] ges'16 ges'2( | f'4) ges'2.( ees'4..) des'16 |
107    c'2.. des'8 b2 | \break
108 %% 14-16
109    b4 bes8. aes16 ges4 aes2.( | bes2.) r2. |
110    ges16 ges8.\([\melisma aes16 bes c'8 des'8.]\melismaEnd ees'2.\) ges16 | \break
111 %% 17-19
112    aes8.\(\melisma bes c' des'\melismaEnd ees'\) ees'16 f'2 |
113    f'8 r4 des'4. bes8 ees'2 r16 f'16 | ges'1 aes'4. r8 | \break
114 %% 20-23
115    f'8 f'2..\melisma des'16 bes ges ees des\melismaEnd c8. |
116    r4 f4 aes2( c'16[ ees']) f'4.( | ges'8 aes'2..) r2 |
117    R1. \bar "||" \break
118 %% --- From D.C to Coda; Only music midi file ---
119 %% 24-30(1-7)
120    r1 r4 aes( | aes2) ges8 ges2.. | r4 f8 ges8 aes1 |
121    r4 bes4( c'2 bes2) | ges4 f ges8[ aes16] aes16 bes8 c' des'8 ees'4. |
122    f'2 ges'4\melisma aes'16 ges'8. aes'16 ges'8. aes'16 ges'8.\melismaEnd |
123    aes'1.^\markup { \hspace #8 \fontsize #2
124                       \with-color #blue \musicglyph #"scripts.coda" } | \break
125 %% --- coda sheet; -------------------------------
126 %% 1-4
127    des'4 f'2. des'4 ees' | bes1 c'2 | c'8 des'2 ees'8 f'2. |
128    r8 aes'1\melisma ges'16 ees' c'\melismaEnd bes8. | \break
129 %% 5-8
130     c'4 d'2 ces'2. | c'2.(\melisma des' | c'1.)\melismaEnd |
131     ees'1 ees'8 ges'4. | \break
132 %% 9-12
133     ees'8 bes1\(\melisma  bes16 c' des'\melismaEnd ees'8.\) |
134     ees'4 fes'2. g'2( | a'1.) |
135     r8 ges'2\melisma aes'2..\melismaEnd \bar "|." \break
136 }