%% 1:36 AM Tuesday, April 29, 2025
%% Yukio Yoshida
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% "\repeat percent Avoid straight \break after", put in one bar and run \break. And Sometimes everywhere need "\noBreak"
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% Part Vocal;; Start: \hide Staff.BarLine
%% and end: \undo \hide Staff.BarLine \bar "|." \break
%% And \score{ \context StaffGroup << } !!
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% For exaple; Should use-Top barLine :
%% "\tempo \markup { \hspace #-3 \with-color #red \italic \medium "ritenuto" } dis'8 ......."
%% And From Second bar-line: "dis'8^\markup { \hspace #-3 \with-color #red \italic \medium "ritenuto" } .........."
%% Well No-apper obje "tempo = *" on Top-barLine
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% If you want to change of color, then do see! in
%% "define-grobs.scm"(lilypond's system file)
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\version "2.24.0"
%% for sheet-music
#(set-default-paper-size "letter")
#(set-global-staff-size 18)
BaritoneSol = {
\override Staff.StaffSymbol.color = #blue
\override Staff.LedgerLineSpanner.color = #blue
\override Staff.Clef.color = #blue
\override Staff.TimeSignature.color = #blue
\override Staff.KeySignature.color = #blue
\override Staff.BarLine.color = #blue
\override Voice.NoteHead.color = #blue
\override Voice.Rest.color = #blue
\override Voice.Stem.color = #blue
\override Voice.Flag.color = #blue
\override Voice.Beam.color = #blue
\override Voice.Slur.color = #blue
\override Voice.PhrasingSlur.color = #blue
\override Voice.Tie.color = #blue
\override Voice.Dots.color = #blue
\override Voice.Script.color = #blue
\override Voice.Accidental.color = #blue
\override Voice.DynamicLineSpanner.color = #blue
\override Voice.DynamicText.color = #blue
\override Voice.DynamicTextSpanner.color = #blue
\override Voice.TupletNumber.color = #blue
\override Voice.TupletBracket.color = #blue
\override Voice.BreathingSign.color = #blue
\override Voice.PercentRepeat.color = #blue
\override Voice.RepeatSlash.color = #blue
}
VoiceColorBlue = {
\override Staff.StaffSymbol.color = #blue
\override Staff.LedgerLineSpanner.color = #blue
\override Staff.Clef.color = #blue
\override Staff.TimeSignature.color = #blue
\override Staff.KeySignature.color = #blue
\override Staff.BarLine.color = #blue
\override Voice.NoteHead.color = #blue
\override Voice.Rest.color = #blue
\override Voice.Stem.color = #blue
\override Voice.Flag.color = #blue
\override Voice.Beam.color = #blue
\override Voice.Slur.color = #blue
\override Voice.PhrasingSlur.color = #blue
\override Voice.Tie.color = #blue
\override Voice.Dots.color = #blue
\override Voice.Script.color = #blue
\override Voice.Accidental.color = #blue
\override Voice.DynamicLineSpanner.color = #blue
\override Voice.DynamicText.color = #blue
\override Voice.DynamicTextSpanner.color = #blue
\override Voice.TupletNumber.color = #blue
\override Voice.TupletBracket.color = #blue
\override Voice.BreathingSign.color = #blue
\override Voice.PercentRepeat.color = #blue
\override Voice.RepeatSlash.color = #blue
}
VoiceColorBlueRevert = {
\revert Voice.NoteHead.color
\revert Voice.Rest.color
\revert Voice.Stem.color
\revert Voice.Flag.color
\revert Voice.Beam.color
\revert Voice.Slur.color
\revert Voice.PhrasingSlur.color
\revert Voice.Tie.color
\revert Voice.Dots.color
\revert Voice.Script.color
\revert Voice.Accidental.color
\revert Voice.DynamicLineSpanner.color
\revert Voice.DynamicTextSpanner.color
\revert Voice.DynamicText.color
\revert Voice.TupletNumber.color
\revert Voice.TupletBracket.color
\revert Voice.BreathingSign.color
\revert Voice.PercentRepeat.color
\revert Voice.RepeatSlash.color
}
Solo=^\markup { \hspace #-1.8 \with-color #red \box { \pad-around #0.5
{\teeny \italic "Solo"} } }
Bsolo=^\markup { \with-color #blue \box { \pad-around #0.5
{\teeny \bold \italic "Solo"} } }
Tutti=^\markup { \with-color #blue { \override #'(box-padding . 0.5)
\override #'(thickness . 2) \rounded-box {
{\teeny \italic "Tutti"} } } }
Both=^\markup { \with-color #blue \box { \pad-around #0.5
{\teeny \italic "Solo" } } or \with-color #blue \box { \pad-around #0.5 {\teeny \italic "Tutti" } } }
VoiceColorRed = {
\override Voice.NoteHead.color = #red
\override Voice.Rest.color = #red
\override Voice.Stem.color = #red
\override Voice.Flag.color = #red
\override Voice.Dots.color = #red
\override Voice.Script.color = #red
\override Voice.PhrasingSlur.color = #red
}
VoiceColorRedRevert = {
\revert Voice.NoteHead.color
\revert Voice.Rest.color
\revert Voice.Stem.color
\revert Voice.Flag.color
\revert Voice.Dots.color
\revert Voice.Script.color
\revert Voice.PhrasingSlur.color
}
\paper {
%% ragged-last-bottom = ##f
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%%
sopranoVoice = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 r\longa | r\longa | \break
%% 3-5
r\longa | r\longa | r\longa | \break
%% 6-9
\time 3/2
r1. | r1. | r1. | r1. | \break
%% 10-13
r1. | r1. | r1. | c'16^\Tutti c'4. c'8 r8. c'2_\( d'4\) | \break
%% 14-17
d'4 d'2 r2. | f'16 f'4. f'8 r8. f'2_\( g'4\) | g'4 g'2 r8 f'4 g'4._\( | g'2\) a'2 r2 | \break
%% 18-21
e'8 e'8. e'4 r8 a'4 a'8 a'8. r4 | r1. | b'16 c''4. b'2 a'4. r8. | a'8_\( g'4. e'2\) r2 | \break
%% 22-25
r4. g'8 b'4. f'8 e'4. d'8 | r8 f'2 c''4 b'8 c''4 b'8 c''_( | d'') d''16 r16 b'2 g'2. | r1. | \break
%% 26-29
r1. | r1. | r1. | r1. | \break
%% 30-33
r1. | r1. | r1. | r1. | \break
%% 34-38
r1. | r1. | r1. | r1. | r1. | \break
%% 39-43
r1. | r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-51
r1. | r1. | r1. | r1. | \break
%% 52-55
r8 g'2^\Tutti r16 f'16 g'8 a'4_\( b'4.\) | c''4_\( c'' c''4.\) b'8 c''2 | r4. g'4 r8 b'2. | c''4. d''2 c''8 b'2 | \break
%% 56-59
r8^\markup {\raise #5 \hspace #-6 \bold \magnify #1.5 "Chorus only"}
g'8 g'4 a'4. r16 g'8 f'16_(_\( g'8) g'4\) | a'2 g'8. r16 b'2. | r4. g'4 r8 b'2. | c''4. d''2 c''8 b'2 | \break
%% 60-63
r4 c'4 f'2. r8 e'8 | f'8_( e' d' c'4) r8 d'4 \tuplet 3/2 {e'_( \stemUp g' b')\stemNeutral } | r1. | r1. | \break
%% 64-67
c''1.\melisma | c'' | c'' | c''1. | \break
%% 68-71
c''4\melismaEnd r4 f''1\melisma | f''1. | f'' | f'' | \break
%% 72-75
f''4\melismaEnd r2 c''2.\melisma | c''1. | c'' | c'' | \break
%%76-79
c''2_( f''2.) _( c''4)\melismaEnd | r1.^\fermata | r1.^\fermata | r1. | \break
%% 80-83
r1.^\markup {\raise #5 \hspace #-6 \bold \magnify #1.5 "Chorus only"}
| r1. | b'1.\melisma | b'1. | \break
%% 84-87
b'1. | b'4\melismaEnd c''8_( b') r4 b'4 r4 c''4 | r4 c''4\melisma b' a' g'8 f'\melismaEnd e'8_( d') | r1. | \break
%% 88-91
c''8\melisma b' a' g' f' e' f' g'\melismaEnd a'_( b' c''4) | c''1.\melisma | c'' | c'' | \break
%% 92-93
\time 4/1 c''1\melismaEnd r1 r\breve | \time 3/2 r1 s2 \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
sopranoVoiceL = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
A man is climb -- ing the stairs.
the man is climb -- ing the stairs.
"of an" aban -- doned building,
with "no window" frames, no hand -- rails,
a building waiting "to be" de -- mol -- ished.
Sun -- shine and rain and wind have be -- come a part of daily life
%% since the man moved to this town a week ago.
%% Tenor Solo %%%
%% The man works as a door-to-door Bible salesman.
%% Alto Solo %%%%
%% He goes from house to house and mainly sells Bibles.
{\once \override Lyrics.LyricText.color = #green "As he peers"} at the tar -- get lo -- ca -- tion through
{\once \override Lyrics.LyricText.color = #green "his scope"} "the man" hums re -- peat -- ed -- ly,
As he peers "at the" tar -- get {\once \override Lyrics.LyricText.color = #green location}
through {\once \override Lyrics.LyricText.color = #green "his scope"} "the man" prays re -- peat -- ed -- ly.
