Music Sheet ¶
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Україна
[file-code; "ly,texi,sh are UTF-8"]ukraine.midi ukraine.pdf • ukraine.tar.gz (All-files;<20,000bytes)
The Jacket of a sheet is "png" and Sheets are "svg"
%% 1:32 Wednesday, February 11, 2026 %% Yukio Yoshida. \version "2.24.0" #(set-default-paper-size "letter") #(set-global-staff-size 16) %%% input files \include "ukraine-cv.ly" %% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \book{ \bookpart{ %% #I Cover-title %% \markup{ \vspace #2.4 } == for make *.ps[lilypond --ps *.ly] + ps2pdf *ps ==>*.pdf \markup{ \vspace #-.5 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% #(let* ((port (open-output-file "sheet-title-line.eps"))) (display "%!PS-Adobe-3.0 EPSF-3.0 %%Invocation: gs -sDEVICE=eps2write -sOutputFile=? -dNOPAUSE ? ? ? %%BoundingBox: 15 10 585 810 %%HiResBoundingBox: 15.00 10.00 585.00 810.00 %%Creator: GPL Ghostscript 10021 (eps2write) %%LanguageLevel: 2 %%CreationDate: D:20251114151616+09'00' %%Pages: 1 %%EndComments newpath 25 20 moveto 25 800 lineto 25 800 moveto 575 800 lineto 575 800 moveto 575 20 lineto 575 20 moveto 25 20 lineto .22 0 0 setrgbcolor 20 setlinewidth stroke %% in-line newpath 50 50 moveto 50 760 lineto 50 760 moveto 546 760 lineto 546 760 moveto 546 50 lineto 546 50 moveto 50 50 lineto 0 0 0 setrgbcolor 1 setlinecap 3 setlinewidth stroke %% Title-Word /Times-Italic findfont 14 scalefont setfont 80 740 moveto 0 0 0 setrgbcolor (Soprano; Instrument and Voice --- C \\clef on 1st line) false charpath 0 setlinewidth stroke /Times-Italic findfont 14 scalefont setfont 80 725 moveto 0 0 0 setrgbcolor (MezzoSoprano; Instrument and Voice --- C \\clef on 2nd line) false charpath 0 setlinewidth stroke /Times-Italic findfont 14 scalefont setfont 80 710 moveto 0 0 0 setrgbcolor (Alto; Instrument and Voice --- C \\clef on 3rd line) false charpath 0 setlinewidth stroke /Times-Italic findfont 14 scalefont setfont 80 695 moveto 0 0 0 setrgbcolor (Tenor; Instrument and Voice --- C \\clef on 4th line) false charpath 0 setlinewidth stroke /Times-Italic findfont 14 scalefont setfont 80 680 moveto 0 0 0 setrgbcolor (Baritone; Instrument and Voice --- C \\clef on 5th line) false charpath 0 setlinewidth stroke /Times-Italic findfont 14 scalefont setfont 80 665 moveto 0 0 0 setrgbcolor (Bass; Instrument and Voice --- F \\clef on 4th line) false charpath 0 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 110 560 moveto 1 0 0 setrgbcolor (SHEET) false charpath 3 setlinewidth stroke /Times-Italic findfont 16 scalefont setfont 180 540 moveto 0 0 0 setrgbcolor (Typesetting output with LilyPond) false charpath 0 setlinewidth stroke %%%% /Times-Italic findfont 110 scalefont setfont 130 410 moveto 0 1 0 setrgbcolor (POEM) false charpath 3 setlinewidth stroke %%%% /Times-Italic findfont 24 scalefont setfont 200 430 moveto 0 0 0 setrgbcolor (Op.120 Ukraine ) false charpath 2 setlinewidth stroke /Times-Italic findfont 20 scalefont setfont 210 340 moveto 0 0 0 setrgbcolor (MUSICAL INSTRUMENT) false charpath 1 setlinewidth stroke /Times-Italic findfont 20 scalefont setfont 280 320 moveto 0 0 0 setrgbcolor (and) false charpath 1 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 61 234 moveto 0 0 0 setrgbcolor (MIXED) false charpath 3 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 58 150 moveto 0 0 0 setrgbcolor (CHORUS) false charpath 3 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 58 62 moveto 0 0 0 setrgbcolor (GROUP) false charpath 3 setlinewidth stroke" port ) (close port)) %Trailer %% end make sheet-title-line.eps -------- \markup { \center-column { %% \epsfile #X #124 #"sheet-title-line.eps" \epsfile #X #140 #"sheet-title-line.eps" \vspace #-3 %% Under of Title letters \line { \bold \italic \tiny "The dynamic of perforukrainece is freedom(the conductor's) discretion." } }} }%% end bookpart I %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \pageBreak %%%%%% Poem area %%%%%%%%%%%%%%%%%%%%%%%%% \markup { \vspace #4 } \markup { \hspace #10 \column { " " \magnify #1.5 \with-color #red "Україна" " " " " \line { \hspace #2 \with-color #blue \bold "Introduction: Aria;Soprano " } "This is a story of numerous violent acts of sovereignty aggression by communist believers." "It is also a story of people who, amid much sorrow and suffering, resolutely defended" "their \"freedom to live\" and \"human dignity,\"" "and stood up against the brutal aggression of the