%% 12:39 AM Wednesday, January 26, 2022
%% Yukio Yoshida
\version "2.24.0"
%%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
tenorTwo = {
\context Voice = "tenorTwo" {
    %%\override Score.RehearsalMark.break-visibility = #begin-of-line-invisible
    \autoBeamOff
%% 1-3
       \override NoteHead.color = #blue
       \override Stem.color = #blue
       \override Beam.color = #blue
       \override Slur.color = #blue
       \override Staff.StaffSymbol.color = #blue
    \autoBeamOff
%% 1-3
   r1 r4 aes4( | aes2) ges8 ges2.. | r4 f8 ges8 aes1 |
%% 4-7
   r4 bes4( c'2 bes2) | ges4 f ges8[ aes16] aes16 bes8 c' des'8 ees'4. |
   f'2 ges'4\melisma aes'16 ges'8. aes'16 ges'8. aes'16 ges'8.\melismaEnd |
   aes'1.^\markup { \hspace #8 \fontsize #2
                      \with-color #blue \musicglyph #"scripts.coda" } | \break }
}

tenor = {
   \override Score.RehearsalMark.break-visibility = #begin-of-line-invisible
   \autoBeamOff
%% 1-3
   des'1.\melisma | des' | des' | \break
%% 4-7
   des' | c'16[ bes aes8] ees4 ees1 |
   des1 ees4\melismaEnd des16 ees8. | des1. | \break
%% 8-10
   c'4.. bes16 bes4 c' c'2 | bes16[ c'8.] c'2 bes8 c'16( des'8.) c'4. |
   bes2 c'8 des'16[( ees' f'8]) ges'8 aes'2 | \break
%% 11-13
   f'2. ees'16([ f'8)] ges'16 ges'2( | f'4) ges'2.( ees'4..) des'16 |
   c'2.. des'8 b2~ | \break
%% 14-16
   b4 bes8. aes16 ges4 aes2.( | bes2.) r2. |
   ges16 ges8.\([\melisma aes16 bes c'8 des'8.]\melismaEnd ees'2.\) ges16| \break
%% 17-19
   aes8.\(\melisma bes c' des'\melismaEnd ees'\) ees'16 f'2~ |
   f'8 r4 des'4. bes8 ees'2 r16 f'16 | ges'1 aes'4. r8 | \break
%% 20-23
   f'8 f'2..\melisma des'16 bes ges ees des\melismaEnd c8. |
   r4 f4 aes2( c'16[ ees']) f'4.( | ges'8 aes'2..) r2 |
   R1.^\markup { \hspace #16 \with-color #blue
                                          \fontsize #2 "D.C." } \bar "||" \break
%%%%%%%%%%%%%
%%start Coda-sheet from here
   \set Score.currentBarNumber = #1
%% 1-4
    des'4^\markup { \hspace #-8 \fontsize #2 \musicglyph #"scripts.varcoda" }
    f'2. des'4 ees' | bes1 c'2 | c'8 des'2 ees'8 f'2. |
    r8 aes'1\melisma ges'16 ees' c'\melismaEnd bes8. | \break
%% 5-
    c'4 d'2 ces'2. | c'2.(\melisma des' | c'1.)\melismaEnd |
    ees'1 ees'8 ges'4. | \break
%% 9-12
    ees'8 bes1\(\melisma  bes16 c' des'\melismaEnd ees'8.\) |
    ees'4 fes'2. g'2( | a'1.) |
    r8 ges'2\melisma aes'2..\melismaEnd
    \bar "|." \break
}

tenorL = \lyricmode {
   \set stanza = #"1.        "
   \override Score.LyricText.font-shape = #'italic
   \tiny
   m --
%%Avenue of the south wind
%%Clean cool and an uncomfortably warm
   bre -- e -- ze
   Let a sug -- ges -- tion "of the" sap of po -- plar
   Com -- ing "in - to" the room shak -- ing the curtains
   Beneath the body of sleep in the after -- noon
   The drea __ m of steal __ ing a nap
   Go out into the stree -- t and shak -- ing the cur -- tains
%% Part-Coda
   The street with -- out any -- one and
   Enter the room shak -- ing the cur -- tains m __
   Leave the street and shak -- ing the cur -- tains. m __
}

tenorTwoL = \lyricmode {
   \set stanza = #"2.                                                       "
   \override Score.LyricText.font-shape = #'italic
   \override LyricText.color = #blue
   \tiny
   A -- ve -- nue of the south wind
   Clean cool "and an" un -- com -- for -- tab -- ly warm bree -- ze
}

tenorM = {
   \autoBeamOff
%% 1-3
   des'1.\melisma | des' | des' | \break
%% 4-7
   des' | c'16[ bes aes8] ees4 ees1 |
   des1 ees4\melismaEnd des16 ees8. | des1. | \break
%% 8-10
   c'4.. bes16 bes4 c' c'2 | bes16[ c'8.] c'2 bes8 c'16( des'8.) c'4. |
   bes2 c'8 des'16[( ees' f'8]) ges'8 aes'2 | \break
%% 11-13
   f'2. ees'16([ f'8)] ges'16 ges'2( | f'4) ges'2.( ees'4..) des'16 |
   c'2.. des'8 b2 | \break
%% 14-16
   b4 bes8. aes16 ges4 aes2.( | bes2.) r2. |
   ges16 ges8.\([\melisma aes16 bes c'8 des'8.]\melismaEnd ees'2.\) ges16 | \break
%% 17-19
   aes8.\(\melisma bes c' des'\melismaEnd ees'\) ees'16 f'2 |
   f'8 r4 des'4. bes8 ees'2 r16 f'16 | ges'1 aes'4. r8 | \break
%% 20-23
   f'8 f'2..\melisma des'16 bes ges ees des\melismaEnd c8. |
   r4 f4 aes2( c'16[ ees']) f'4.( | ges'8 aes'2..) r2 |
   R1. \bar "||" \break
%% --- From D.C to Coda; Only music midi file ---
%% 24-30(1-7)
   r1 r4 aes( | aes2) ges8 ges2.. | r4 f8 ges8 aes1 |
   r4 bes4( c'2 bes2) | ges4 f ges8[ aes16] aes16 bes8 c' des'8 ees'4. |
   f'2 ges'4\melisma aes'16 ges'8. aes'16 ges'8. aes'16 ges'8.\melismaEnd |
   aes'1.^\markup { \hspace #8 \fontsize #2
                      \with-color #blue \musicglyph #"scripts.coda" } | \break
%% --- coda sheet; -------------------------------
%% 1-4
   des'4 f'2. des'4 ees' | bes1 c'2 | c'8 des'2 ees'8 f'2. |
   r8 aes'1\melisma ges'16 ees' c'\melismaEnd bes8. | \break
%% 5-8
    c'4 d'2 ces'2. | c'2.(\melisma des' | c'1.)\melismaEnd |
    ees'1 ees'8 ges'4. | \break
%% 9-12
    ees'8 bes1\(\melisma  bes16 c' des'\melismaEnd ees'8.\) |
    ees'4 fes'2. g'2( | a'1.) |
    r8 ges'2\melisma aes'2..\melismaEnd \bar "|." \break
}