The man was praying
{\once \override Lyrics.LyricText.color = #green "to the"} Lord.
n __ m __ n __
A __ men Amen Amen A __ men A __ men n __
}
%%%%%
sopranoVoiceM = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 r\longa | r\longa | \break
%% 3-5
r\longa | r\longa | r\longa | \break
%% 6-9
\time 3/2
r1. | r1. | r1. | r1. | \break
%% 10-13
r1. | r1. | r1. | c'16 c'4. c'8 r8. c'2_\( d'4\) | \break
%% 14-17
d'4 d'2 r2. | f'16 f'4. f'8 r8. f'2_\( g'4\) | g'4 g'2 r8 f'4 g'4._\( | g'2\) a'2 r2 \break
%% 18-21
e'8 e'8. e'4 r8 a'4 a'8 a'8. r4 | r1. | b'16 c''4. b'2 a'4. r8. | a'8_\( g'4. e'2\) r2 | \break
%% 22-25
r4. g'8 b'4. f'8 e'4. d'8 | r8 f'2 c''4 b'8 c''4 b'8 c''_( | d'') d''16 r16 b'2 g'2. | r1. | \break
%% 26-29
r1. | r1. | r1. | r1. | \break
%% 30-33
r1. | r1. | r1. | r1. | \break
%% 34-38
r1. | r1. | r1. | r1. | r1. | \break
%% 39-43
r1. | r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-51
r1. | r1. | r1. | r1. | \break
%% 52-55
r8 g'2^\Tutti r16 f'16 g'8 a'4_\( b'4.\) | c''4_\( c'' c''4.\) b'8 c''2 | r4. g'4 r8 b'2. | c''4. d''2 c''8 b'2 | \break
%% 56-59
r8 g'8 g'4 a'4. r16 g'8 f'16_(_\( g'8) g'4\) | a'2 g'8. r16 b'2. | r4. g'4 r8 b'2. | c''4. d''2 c''8 b'2 | \break
%% 60-63
r4 c'4 f'2. r8 e'8 | f'8_( e' d' c'4) r8 d'4 \tuplet 3/2 {e'_( g' b')} | r1. | r1. | \break
%% 64-67
c''1.\melisma | c'' | c'' | c''1. | \break
%% 68-71
c''4\melismaEnd r4 f''1\melisma | f''1. | f'' | f'' | \break
%% 72-75
f''4\melismaEnd r2 c''2.\melisma | c''1. | c'' | c'' | \break
%%76-79
c''2_( f''2.) _( c''4)\melismaEnd | r1.^\fermata | r1.^\fermata | r1. | \break
%% 80-
%% 80-83
r1. | r1. | b'1.\melisma | b'1. | \break
%% 84-87
b'1. | b'4\melismaEnd c''8_( b') r4 b'4 r4 c''4 | r4 c''4\melisma b' a' g'8 f'\melismaEnd e'8_( d') | r1. | \break
%% 88-91
c''8\melisma b' a' g' f' e' f' g'\melismaEnd a'_( b' c''4) | c''1.\melisma | c'' | c''\melismaEnd | \break
%% 92-93
\time 4/1 c''1\melismaEnd r1 r\breve | \time 3/2 r1 s2 \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments part
soprano = {
\autoBeamOff
\partial 2 r2 |
%% 1-2
\time 4/1 c'\longa_~ | c'\breve_( c''\breve)_~ | \break
%% 3-5
c''1 r2. b'8-._\( r g'-. r e'-. r c'4-.\)_\( r8 e'-. r g'-. r b'-. c''-.\) r4. | c'''\longa | \noBreak r2. c'''2_( b''4 a'' g'' f'' e'' d'' c'') r1 | \break
%% 6-9
\time 3/2 r4 <b' g'>4 <a' f'> <g' e'> <f' d'> <e' c'>_~ | <e' c'>1_\( <c' g'>2 \)_\( | c''1.\)_\( | <a' f'>2 <g' e'> <f' d'> | \break
%% 10-13
c'1.\)_( | <c' e'>2)_\(<d' f'>\)_\( <c' e'>2\)_\( | f'1.\) | r1. | \break
%% 14-17
r1. | \repeat percent 3 { r8 <c' f'>4 r8 <c' f' b'>2 r8 <a' e'>4. } | \break
%% 18-21
<a' e'>\repeatTie_\( e'4.\) a' c'_~ | c'8 <d' f'>8 <e' a'> <f' d''> c''1 | <b' g'>8 <a' f'> <g' e'> <f' d'> d'1 | <c' e'>1. | \break
%% 22-25
d'1_( \tuplet 3/2 { <d' f'>4)_( <e' g'> <f' a'>)_( } | \noBreak
\tuplet 3/2 { a'8) g' f' e' d' c'_( } \tuplet 3/2 { <c' e'>8) <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> } c''2 | \noBreak
r4.. \stemUp <b' a'>16 <a' g'> \stemNeutral <g' f'> <f' e'> <e' d'> c'2._~ | \noBreak c'2._\( f'\) | \break
%% 26-29
a'8.[ b'16. c''] r4 a'4 b'8 c'' r4. | <d'' b'>8. <c'' a'> <b' g'> <a' f'> ~ <c' f'> <d' g'> <e' a'> <f' b'> _~ | f'1._( | c')_( | \break
%% 30-33
<c' f'>2)_( <c' e'>)^( \tuplet 3/2 { e'4) f' g' } | r2 \repeat percent 4 { <c' g'>8_. r8 } |
\repeat percent 6 { <g' d''>16 <c' g'> r8 } | g'1.^\fermata | \break
%% 34-38
c'1.^\fermata | <c' e'>2_( <c' g'>)_( <c' b'>)^( | <b' g'>) <g' e'> <e' c'>_( | c'1.) | r1.^\fermata | \break
%% 39-43
r1. | r2 <c' f'>2 <e' a'>4. f'8_~ | f'8 <d' g'>1 r4. | r1. | c'1_\( a'2\)_\( | \break
%% 44-47
<c' f'>2\) d''4 <f' e''>2. | <e' a'>2 f''4 <a' g''>2. | <e'' d''>2 c''4 b' <a' g'>2 | \repeat percent 2 {<c' f'>2 d'16 f' r8 } | \break
%% 48-51
\repeat percent 7 {<c' f'>4. d'16 f' r4 } r2. | \break
%% 52-55
<< { } \\ { c'2 e' f'_~ | f' e' c'_~ | c' e'1 | r2 c'1^\fermata } >> | \break
%%56-59
r1. | r1. | r1. | r1. | \break
%% 60-63
<c' f'>2._( <f' c'>)_~ | <f' c'>_( <c' f'>)_~ | f'1._\( | b'1.\) | \break
%% 64-67
c'4.._. r16 d'2_. c'4_. d'_. | e'_. r4 g'4.^. f'_. d'4_. | c'_. r8 g'2^. e'4._. d'4_. | d'4._. r4. c'8_. e'4_. f'4._. | \break
%% 68-71
f'8_. f'4_. f'8_. f'4_. f'4_. g'2^. | r4 f'4._. g'4.^. g'2^. | f'4.^. r8 f'8_. f'8._. f'4_. d'8._. e'4_. | d'4_. e'8_. f'4_. f'8_. g'2.^. | \break
%% 72-75
r4 c'8_. c'4_. r16 c'8._. d'4_. d'8_. e'4_. | f'4._. r4. e'4._. f'4._. | e'2_. e'8_. f'4_. g'2^. r8 | r8 f'8_. f'4._. e'2_. r8 e'4_. | \break
%% 76-79
d'8._. e'4_. f'4_. f'16_. f'4._. g'^. | r1.^\fermata | r1.^\fermata | r1.^\fermata | \break
%% 80-83
r1. | r1. | r1. | r1. | \break
%% 84-87
r1. | r1. | r1. | r1. | \break
%% 88-91
g'2_~ <c' g'>2_( c')_( | \repeat percent 3 {<c' g'>2)_( c')_( <c' g'>)_(} | \break
%% 92-93
\time4/1
<c' g'>\longa)
\time 3/2 r1 s2 \bar "|." \break
}
%%%%% end Soprano sheet.
sopranoM = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 c'\longa_~ | c'\breve_( c''\breve)_~ | \break
%% 3-5
c''1 r2. b'8-._\( r g'-. r e'-. r c'4-.\)_\( r8 e'-. r g'-. r b'-. c''-.\) r4. | c'''\longa | \noBreak r2. c'''2_( b''4 a'' g'' f'' e'' d'' c'') r1 | \break
%% 6-9
\time 3/2 r4 <b' g'>4 <a' f'> <g' e'> <f' d'> <e' c'>_~ | <e' c'>1_\( <c' g'>2 \)_\( | c''1.\)_\( | <a' f'>2 <g' e'> <f' d'> | \break
%% 10-13
c'1.\)_( | <c' e'>2)_\(<d' f'>\)_\( <c' e'>2\)_\( | f'1.\) | r1. | \break
%% 14-17
r1. | \repeat percent 3 { r8 <c' f'>4 r8 <c' f' b'>2 r8 <a' e'>4. } | \break
%% 18-
<a' e'>\repeatTie_\( e'4.\) a' c'_~ | c'8 <d' f'>8 <e' a'> <f' d''> c''1 | <b' g'>8 <a' f'> <g' e'> <f' d'> d'1 | <c' e'>1. | \break
%% 22-25
d'1_( \tuplet 3/2 { <d' f'>4) <e' g'> <f' a'>_( } |
\tuplet 3/2 { a'8) g' f' e' d' c'_( } \tuplet 3/2 { <c' e'>8) <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> } c''2 |
r4.. <b' a'>16 <a' g'> <g' f'> <f' e'> <e' d'> c'2._~ | c'2._\( f'\) | \break
%% 26-29
a'8.[ b'16. c''] r4 a'4 b'8 c'' r4. | <d'' b'>8. <c'' a'> <b' g'> <a' f'> ~ <c' f'> <d' g'> <e' a'> <f' b'> _~ | f'1._( | c')_( | \break
%% 30-33
<c' f'>2)_( <c' e'>)^( \tuplet 3/2 { e'4) f' g' } | r2 \repeat percent 4 { <c' g'>8_. r8 } |
\repeat percent 6 { <g' d''>16 <c' g'> r8 } | g'1.^\fermata | \break
%% 34-38
c'1.^\fermata | <c' e'>2_( <c' g'>)_( <c' b'>)^( | <b' g'>) <g' e'> <e' c'>_( | c'1.) | r1.^\fermata | \break
%% 39-43
r1. | r2 <c' f'>2 <e' a'>4. f'8_~ | f'8 <d' g'>1 r4. | r1. | c'1_\( a'2\)_\( | \break
%% 44-47
<c' f'>2\) d''4 <f' e''>2. | <e' a'>2 f''4 <a' g''>2. | <e'' d''>2 c''4 b' <a' g'>2 | \repeat percent 2 {<c' f'>2 d'16 f' r8 } \break
%% 48-51
\repeat percent 7 {<c' f'>4. d'16 f' r4 } r2. | \break
%% 52-55
<< { } \\ { c'2 e' f'_~ | f' e' c'_~ | c' e'1 | r2 c'1^\fermata } >> | \break
%% 56-59
r1. | r1. | r1. | r1. | \break
%% 60-63
<c' f'>2._( <f' c'>)_~ | <f' c'>_( <c' f'>)_~ | f'1._\( | b'1.\) | \break
%% 64-67
c'4.._. r16 d'2_. c'4_. d'_. | e'_. r4 g'4.^. f'_. d'4_. | c'_. r8 g'2^. e'4._. d'4_. | d'4._. r4. c'8_. e'4_. f'4._. | \break
%% 68-71
f'8_. f'4_. f'8_. f'4_. f'4_. g'2^. | r4 f'4._. g'4.^. g'2^. | f'4.^. r8 f'8_. f'8._. f'4_. d'8._. e'4_. | d'4_. e'8_. f'4_. f'8_. g'2.^. | \break
%% 72-75
r4 c'8_. c'4_. r16 c'8._. d'4_. d'8_. e'4_. | f'4._. r4. e'4._. f'4._. | e'2_. e'8_. f'4_. g'2^. r8 | r8 f'8_. f'4._. e'2_. r8 e'4_. | \break
%% 76-79
d'8._. e'4_. f'4_. f'16_. f'4._. g'^. | r1.^\fermata | r1.^\fermata | r1.^\fermata | \break
%% 80-83
r1. | r1. | r1. | r1. | \break
%% 84-87
r1. | r1. | r1. | r1. | \break
%% 88-91
g'2_~ <c' g'>2_( c')_( | \repeat percent 3 {<c' g'>2)_( c')_( <c' g'>)_(} | \break
%% 92-93
\time4/1
<c' g'>\longa)
\time 3/2 r1 s2 \bar "|." \break
}
%%% end Soprano midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%%
altoVoice = {\hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 r\longa | r\longa | \break
%% 3-5
r\longa | r\longa | r\longa | \break
%% 6-9
\time 3/2
r1. | r1. | r1. | r1. | \break
%% 10-13
r1. | r1. | r1. | f16^\Tutti f4. f8 r8. f2_\( g4\) | \break
%% 14-17
g4 g2 r2. | b16 b4. b8 r8. b2_\( c'4\) | c'4 c'2 r8 b4 c'4._\( | c'2\) d'2 r2 |
%% 18-21
a8 a8. a4 r8 d'4 d'8 d'8. r4 | r1. | e'16 f'4. e'2 d'4. r8. | d'8_\( c'4. a2\) r2 | \break
%% 22-25
r4. g8 b4. f8 e4. d8 | r8 f2 \stemDown c'4 b8 c'4 b8 \stemNeutral c'_( | d') d'16 r16 b2 g2. | r1. | \break
%% 26-29
r1. | r1. | r1. | r1. | \break
%% 30-33
r1. | r1. | r1. | r1. | \break
%% 34-38
r1. | r1. | r1. | r1. | r1. | \break
%% 39-43
r1. | r1 r4. f'8_(^\Solo | g'2) r8 b'2 a'4. | b'4_( c''8) a'8 b'4_( c''8) r32 g'8 r32 b'16_( g' e' c') d'8. | f'4. f'4_\( b'4.\) r2 | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-51
r1. | r1. | r1. | r1. | \break
%% 52-55
r8 c'8^\Tutti c'4 d'4. r16 c'8 b16_(_\( c'8) c'4\) | d'2 c'8. r16 e'2. | r4. c'4 r8 e'2. | f'4. g'2 f'8 e'2 | \break
%% 56-59
r8 c'2 r16 b16 c'8 d'4_\( e'4.\) | f'4_\( f' f'4.\) e'8 f'2 | r4. c'4 r8 e'2. | f'4. g'2 f'8 e'2 | \break
%% 60-63
f8 f2. r4. a8 r8 | b8_( a g f4) r8 g4 \tuplet 3/2 {a4_( \stemUp c' e')} \stemNeutral | r1. | r1. | \break
%% 64-67
c'1.\melisma | c' | c' | c'1. | \break
%% 68-71
c'4\melismaEnd r4 f'1\melisma | f'1. | f' | f' | \break
%% 72-75
f'4\melismaEnd r2 c'2.\melisma | c'1. | c' | c' | \break
%%76-79
c'2_( f'2.) _( c'4)\melismaEnd | r1.^\fermata | r1.^\fermata | r1. | \break
%% 80-83
r1. | e'1.\melisma | e' | e' | \break
%% 84-87
e'4\melismaEnd f'8_( e') r4 d' r8 c'4 r8 | r1. | g'4\melisma f' e' d'8 c'\melismaEnd b_( a) r4 | r1. | \break
%% 88-91
r1 d'8\melisma c' b a | g f g a\melismaEnd b_( c' d'4) d'2\melisma | d'1. | d' | \break
%% 92-93
\time 4/1 d'1\melismaEnd r1 r\breve | \time 3/2 r1 s2 \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
altoVoiceL = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
A man is climb -- ing the stairs.
the man is climb -- ing the stairs.
"of an" aban -- doned building,
with "no window" frames, no hand -- rails,
a building waiting "to be" de -- mol -- ished.
Sun -- shine and rain and wind have be -- come a part of daily life
%% since the man moved to this town a week ago.
%% Tenor Solo %%%
%% The man works as a door-to-door Bi -- ble sales -- man.
%% Alto Solo %%%
He goes from house to house and main -- ly sells Bi -- ble.
As he peers "at the" tar -- get {\once \override Lyrics.LyricText.color = #green "location"}
through {\once \override Lyrics.LyricText.color = #green "his scope"} "the man" hums re -- peat -- ed -- ly,
{\once \override Lyrics.LyricText.color = #green "As he peers"} at the tar -- get lo -- ca -- tion through
{\once \override Lyrics.LyricText.color = #green "his scope"} "the man" prays re -- peat -- ed -- ly,
The man was praying
{\once \override Lyrics.LyricText.color = #green "to the"} Lord.
m __ n __ m __ A __ men Amen Amen A __ men A __ men n __
}
%%%%%
altoVoiceM = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 r\longa | r\longa | \break
%% 3-5
r\longa | r\longa | r\longa | \break
%% 6-9
\time 3/2
r1. | r1. | r1. | r1. | \break
%% 10-13
r1. | r1. | r1. | f16 f4. f8 r8. f2_\( g4\) | \break
%% 14-17
g4 g2 r2. | b16 b4. b8 r8. b2_\( c'4\) | c'4 c'2 r8 b4 c'4._\( | c'2\) d'2 r2 | \break
%% 18-21
a8 a8. a4 r8 d'4 d'8 d'8. r4 | r1. | e'16 f'4. e'2 d'4. r8. | d'8_\( c'4. a2\) r2 | \break
%% 22-25
r4. g8 b4. f8 e4. d8 | r8 f2 c'4 b8 c'4 b8 c'_( | d') d'16 r16 b2 g2. | r1. | \break
%% 26-29
r1. | r1. | r1. | r1. | \break
%% 30-33
r1. | r1. | r1. | r1. | \break
%% 34-38
r1. | r1. | r1. | r1. | r1. | \break
%% 39-43
r1. | r1 r4. f'8_(^\Solo | g'2) r8 b'2 a'4. | b'4_( c''8) a'8 b'4_( c''8) r32 g'8 r32 b'16_( g' e' c') d'8. | f'4. f'4_\( b'4.\) r2 | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-51
r1. | r1. | r1. | r1. | \break
%% 52-55
r8 c'8 c'4 d'4. r16 c'8 b16_(_\( c'8) c'4\) | d'2 c'8. r16 e'2. | r4. c'4 r8 e'2. | f'4. g'2 f'8 e'2 | \break
%% 56-59
r8 c'2 r16 b16 c'8 d'4_\( e'4.\) | f'4_\( f' f'4.\) e'8 f'2 | r4. c'4 r8 e'2. | f'4. g'2 f'8 e'2 | \break
%% 60-63
f8 f2. r4. a8 r8 | b8_( a g f4) r8 g4 \tuplet 3/2 {a4_( c' e')} | r1. | r1. | \break
%% 64-67
c'1.\melisma | c' | c' | c'1. | \break
%% 68-71
c'4\melismaEnd r4 f'1\melisma | f'1. | f' | f' | \break
%% 72-75
f'4\melismaEnd r2 c'2.\melisma | c'1. | c' | c' | \break
%%76-79
c'2_( f'2.) _( c'4)\melismaEnd | r1.^\fermata | r1.^\fermata | r1. | \break
%% 80-83
r1. | e'1.\melisma | e' | e' | \break
%% 84-87
e'4\melismaEnd f'8_( e') r4 d' r8 c'4 r8 | r1. | g'4\melisma f' e' d'8 c'\melismaEnd b_( a) r4 | r1. | \break
%% 88-91
r1 d'8\melisma c' b a | g f g a\melismaEnd b_( c' d'4) d'2\melisma | d'1. | d' |\break
%% 92-93
\time 4/1 d'1\melismaEnd r1 r\breve | \time 3/2 r1 s2 \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
alto = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 c'\longa_~ | c'\breve_\( f\breve\)_~ | \break
%% 3-5
f1 r2. r8_\( a-. r c'-. r e'-. f'4-.\)_\( e'8-. r c'-. r a-. r f-.\) r4. | f''\longa | \noBreak r2. f''2_( e''4 d'' c'' b' a' g' f') r1 | \break
%% 6-9
\time 3/2 <f' c'>2 <c' g> f2_~ | <f c'>1 d'2 | e'2 <c' a>4 <d' b>_~ <b g> <c' a> |
r4 <e' c'>4 <d' b> <c' a> <b g> <a f>_~ | \break
%% 10-13
f1._( | <f a>2)_\( <g b>\)_\( <f a>\)_\( | b1.\) | r1. | \break
%% 14-17
r1. | r8 <f g a>16 <g a b> < a b c'> d'8. c'16 b a g a4 <b d'>2 | c'1 <b d'>2_~ | <b d'>1 <a d'>2_~ | \break
%% 18-21
<a d'>2 r2 d'2 | g'4._~ <g' e' c'>8. <f' d' b> <e' c' a> <d' b g> <c' a f>_~ f8._\( | a1\) c'2_~ | <c' a>1. | \break
%% 22-25
b2 \tuplet 3/2 { g4 a b a g f } | \repeat percent 8 {e'16^.} r2 \repeat percent 8 {c'16^.} |
r4.. \stemUp <e' d'>16 <d' c'> \stemNeutral <c' b> <b a> <a g> f2._~ | f2._( b) | \break
%% 26-29
d'2 \tuplet 3/2 { <c' b>4 <b a> <a g> <g f>_~ f2_~ } | f2 b \tuplet 3/2 { <f g>8 <g a> <a b> <b c'> <c' d'> <d' e'> } |
<<{ s1.} \\ {f'1._(}>> | << {s1.} \\ {f1.)_(} >> | \break
%% 30-33
<<{ b2 \override Glissando.style = #'trill e'1\glissando | b'2. } \\ {\stemUp f2) \stemNeutral
\once \override NoteHead.color = #(x11-color 'LimeGreen) \once \override Voice.Script.color = #(x11-color 'LimeGreen) b1_. | s2}>>
r8 a'16 g' f' e' d' c' b a g f_( | <f g>8.) <g a> <a b> <b c'> <c' d'> <d' e'> r4. | c'1.^\fermata | \break
%% 34-38
f1.^\fermata | <f a>2_\( <f c'>\)_\( <f e'>\)^\( | <e' c'>\) <c' a> <a f>_\( | f1.\) | r1.^\fermata | \break
%% 39-33
r1 <f b>2 | <a d'>4. b4 <g c'>2.. | r1. | r1 f2_~ | f2_\( d'1\)_^\( | \break
%% 44-47
<a' b>2.\) g'4 <f b>2 | <c'' d'>2. d'4 <a d'>2 | <c' d'>2 e'4 f' <g' a'>2 | \repeat percent 2 { r8 b16 g <f b>2 } | \break
%% 48-51
\repeat percent 7 { r4 b16 g <f b>4. } r2. | \break
%% 52-55
<< { } \\ { f2 a b_~ | b a f_~ | f a1 | r2 f1^\fermata } >> | \break
%% 56-59
r1. | r1. | r1. | r1. | \break
%% 60-63
<g b>8.-. <a c'>-. <b d'>-. r8. <c' a>8.-. <b g>-. <a f>-. r8.
f16-. g-. a-. b-. c'-. d'-. e'-. f'-. r4 b2. _~ | b1._( | e'1.) | \break
%% 64-67
f4.._. r16 g2_. f4_. g_. | a_. r4 c'4.^. b_. g4_. | f_. r8 c'2^. a4._. g4_. | g4._. r4. f8_. a4_. b4._. | \break
%% 68-71
b8_. b4_. b8_. b4_. b4_. c'2^. | r4 b4._. c'4.^. c'2^. | b4.^. r8 b8_. b8._. b4_. g8._. a4_. | g4_. a8_. b4_. b8_. c'2.^. | \break
%% 72-75
r4 f8_. f4_. r16 f8._. g4_. g8_. a4_. | b4._. r4. a4._. b4._. | a2_. a8_. b4_. c'2^. r8 | r8 b8_. b4._. a2_. r8 a4_. | \break
%% 76-79
g8._. a4_. b4_. b16_. b4._. c'^. | r1.^\fermata | r1.^\fermata | r1.^\fermata | \break
%% 80-83
r1. | r1. | r1. | r1. | \break
%% 84-87
r1. | r1. | r1. | r1. | \break
%% 88-91
c'2_~ <c' f>2_( c')_( | \repeat percent 3 {<c' f>2)_( c')_( <c' f>)_(} | \break
%% 92-93
\time4/1
<c' f>\longa)
\time 3/2 r1 s2 \bar "|." \break
}
%%%%% end alto sheet.
altoM = {
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 c'\longa_~ | c'\breve_\( f\breve\)_~ | \break
%% 3-5
f1 r2. r8_\( a-. r c'-. r e'-. f'4-.\)_\( e'8-. r c'-. r a-. r f-.\) r4. | f''\longa | \noBreak r2. f''2_( e''4 d'' c'' b' a' g' f') r1 | \break
%% 6-9
\time 3/2 <f' c'>2 <c' g> f2_~ | <f c'>1 d'2 | e'2 <c' a>4 <d' b>_~ <b g> <c' a> |
r4 <e' c'>4 <d' b> <c' a> <b g> <a f>_~ | \break
%% 10-13
f1._( | <f a>2)_\( <g b>\)_\( <f a>\)_\( | b1.\) | r1. | \break
%% 14-17
r1. | r8 <f g a>16 <g a b> < a b c'> d'8. c'16 b a g a4 <b d'>2 | c'1 <b d'>2_~ | <b d'>1 <a d'>2_~ | \break
%% 18-21
<a d'>2 r2 d'2 | g'4._~ <g' e' c'>8. <f' d' b> <e' c' a> <d' b g> <c' a f>_~ f8._\( | a1\) c'2_~ | <c' a>1. | \break
%% 22-25
b2 \tuplet 3/2 { g4 a b a g f } | \repeat percent 8 {e'16^.} r2 \repeat percent 8 {c'16^.} |
r4.. <e' d'>16 <d' c'> <c' b> <b a> <a g> f2._~ | f2._( b) | \break
%% 26-29
d'2 \tuplet 3/2 { <c' b>4 <b a> <a g> <g f>_~ f2_~ } | f2 b \tuplet 3/2 { <f g>8 <g a> <a b> <b c'> <c' d'> <d' e'> } |
<<{ s1.} \\ {f'1._(}>> | << {s1.} \\ {f1.)_(} >> | \break
%% 30-33
<<{ b2 \override Glissando.style = #'trill e'1\glissando | b'2. } \\ {\stemUp f2) \stemNeutral b1_. | s2}>>
r8 a'16 g' f' e' d' c' b a g f_( | <f g>8.) <g a> <a b> <b c'> <c' d'> <d' e'> r4. | c'1.^\fermata | \break
%% 34-38
f1.^\fermata | <f a>2_\( <f c'>\)_\( <f e'>\)^\( | <e' c'>\) <c' a> <a f>_\( | f1.\) | r1.^\fermata | \break
%% 39-43
r1 <f b>2 | <a d'>4. b4 <g c'>2.. | r1. | r1 f2_~ | f2_\( d'1\)^\( | \break
%% 44-47
<a' b>2.\) g'4 <f b>2 | <c'' d'>2. d'4 <a d'>2 | <c' d'>2 e'4 f' <g' a'>2 | \repeat percent 2 { r8 b16 g <f b>2 } | \break
%% 48-51
\repeat percent 7 { r4 b16 g <f b>4. } r2. | \break
%% 52-55
<< { } \\ { f2 a b_~ | b a f_~ | f a1 | r2 f1^\fermata } >> | \break
%% 55-59
r1. | r1. | r1. | r1. | \break
%% 60-63
<g b>8.-. <a c'>-. <b d'>-. r8. <c' a>8.-. <b g>-. <a f>-. r8.
f16-. g-. a-. b-. c'-. d'-. e'-. f'-. r4 b2. _~ | b1._( | e'1.) | \break
%% 64-67
f4.._. r16 g2_. f4_. g_. | a_. r4 c'4.^. b_. g4_. | f_. r8 c'2^. a4._. g4_. | g4._. r4. f8_. a4_. b4._. | \break
%% 68-71
b8_. b4_. b8_. b4_. b4_. c'2^. | r4 b4._. c'4.^. c'2^. | b4.^. r8 b8_. b8._. b4_. g8._. a4_. | g4_. a8_. b4_. b8_. c'2.^. | \break
%% 72-75
r4 f8_. f4_. r16 f8._. g4_. g8_. a4_. | b4._. r4. a4._. b4._. | a2_. a8_. b4_. c'2^. r8 | r8 b8_. b4._. a2_. r8 a4_. | \break
%% 76-79
g8._. a4_. b4_. b16_. b4._. c'^. | r1.^\fermata | r1.^\fermata | r1.^\fermata | \break
%% 80-83
r1. | r1. | r1. | r1. | \break
%% 84-87
r1. | r1. | r1. | r1. | \break
%% 88-91
c'2_~ <c' f>2_( c')_( | \repeat percent 3 {<c' f>2)_( c')_( <c' f>)_(} | \break
%% 92-93
\time4/1
<c' f>\longa)
\time 3/2 r1 s2 \bar "|." \break
}
%%%%% end alto midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%%
tenorVoice = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 r\longa | r\longa | \break
%% 3-5
r\longa | r\longa | r\longa | \break
%% 6-9
\time 3/2
r1. | r1. | r1. | r1. | \break
%% 10-13
r1. | r1. | r1. | d16^\Tutti d4. d8 r8. d2_\( e4\) | \break
%% 14-17
e4 e2 r2. | e16 e4. e8 r8. e2_\( a4\) | a4 a2 r8 g4 a4._\( | a2\) b2 r2 | \break
%% 18-21
r1. | a8 a8. a4 r8 d'4 d'8 d'8. r8 b8 | b4. b2 a4. r4 | a8_\( g4. f2\) r2 | \break
%% 22-25
r1. | r1. | r1. | a2. r4 b8 c'4. | \break
%% 26-29
r4 c'2.. b8 b4 | \stemUp r4 f2 r16 g8 f8_( g a b8.) \stemNeutral | c'2 r1 | r1. | \break
%% 30-33
r1. | r1. | r1. | r1. | \break
%% 34-38
r1. | r1. | r1. | r1. | r1. | \break
%% 39-43
r4 d2^\Solo f4. r16 e8. e8_( | g4) r8. f4_\( b4.\) r16 c'4._\( | d'2\) r1 | r1. | f4. f4_\( b4.\) r2 |
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-51
r1. | r1. | r1. | r1. | \break
%% 52-55
r8 g2^\Tutti r16 f16 g8 a4_\( b4.\) | c'4_\( c' c'4.\) b8 c'2 | r4. a4 r8 c'2. | d'4. e'2 d'8 c'2 | \break
%% 56-59
r8 g8 g4 b4. r16 g8 f16_(_\( g8) g4\) | a2 g8. r16 b2. | r4. a4 r8 c'2. | d'4. e'2 d'8 c'2 | \break
%% 60-63
b4 c'2 c'4 e'2 | r16 f'8.. g'8.. a'4_( b' c'') r4 | r1. | r1. | \break
%% 64-67
d1.\melisma | d | d | d | \break
%% 68-71
d4\melismaEnd r4 d1\melisma | d1. | d | d | \break
%% 72-75
d4\melismaEnd r2 d2.\melisma | d1. | d | d | \break
%%76-79
d2_( e2.) _( d4)\melismaEnd | r1.^\fermata | r1.^\fermata | r1. | \break
%% 80-83
r4 g4\melisma a b c'8 d'\melismaEnd e'8_( f') | r8 e'4. r4 e'4. r4. | b1.\melisma | b | \break
%% 84-87
b | b4\melismaEnd c'8_( b) r4 b4 r4 c'4 | r4 c'4\melisma b a g8 f\melismaEnd e_( d) | r1. | \break
%% 88-91
r1. | r2 a8\melisma g f e d c d e\melismaEnd | f_( g a4) a1\melisma | a1. | \break
%% 92-93
\time 4/1 a1\melismaEnd r1 r\breve | \time 3/2 r1 s2 \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
tenorVoiceL = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
A man is climb -- ing the stairs.
the man is climb -- ing the stairs.
"of an" aban -- doned building,
with "no window" frames, no hand -- rails,
a building waiting "to be" de -- mol -- ished.
%% Sunshine and rain and wind have become a part of daily life
since the man moved to this town a week ago.
%% Solo %%%
"The man" works "as a" "door-to-door" Bi -- ble sales -- man. (sells Bi -- ble.)
%% He goes from house to house and main -- ly sells Bi -- ble.
{\once \override Lyrics.LyricText.color = #green "As he peers"}
at the tar -- get lo -- ca -- tion through {\once \override Lyrics.LyricText.color = #green "his scope"}
"the man" hums re -- peat -- ed -- ly,
As he peers "at the" tar -- get {\once \override Lyrics.LyricText.color = #green location}
through {\once \override Lyrics.LyricText.color = #green "his scope"} "the man" prays re -- peat -- ed -- ly.
The man was praying to the Lord.
ɔ __ ɔ __ ɔ __
A __ men Amen Amen A __ men Amen Amen A __ men A __ me n __
}
%%%%%
tenorVoiceM = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 r\longa | r\longa | \break
%% 3-5
r\longa | r\longa | r\longa | \break
%% 6-9
\time 3/2
r1. | r1. | r1. | r1. | \break
%% 10-13
r1. | r1. | r1. | d16 d4. d8 r8. d2_\( e4\) | \break
%% 14-17
e4 e2 r2. | e16 e4. e8 r8. e2_\( a4\) | a4 a2 r8 g4 a4._\( | a2\) b2 r2 | \break
%% 18-21
r1. | a8 a8. a4 r8 d'4 d'8 d'8. r8 b8 | b4. b2 a4. r4 | a8_\( g4. f2\) r2 | \break
%% 22-25
r1. | r1. | r1. | a2. r4 b8 c'4. | \break
%% 26-29
r4 c'2.. b8 b4 | r4 f2 r16 g8 f8_( g a b8.) | c'2 r1 | r1. | \break
%% 30-33
r1. | r1. | r1. | r1. | \break
%% 34-38
r1. | r1. | r1. | r1. | r1. | \break
%% 39-43
r4 d2^\Solo f4. r16 e8. e8_( | g4) r8. f4_\( b4.\) r16 c'4._\( | d'2\) r1 | r1. | f4. f4_\( b4.\) r2 |
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-51
r1. | r1. | r1. | r1. | \break
%% 52-55
r8 g2^\Tutti r16 f16 g8 a4_\( b4.\) | c'4_\( c' c'4.\) b8 c'2 | r4. a4 r8 c'2. | d'4. e'2 d'8 c'2 | \break
%% 56-59
r8 g8 g4 b4. r16 g8 f16_(_\( g8) g4\) | a2 g8. r16 b2. | r4. a4 r8 c'2. | d'4. e'2 d'8 c'2 | \break
%% 60-63
b4 c'2 c'4 e'2 | r16 f'8.. g'8.. a'4_( b' c'') r4 | r1. | r1. | \break
%% 64-67
d1.\melisma | d | d | d | \break
%% 68-71
d4\melismaEnd r4 d1\melisma | d1. | d | d | \break
%% 72-75
d4\melismaEnd r2 d2.\melisma | d1. | d | d | \break
%%76-79
d2_( e2.) _( d4)\melismaEnd | r1.^\fermata | r1.^\fermata | r1. | \break
%% 80-83
r4 g4\melisma a b c'8 d'\melismaEnd e'8_( f') | r8 e'4. r4 e'4. r4. | b1.\melisma | b | \break
%% 84-87
b | b4\melismaEnd c'8_( b) r4 b4 r4 c'4 | r4 c'4\melisma b a g8 f\melismaEnd e_( d) | r1. | \break
%% 88-91
r1. | r2 a8\melisma g f e d c d e\melismaEnd | f_( g a4) a1\melisma | a1. | \break
%% 92-93
\time 4/1 a1\melismaEnd r1 r\breve | \time 3/2 r1 s2 \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
tenor = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 c\longa_~ | c\longa_~ | \break
%% 3-5
<c f>2_~ <c c'>1. <d b>2._\( <e a> <f f'>2\)_~ | <f f'>\longa_~ | <f f'>2.-. <g e'>-. <a d'>-. b-. c'1_~ | \break
%% 6-9
\time 3/2 c'2._\( f\)_\( | c'\)_\( f'\)_\( | c'\)_\( f\)_~ | <f a>4. <e g> <d f> <c e>_~ | \break
%% 10-13
<c e>_( e2.) r4. | c4. d e f | r4 g4 a b c'2 | r1. | \break
%% 14-17
<< { f2 a c' | b1. | } \\ { c1. | d4. e f g | } >> a1. | <c c'> | \break
%% 18-21
ges2 g1 | r2 <f a>1_~ | <f b>2_\( c'1_\)_\( | g1.\) | \break
%% 22-25
<f a>1 a2_( | \stemUp \tuplet 3/2 { a8) \stemNeutral g f e d c_( } \tuplet 3/2 { <c e>8) <d f> <e g> <f a> <g b> <a c'> } c'2 |
r4.. \stemUp <b a>16 <a g> \stemNeutral <g f> <f e> <e d> c2._~ | c2._\( f\) | \break
%% 26-29
<d g>2 _(<g c'>2.)_( <d g>4)_~ | <d g> <c c'>4.-. r4. \override Glissando.style = #'trill <c c'>2_.\glissando | d'1._._( | d1.) | \break
%% 30-33
r4. g'4^. a'16 g4_. f16 a'4^. b'16 c8._~ | c8._\( <c f>4.\)_\( <c b>\)^\( <b e'>\)_\( f'8.\)_\( |
a'8.\)_\( f' d' b g e c\) e16_\( f g | a1.\)^\fermata | \break
%% 34-38
d1.^\fermata | <d f>2_\( <d a>\)_\( <d c'>\)^\( | <c' a>\) <a f> <f d>_\( | d1.\) | r1.^\fermata | \break
%% 39-43
r2 <d g>2 <f b>4. g8_~ | g8 <e a>4. r1 | r1 <d g>2_\( | <d g>1\) r2 | r1 b2 | \break
%% 44-47
<< {<a d'>8[ <b e'> <c' f'>] g'2. a'4. | <g' e'>8[ <f' d'> <e' c'>] b2. a4. | <f g>8. <g a> <a b> <b c'>_\( c'2.\) | r1 b2_\( } \\
{<c e>8. <d f> <e g> f2... | d1._~ | d_~ | d_\( } >> | \break
%% 48-51
<< { b2\) r2 c'2_~ | c' r2 b2_~ | b2 r2 c'2_~ | c'1 r2 } \\ { d1\) c2_~ | c1 d2_~ | d1 c2_~ | c1 r2 } >> | \break
%% 52-55
<< { } \\ { c2 e f_~ | f e c_~ | c e1 | r2 c1^\fermata } >> | \break
%% 55-59
r1. | r1. | r1. | r1. | \break
%% 60-63
<c e>1_\( <c f>2\)_~ | <c f>2_\( <c g>1\)_~ | g1._\( | c'1.\) | \break
%% 64-67
c4.._. r16 d2_. c4_. d_. | e_. r4 g4._. f_. d4_. | c_. r8 g2_. e4._. d4_. | d4._. r4. c8_. e4_. f4._. | \break
%% 68-71
f8_. f4_. f8_. f4_. f4_. g2_. | r4 f4._. g4._. g2_. | f4._. r8 f8_. f8._. f4_. d8._. e4_. | d4_. e8_. f4_. f8_. g2._. | \break
%% 72-75
r4 c8_. c4_. r16 c8._. d4_. d8_. e4_. | f4._. r4. e4._. f4._. | e2_. e8_. f4_. g2_. r8 | r8 f8_. f4._. e2_. r8 e4_. | \break
%% 76-79
d8._. e4_. f4_. f16_. f4._. g_. | r1.^\fermata | r1.^\fermata | r1.^\fermata | \break
%% 80-83
r1. | r1. | r1. | r1. | \break
%% 84-87
r1. | r1. | r1. | r1. | \break
%% 88-91
g2_~ <g d'>2_( g)_( | \repeat percent 3 {<g d'>2)_( g)_( <g d'>)_(} | \break
%% 92-93
\time4/1
<g d'>\longa)
\time 3/2 r1 s2 \bar "|." \break
}
%%%%% end tenor sheet.
tenorM = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 c\longa_~ | c\longa_~ | \break
%% 3-5
<c f>2_~ <c c'>1. <d b>2._\( <e a> <f f'>2\)_~ | <f f'>\longa_~ | <f f'>2.-. <g e'>-. <a d'>-. b-. c'1 | \break
%% 6-9
\time 3/2 c'2._\( f\)_\( | c'\)_\( f'\)_\( | c'\)_\( f\)_~ | <f a>4. <e g> <d f> <c e>_~ | \break
%% 10-13
<c e>_( e2.) r4. | c4. d e f | r4 g4 a b c'2 | r1. | \break
%% 14-17
<< { f2 a c' | b1. | } \\ { c1. | d4. e f g | } >> a1. | <c c'> | \break
%% 18-
ges2 g1 | r2 <f a>1_~ | <f b>2_\( c'1_\)_\( | g1.\) | \break
%% 22-25
<f a>1 a2_( | \tuplet 3/2 { a8) g f e d c_( } \tuplet 3/2 { <c e>8) <d f> <e g> <f a> <g b> <a c'> } c'2 |
r4.. \stemUp <b a>16 <a g> \stemNeutral <g f> <f e> <e d> c2._~ | c2._\( f\) | \break
%% 26-29
%% <d g>2 _(<g c'>2.)_( <d g>4)_~ | <d g> <c c'>4.-. r4. <c c'>2_._( | d'1._.)_( | d1.) | \break
<d g>2 _(<g c'>2.)_( <d g>4)_~ | <d g> <c c'>4.-. r4. \override Glissando.style = #'trill <c c'>2_.\glissando | d'1._._( | d1.) | \break
%% 30-33
r4. g'4^. a'16 g4_. f16 a'4^. b'16 c8._~ | c8._\( <c f>4.\)_\( <c b>\)^\( <b e'>\)_\( f'8.\)_\( |
a'8.\)_\( f' d' b g e c\) e16_\( f g | a1.\)^\fermata | \break
%% 34-38
d1.^\fermata | <d f>2_\( <d a>\)_\( <d c'>\)^\( | <c' a>\) <a f> <f d>_\( | d1.\) | r1.^\fermata | \break
%% 39-43
r2 <d g>2 <f b>4. g8_~ | g8 <e a>4. r1 | r1 <d g>2_\( | <d g>1\) r2 | r1 b2 | \break
%% 44-47
<< {<a d'>8[ <b e'> <c' f'>] g'2. a'4. | <g' e'>8[ <f' d'> <e' c'>] b2. a4. | <f g>8. <g a> <a b> <b c'>_\( c'2.\) | r1 b2_\( } \\
{<c e>8. <d f> <e g> f2... | d1._~ | d_~ | d_\( } >> | \break
%% 48-51
<< { b2\) r2 c'2_~ | c' r2 b2_~ | b2 r2 c'2_~ | c'1 r2 } \\ { d1\) c2_~ | c1 d2_~ | d1 c2_~ | c1 r2 } >> | \break
%% 52-55
<< { } \\ { c2 e f_~ | f e c_~ | c e1 | r2 c1^\fermata } >> | \break
%% 56-59
r1. | r1. | r1. | r1. | \break
%% 60-63
<c e>1_\( <c f>2\)_~ | <c f>2_\( <c g>1\)_~ | g1._\( | c'1.\) | \break
%% 64-67
c4.._. r16 d2_. c4_. d_. | e_. r4 g4._. f_. d4_. | c_. r8 g2_. e4._. d4_. | d4._. r4. c8_. e4_. f4._. | \break
%% 68-71
f8_. f4_. f8_. f4_. f4_. g2_. | r4 f4._. g4._. g2_. | f4._. r8 f8_. f8._. f4_. d8._. e4_. | d4_. e8_. f4_. f8_. g2._. | \break
%% 72-75
r4 c8_. c4_. r16 c8._. d4_. d8_. e4_. | f4._. r4. e4._. f4._. | e2_. e8_. f4_. g2_. r8 | r8 f8_. f4._. e2_. r8 e4_. | \break
%% 76-79
d8._. e4_. f4_. f16_. f4._. g_. | r1.^\fermata | r1.^\fermata | r1.^\fermata | \break
%% 80-83
r1. | r1. | r1. | r1. | \break
%% 84-87
r1. | r1. | r1. | r1. | \break
%% 88-91
g2_~ <g d'>2_( g)_( | \repeat percent 3 {<g d'>2)_( g)_( <g d'>)_(} | \break
%% 92-93
\time4/1
<g d'>\longa)
\time 3/2 r1 s2 \bar "|." \break
}
%%%%% end tenor midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%% baritone part %%%%%%%%%%%%%%%%%%%%%%%
baritone = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 r\longa | r\longa | \break
%% 3-5
r\longa | r\longa | r\longa | \break
%% 6-9- 10-13- 14-17- 18-21- 22-25- 26-29- 30-33-34-38-39-43-44-47-48-51-52-55-56-59
\time 3/2
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
%% 60-63
r1. | r1. | r1. | b,2^\Bsolo c r8 c4. | \break
%% 64-67
c4.. r16 d2 c4 d_( | e) r4 g4. f d4_( | c) r8 g2 e4. d4 | d4. r4. c8_\( e4\) f4. | \break
%% 68-71
f8_\( f4\) f8 f4_\( f4\) g2 | r4 f4. g4. g2 | f4. r8 f8 f8. f4 d8. e4 | d4 e8 f4 f8 g2. | \break
%% 72-75
r4 c8 c4 r16 c8. d4 d8 e4 | f4. r4. e4. f4. | e2 e8 f4 g2 r8 | r8 f8 f4. e2 r8 e4 | \break
%% 76-79
d8._\( e4 f4\) f16 f4._\( g\) | r8 e2 r8 e2 r4^\fermata | r1.^\fermata | r1.^\fermata | \break
%% 80-83
r1. | r1. | r1. | r1. | \break
%% 84-87
r1. | r1. | r1. | r1. | \break
%% 88-91
r1. | r1. | r1. | r1. | \break
%% 92-93
\time 4/1 r\longa | \time 3/2 r1 s2 \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
baritoneL = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
Lord, please let it rain that day. Lord, save me.
Lord, grant my wish! Be -- fore I be -- come a sin -- ner, Lord, I beg you,
"I am" a liv -- ing per -- son who be -- lieves in God, %% this after===>Instruments play!!!
but "I am" just "one of" the weak sheep.
Please hold me in your arms and save me from be -- com -- ing a sin -- ner.
{\once \override Lyrics.LyricText.color = #green "Amen."}
{\once \override Lyrics.LyricText.color = #green "Amen."}
%%%%%%%%
%% A __ men. A __ men __. %% with Chours "S,A,T,B" and with "Tutti"
%%% man Part I end.
%%% Part II ; Start with the Hallelujah hymn
%%%%%%%%
}
%%%%% end baritone sheet.
baritoneM = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 r\longa | r\longa | \break
%% 3-5
r\longa | r\longa | r\longa | \break
%% 6-9- 10-13- 14-17- 18-21- 22-25- 26-29- 30-33-34-38- 39-43- 44-47- 48-51- 52-55-56-59
\time 3/2
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
r1. | r1. | r1. | r1. | \break
%% 60-63
r1. | r1. | r1. | b,2 c r8 c4. | \break
%% 64-67
c4.. r16 d2 c4 d_( | e) r4 g4. f d4_( | c) r8 g2 e4. d4 | d4. r4. c8_\( e4\) f4. | \break
%% 68-71
f8_\( f4\) f8 f4_\( f4\) g2 | r4 f4. g4. g2 | f4. r8 f8 f8. f4 d8. e4 | d4 e8 f4 f8 g2. | \break
%% 72-75
r4 c8 c4 r16 c8. d4 d8 e4 | f4. r4. e4. f4. | e2 e8 f4 g2 r8 | r8 f8 f4. e2 r8 e4 | \break
%% 76-79
d8._\( e4 f4\) f16 f4._\( g\) | r8 e2 r8 e2 r4^\fermata | r1.^\fermata | r1.^\fermata | \break
%% 80-83
r1. | r1. | r1. | r1. | \break
%% 84-87
r1. | r1. | r1. | r1. | \break
%% 88-91
r1. | r1. | r1. | r1. | \break
%% 92-93
\time 4/1 r\longa | \time 3/2 r1 s2 \bar "|." \break
}
%%%%% end baritone midi.
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%% bass; part %%%%%%%%%%%%%%%%
bassVoice = { \hide Staff.BarLine
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 r\longa | r\longa | \break
%% 3-5
r\longa | r\longa | r\longa | \break
%% 6-9
\time 3/2
r1. | r1. | r1. | r1. | \break
%% 10-13
r1. | r1. | r1. | g,16^\Tutti g,4. g,8 r8. g,2_\( a,4\) | \break
%% 14-17
a,4 a,2 r2. | a,16 a,4. a,8 r8. a,2_\( d4\) | d4 d2 r8 c4 d4. _\( | d2\) e2 r2 | \break
%% 18-21
r1. | b,8 b,8. b,4 r8 e4 e8 e8. r8 e8 | e4. e2 d4. r4 | d8_\( c4. b,2\) r2 | \break
%% 22-25
r1. | r1. | r1. | f2. r4 e8 f4. | \break
%% 26-29
r4 f2.. e8 e4 | r4 b,2 r16 c8 \stemUp b,8_( c d e8.) \stemNeutral | f2 r1 | r1. | \break
%% 30-33
r1. | r1. | r1. | r1. | \break
%% 34-38
r1. | r1. | r1. | r1. | r1. | \break
%% 39-43
r1. | r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-51
r1. | r1. | r1. | r1. | \break
%% 52-55
r8 c8^\Tutti c4 d4. r16 c8 b,16_(_\( c8) c4\) | d2 c8. r16 e2. | r4. d4 r8 f2. | g4. a2 g8 f2 | \break
%% 56-59
r8 c2 r16 b,16 c8 d4_\( e4.\) | f4_\( f f4.\) e8 f2 | r4. d4 r8 f2. | g4. a2 g8 f2 | \break
%% 60-63
r4 c2 c4 e2 | r16 c8.. d8.. e4_( f g) r4 | r1. | r1. | \break
%% 64-67
a,1.\melisma | a, | a, | a, | \break
%% 68-71
a,4\melismaEnd r4 a,1\melisma | a,1. | a, | a, | \break
%% 72-75
a,4\melismaEnd r2 a,2.\melisma | a,1. | a, | a, | \break
%%76-79
a,2_( b,2.) _( a,4)\melismaEnd | r1.^\fermata | r1.^\fermata | r4 c4\melisma d e f8 g\melismaEnd a8_( b) | \break
%% 80-83
r8 a4. r4 a4. r4. | e1.\melisma | e1. | e1. | \break
%% 84-87
e4\melismaEnd f8_( e) r4 d4 r8 c4 r8 | r1. | g4\melisma f e d8 c\melismaEnd b,_( a,) r4 | r1. | \break
%% 88-91
r1. | r1. | d8\melisma c b, a, g, f, g, a,\melismaEnd b,_( c d4) | d1.\melisma | \break
%% 92-93
\time 4/1 d1\melismaEnd r1 r\breve | \time 3/2 r1 s2 \undo \hide Staff.BarLine \bar "|." \break
}
%%%%%
bassVoiceL = \lyricmode {
\override Lyrics.LyricText.color = #blue
\override Lyrics.LyricHyphen.color = #blue
\override Lyrics.LyricExtender.color = #blue
\override Score.LyricText.font-shape = #'italic
\teeny
A man is climb -- ing the stairs.
the man is climb -- ing the stairs.
"of an" aban -- doned building,
with "no window" frames, no hand -- rails,
a building waiting "to be" de -- mol -- ished.
%% Sunshine and rain and wind have become a part of daily life
since the man moved to this town a week ago.
%% Tenor Solo %%%
%% The man works as a door-to-door Bible salesman,
%% Alto Solo %%%
%% He goes from house to house and mainly sells Bibles.
As he peers "at the" tar -- get {\once \override Lyrics.LyricText.color = #green "location"}
through {\once \override Lyrics.LyricText.color = #green "his scope"} "the man" hums re -- peat -- ed -- ly,
{\once \override Lyrics.LyricText.color = #green "As he peers"} at the tar -- get lo -- ca -- tion through
{\once \override Lyrics.LyricText.color = #green "his scope"} "the man" prays re -- peat -- ed -- ly,
{\once \override Lyrics.LyricText.color = #green "The man"} was praying to the Lord.
ɔː __ ɔː __ ɔː __
A __ men Amen Amen A __ men Amen Amen A __ men A __ men n __
}
%%%%%
bassVoiceM = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 r\longa | r\longa | \break
%% 3-5
r\longa | r\longa | r\longa | \break
%% 6-9
\time 3/2
r1. | r1. | r1. | r1. | \break
%% 10-13
r1. | r1. | r1. | g,16 g,4. g,8 r8. g,2_\( a,4\) | \break
%% 14-17
a,4 a,2 r2. | a,16 a,4. a,8 r8. a,2_\( d4\) | d4 d2 r8 c4 d4. _\( | d2\) e2 r2 | \break
%% 18-21
r1. | b,8 b,8. b,4 r8 e4 e8 e8. r8 e8 | e4. e2 d4. r4 | d8_\( c4. b,2\) r2 | \break
%% 22-25
r1. | r1. | r1. | f2. r4 e8 f4. | \break
%% 26-29
r4 f2.. e8 e4 | r4 b,2 r16 c8 b,8_( c d e8.) | f2 r1 | r1. | \break
%% 30-33
r1. | r1. | r1. | r1. | \break
%% 34-38
r1. | r1. | r1. | r1. | r1. | \break
%% 39-43
r1. | r1. | r1. | r1. | r1. | \break
%% 44-47
r1. | r1. | r1. | r1. | \break
%% 48-51
r1. | r1. | r1. | r1. | \break
%% 52-55
r8 c8^\Tutti c4 d4. r16 c8 b,16_(_\( c8) c4\) | d2 c8. r16 e2. | r4. d4 r8 f2. | g4. a2 g8 f2 | \break
%% 56-59
r8 c2 r16 b,16 c8 d4_\( e4.\) | f4_\( f f4.\) e8 f2 | r4. d4 r8 f2. | g4. a2 g8 f2 | \break
%% 60-63
r4 c2 c4 e2 | r16 c8.. d8.. e4_( f g) r4 | r1. | r1. | \break
%% 64-67
a,1.\melisma | a, | a, | a, | \break
%% 68-71
a,4\melismaEnd r4 a,1\melisma | a,1. | a, | a, | \break
%% 72-75
a,4\melismaEnd r2 a,2.\melisma | a,1. | a, | a, | \break
%%76-79
a,2_( b,2.) _( a,4)\melismaEnd | r1.^\fermata | r1.^\fermata | r4 c4\melisma d e f8 g\melismaEnd a8_( b) | \break
%% 80-83
r8 a4. r4 a4. r4. | e1.\melisma | e1. | e1. | \break
%% 84-87
e4\melismaEnd f8_( e) r4 d4 r8 c4 r8 | r1. | g4\melisma f e d8 c\melismaEnd b,_( a,) r4 | r1. | \break
%% 88-91
r1. | r1. | d8\melisma c b, a, g, f, g, a,\melismaEnd b,_( c d4) | d1.\melisma | \break
%% 92-93
\time 4/1 d1\melismaEnd r1 r\breve | \time 3/2 r1 s2 \bar "|." \break
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%% Instruments
bass = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 f,\longa_~ | f,\longa_~ | \break
%% 3-5
<f, c>\breve <e, b,>\breve_\( | <b, e>\longa\)_\( | <e c>2\)_\( <d b,> <c a,>2. <b, g,> <a, f,> g,\)_~ | \break
%% 6-9
\time 3/2 \repeat percent 4 { \repeat percent 4 { <g, b, d>8.-. <c a, f,> } } | \break
%% 10-13
<c a, f,>4.\repeatTie _(a,2.) r4. | e,4. f, g, b, | r4 c4 d e f2 | r1. | \break
%% 14-17
<f, f>1. | ces1. | << { c1. | e1. } \\ { e,2 f, g,_~ | g,4. a, b, c } >> | \break
%% 18-21
d1 <c e>2_~ | <c f>2_~ f1_\( | d1.\)_\( | a,\) | \break
%% 22-25
<g, b,>1. | \repeat percent 8 {a,16^.} r2 \repeat percent 8 {c16^.} |
r4.. \stemUp <e d>16 \stemNeutral <d c> <c b,> <b, a,> <a, g,> f,2._~ | f,2._( b,) | \break
%% 26-29
<< { \repeat percent 4 { <b, d>4._. } } \\ { \repeat percent 3 { c,8\rest <e, g,>8.^. <f, a,>^. } } >> |
<< { <b, d>4._.\repeatTie^( <e g>2.) r4. } \\ { r1 \override Glissando.style = #'trill f,2\glissando } >> |
<< { s1. } \\ { f1._( } >> | << { s1. } \\ { g,1.) } >> | \break
%% 30-33
r4. <<{s4. g, \override Glissando.style = #'trill
\once \override Voice.Stem.color = #(x11-color 'LimeGreen) \once \override Voice.Dots.color = #(x11-color 'LimeGreen)
\once \override NoteHead.color = #(x11-color 'LimeGreen) \once \override Voice.Glissando.color = #(x11-color 'LimeGreen) b,
\glissando | \once \override NoteHead.color = #(x11-color 'LimeGreen) \once \override Voice.Dots.color = #(x11-color 'LimeGreen)
f1. } \\ { \stemUp e,4._\( e,\)_\( \stemNeutral e,\)_\( | e,1.\)_\( } >> |
<< { s1. } \\ { \autoBeamOff \stemUp e,8.\) f, g, a,4. b,4. a,8._\( \stemNeutral } >> | << { s1.} \\ {d1.\)^\fermata } >> | \break
%%34-38
g,1.^\fermata | g,2_\( <g, b,>\)_\( <g, f>\)^\( | <f d>\) <d b,> <b, g,>_\( | g,1.\) | r1^\fermata g,2_\( | \break
%% 39-43
<g, c>2\) <b, e>4. c4 <a, d>4. | r1. | <g, c>1._~ | <g, c>1 r2 | r2 e1 | \break
%% 44-47
<e, b,>2 <f, a,> g, | <a, f,>2. <b, e,>_\( | e,4.\) g, b, c^\( | <c a,>2\) <b, g,> e,_\( | \break
%% 48-51
<e, g, b,>8\)_. <f, a, c>_. <g, b, d>_. <e g,>2._\( <d g,>16\)_\( <c g,>\)_\( <b, g,>\)_\( <g, f,>8.\)^~ |
<f, g,>16 r8 <e, g,>16_\( <e, a,>\)_\( <e, b,>\)_\( <e, c>\)_\( <e, d>8.\) e2 <f d b,>8^. <e c a,>_. <d b, g,>-.^~ |
<d b, g,>1 r2 | <e, e>1. | \break
%% 52-55
<< { } \\ { f,2 a, b,_~ | b, a, f,_~ | f, a,1 | r2 f,1^\fermata } >> | \break
%% 56-59
r1. | r1. | r1. | r1. | \break
%% 60-63
<g, b,>4-. <a, c>-. r4 <c a,>-. <b, g,>-. r4 | f,8.-. g,-. a,-. b,-. c2. _~ | c1._( | f1.) | \break
%% 64-67
\pitchedTrill f,1._\startTrillSpan fes, | f, | f, | f, | \break
%% 68-71
f,2 r2\stopTrillSpan \pitchedTrill f,2_\startTrillSpan fis, | f,1. | f, | f, | \break
%% 72-75
f, | f, | f, | f, | \break
%% 76-79
f,8 r8\stopTrillSpan f,1_\startTrillSpan f,4 | r1.\stopTrillSpan^\fermata | r1.^\fermata | r1.^\fermata | \break
%% 80-83
r1. | r1. | r1. | r1. | \break
%% 84-87
r1. | r1. | r1. | r1. | \break
%% 88-91
f,2_~ <f, c>2_( f,)_( | \repeat percent 3 {<f, c>2)_( f,)_( <f, c>)_(} | \break
%% 92-93
\time4/1
<f, c>\longa)
\time 3/2 r1 s2 \bar "|." \break
}
%%%%% end bass-sheet.
bassM = {
\autoBeamOff
\partial 2 r2^\fermata |
%% 1-2
\time 4/1 f,\longa_~ | f,\longa | \break
%% 3-5
<f, c>\breve <e, b,>\breve_\( | <b, e>\longa\)_\( | <e c>2\)_( <d b,> <c a,>2. <b, g,> <a, f,> g,\)_~ | \break
%% 6-9
\time 3/2 \repeat percent 4 { \repeat percent 4 { <g, b, d>8.-. <c a, f,> } } | \break
%% 10-
<c a, f,>4.\repeatTie _(a,2.) r4. | e,4. f, g, b, | r4 c4 d e f2 | r1. | \break
%% 14-17
<f, f>1. | ces1. | << { c1. | e1. } \\ { e,2 f, g,_~ | g,4. a, b, c } >> | \break
%% 18-21
d1 <c e>2_~ | <c f>2_~ f1_\( | d1.\)_\( | a,\) | \break
%% 22-25
<g, b,>1. | \repeat percent 8 {a,16^.} r2 \repeat percent 8 {c16^.} |
r4.. <e d>16 <d c> <c b,> <b, a,> <a, g,> f,2._~ | f,2._( b,) | \break
%% 26-29
<< { \repeat percent 4 { <b, d>4._. } } \\ { \repeat percent 3 { c,8\rest <e, g,>8.^. <f, a,>^. } } >> |
<< { <b, d>4._.\repeatTie^( <e g>2.) r4. } \\ { r1 \override Glissando.style = #'trill f,2\glissando } >> |
<< { s1. } \\ { f1._( } >> | << { s1. } \\ { g,1.) } >> | \break
%% 30-33
r4. <<{s4. g, b, \glissando | f1. } \\ { \stemUp e,4._\( e,\)_\( \stemNeutral e,\)_\( | e,1.\)_\( } >> |
<< { s1. } \\ { e,8.\) f, g, a,4. b,4. a,8._\( } >> | << { s1. } \\ { d1.\)^\fermata} >> | \break
%%34-38
g,1.^\fermata | g,2_\( <g, b,>\)_\( <g, f>\)^\( | <f d>\) <d b,> <b, g,>_\( | g,1.\) | r1^\fermata g,2_\(| \break
%% 39-43
<g, c>2\) <b, e>4. c4 <a, d>4. | r1. | <g, c>1._~ | <g, c>1 r2 | r2 e1 | \break
%% 44-47
<e, b,>2 <f, a,> g, | <a, f,>2. <b, e,>_\( | e,4.\) g, b, c^\( | <c a,>2\) <b, g,> e,_\( | \break
%% 48-51
<e, g, b,>8\)_. <f, a, c>_. <g, b, d>_. <e g,>2._\( <d g,>16\)_\( <c g,>\)_\( <b, g,>\)_\( <g, f,>8.\)^~ |
<f, g,>16 r8 <e, g,>16_\( <e, a,>\)_\( <e, b,>\)_\( <e, c>\)_\( <e, d>8.\) e2 <f d b,>8^. <e c a,>_. <d b, g,>-.^~ |
<d b, g,>1 r2 | <e, e>1. | \break
%% 52-55
<< { } \\ { f,2 a, b,_~ | b, a, f,_~ | f, a,1 | r2 f,1^\fermata } >> | \break
%% 56-59
r1. | r1. | r1. | r1. | \break
%% 60-63
<g, b,>4-. <a, c>-. r4 <c a,>-. <b, g,>-. r4 | f,8.-. g,-. a,-. b,-. c2. _~ | c1._( | f1.) | \break
%% 64-67
\pitchedTrill f,1._\startTrillSpan fes, | f, | f, | f, | \break
%% 68-71
f,2 r2\stopTrillSpan \pitchedTrill f,2_\startTrillSpan fis, | f,1. | f, | f, | \break
%% 72-75
f, | f, | f, | f, | \break
%% 76-79
f,8 r8\stopTrillSpan f,1_\startTrillSpan f,4 | r1.\stopTrillSpan^\fermata | r1.^\fermata | r1.^\fermata | \break
%% 80-83
r1. | r1. | r1. | r1. | \break
%% 84-87
r1. | r1. | r1. | r1. | \break
%% 88-91
f,2_~ <f, c>2_( f,)_( | \repeat percent 3 {<f, c>2)_( f,)_( <f, c>)_(} | \break
%% 92-93
\time4/1
<f, c>\longa)
\time 3/2 r1 s2 \bar "|." \break
}
%%% end bass-midi.
%%%%%%%%%%%%%%%% End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%