communist dictatorship." " " " " \line { \hspace #16 \with-color #blue \bold " Aria; Baritone " } "Moũsa, goddess of poetry! Speak! Tell!" " " \vspace #-.5 "Of this brutal act of violence among humans!" " " \vspace #-.5 "Of the behavior that completely eliminates the weak through this violent act!" " " \vspace #-.5 "Sing! Sing of the sadness, loneliness, and suffering of life!" " " \vspace #-.5 "Use your voice to heal the loneliness of life!" %{ "Moũsa, goddess of poetry, tell us! Tell us!" " " \vspace #-.5 "Of the many brutal acts of aggression by communist believers against the sovereignty of the strong!" " " \vspace #-.5 "The communist believers' constant violence, annihilating the weak!" " " \vspace #-.5 "Tell us, tell us about their brutal behavior and actions!" %} " " " " \line { \hspace #16 \with-color #blue \bold " Tutti-S,A,T,B " } "After completing its silent invasion," "Россия(Russia) has revealed its true dictatorial nature!" " " "Within a week, it wiped Україна off the face of the earth," "ceding all of Україна's land to Россия," "and then launched an invasion with an army of 100,000!" " " " " " " \line {\hspace #-4 \tiny {(\italic "If it's possible.")}} \raise #1 \line { \hspace #16 \with-color #blue \bold \raise #1 \musicglyph "scripts.coda" "Coda" } \italic "We will fight. Just like the British people of old, just like the citizens of London." \italic "We will fight against the armed forces of dictatorial communism." \italic "We will not give up our freedom and our social system." \italic "We will take a step towards a free society, just like the 13 former American colonies." \italic "Just like the citizens of Paris once led the French Revolution." " " "We are deeply grateful for the assistance of all countries. Amen" " " " " " " " " \line { \hspace #60 \normalsize \typewriter "--- Thursday, February 05, 2026 --- " } \raise #1 \line { \hspace #81 \normalsize \typewriter "Yukio Yoshida"} \line { \hspace #36 \italic " Voice of America news broadcast reporting the invasion of Ukraine "} \line { \hspace #12 " Search on the internet and click; " \bold " 20220224-090000-VEN119-program - VOA News " } " " " " \line { \hspace #-3 \large \with-color #blue \italic "Voices; pronunciation" } \line { \with-color #blue "Pronunciation--Symbol" \hspace #3 \bold "ɑ" \tiny \italic "or" \bold "ɔ , ɔː , m , n"(Solo ; Tutti) } " " }}%% end poem I %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% \pageBreak \bookpart { %% ---ukraine.ly--- book1 \header { dedication = \markup { \italic " " } title = \markup{ \line { \italic \huge " Україна " } } subtitle = \markup{ \center-column { \italic "c major; c d e f g a b" } } subsubtitle = \markup { \center-column { \italic "soprano; C clef on 1st line, alto; C clef on 3rd line." \italic " bass; F clef on 4th line, tenor; C clef on 4th line." \large \italic \with-color #red " Aria(singer) soprano; C clef on 1th line. " \large \italic \with-color #red " Aria(singer) baritone; C clef on 5th line. " " " } } %% instrument = " Chorus & Instruments " %% poet = " Poet " %% composer = " Yukio Yoshida " meter = \markup { \bold \italic \column { " " " Introduction; " } } arranger = \markup { \column { " Yukio Yoshida " " " } } tagline = " \null " %% Special `mutopia--Documentation' copyright = "public Domain" }%% End header %% get sheet music --------------------------------------------------- \score { << %% \context ChoirStaff = "FourPartStaffaddchorus" << \context StaffGroup << \context Voice = "soprano" { \clef soprano \key c\major \time 3/2 \set Staff.instrumentName = "soprano" \soprano } \context Voice = "sopranoVocal" { \clef soprano \key c\major \time 3/2 \set Staff.instrumentName = "Voice; sop " \VoiceColorBlue { \sopranoVoice } } \new Lyrics = "mainSL" \lyricsto "sopranoVocal" { \sopranoVoiceL } \context Voice = "sopranoAria" { \clef soprano \key c\major \time 3/2 \set Staff.instrumentName = \markup { \column { \with-color #red \bold "Soprano " \tiny \with-color #red \bold "Aria; singer" } } \VoiceColorBlue { \sopranoAria } } \new Lyrics = "mainTL" \lyricsto "sopranoAria" { \sopranoAriaL } %%%%% \context Voice = "alto" { \clef alto \key c\major \time 3/2 \set Staff.instrumentName = "alto " \alto } \context Voice = "altoVocal" { \clef alto \key c\major \time 3/2 \set Staff.instrumentName = "Voice; alt " \VoiceColorBlue { \altoVoice } } \new Lyrics = "mainSL" \lyricsto "altoVocal" { \altoVoiceL } %%%%% \context Voice = "tenor" { \clef tenor \key c\major \time 3/2 \set Staff.instrumentName = "tenor " \tenor } \context Voice = "tenorVocal" { \clef tenor \key c\major \time 3/2 \set Staff.instrumentName = "Voice; tenor " \VoiceColorBlue { \tenorVoice } } \new Lyrics = "mainSL" \lyricsto "tenorVocal" { \tenorVoiceL } %%%%% \context Voice = "baritone" { \clef baritone \key c\major \time 3/2 \set Staff.instrumentName = \markup { \column { \with-color #red \bold"baritone " \tiny \with-color #red \bold "Aria; singer" } } \VoiceColorBlue { \baritone } } \new Lyrics = "mainTL" \lyricsto "baritone" { \baritoneL } %%%%% \context Voice = "bass" { \clef bass \key c\major \time 3/2 \set Staff.instrumentName = "bass " \bass } \context Voice = "bassVocal" { \clef bass \key c\major \time 3/2 \set Staff.instrumentName = "Voice; bass " \VoiceColorBlue { \bassVoice } } \new Lyrics = "mainBL" \lyricsto "bassVocal" { \bassVoiceL } >> >> \layout { \context { \Staff \RemoveEmptyStaves \override VerticalAxisGroup.remove-first = ##f } } } \markup { \vspace #10 \hspace #120 \bold \italic "The End." } \markup { " "} \markup {\wordwrap \tiny {As a Japanese citizen, I express my respect. Also, the fact that we are celebrating the anniversary of the defeat of tyranny and the pursuit of democracy (February 8th) in Japan is a testament to the courage of the Ukrainian people, which I believe has been conveyed to every single Japanese citizen.}} %%% get midi music \score { << \context ChoirStaff = "FourPartStaffaddchorus" << \context Voice = "soprano" { \clef soprano \key c\major \time 3/2 %% \tempo 4 = 46 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = "soprano" \unfoldRepeats \sopranoM } \context Voice = "sopranoVocal" { \clef soprano \key c\major \time 3/2 %% \tempo 4 = 46 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = "Voice; sop " \VoiceColorBlue { \sopranoVoiceM } } %% \new Lyrics = "mainSL" \lyricsto "sopranoVocal" { \sopranoVoiceLM } \context Voice = "sopranoAria" { \clef soprano \key c\major \time 3/2 %% \tempo 4 = 46 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = \markup { \column { \with-color #red "soprano " \tiny \with-color #red "Aria; singer" } } \VoiceColorBlue { \unfoldRepeats \sopranoAriaM } } %% \context Voice = "alto" { \clef alto \key c\major \time 3/2 %% \tempo 4 = 46 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = "alto " \unfoldRepeats \altoM } \context Voice = "altoVocal" { \clef alto \key c\major \time 3/2 %% \tempo 4 = 46 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = "Voice; alt " \VoiceColorBlue { \altoVoiceM } } %% \new Lyrics = "mainSL" \lyricsto "altoVocal" { \altoVoiceLM } \context Voice = "tenor" { \clef tenor \key c\major \time 3/2 %% \tempo 4 = 46 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = "tenor " \unfoldRepeats \tenorM } \context Voice = "tenorVocal" { \clef tenor \key c\major \time 3/2 %% \tempo 4 = 46 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = "Voice; tenor " \VoiceColorBlue { \tenorVoiceM } } %% \new Lyrics = "mainSL" \lyricsto "tenorVocal" { \tenorVoiceLM } \context Voice = "baritone" { \clef baritone \key c\major \time 3/2 %% \tempo 4 = 46 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = \markup { \column { \with-color #red "baritone " \tiny \with-color #red "Aria; singer" } } \VoiceColorBlue { \unfoldRepeats \baritoneM } } %% \context Voice = "bass" { \clef bass \key c\major \time 3/2 %% \tempo 4 = 46 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = "bass " \unfoldRepeats \bassM } \context Voice = "bassVocal" { \clef bass \key c\major \time 3/2 %% \tempo 4 = 46 \set Staff.midiInstrument = "pad 4 (choir)" \set Staff.instrumentName = "Voice; bass " \VoiceColorBlue { \bassVoiceM } } %% \new Lyrics = "mainBL" \lyricsto "bassVocal" { \bassVoiceLM } >> >> \midi { tempoWholesPerMinute = #(ly:make-moment 46 4) } } \markup { " " } %%%%%%%%% } %% end ukraine .ly %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \pageBreak \markup {\null} \pageBreak \bookpart{ %% IV wrting of attention And out of source code %% \markup { \vspace #6 } \markup { \hspace #26 \huge "INSTRUMENT RANGES" } \markup { \hspace #8 \italic "About;" \teeny\italic "Some of Instruments; there is a difference between writing-note and real-note." \italic "for instance:" } \markup { \hspace #8 \column { \line { \bold %% "WOODWINDS; Piccolo(in C)"--\tiny "like this"-- } \line { \score { { \clef treble \key cis\major \time 4/1 d'1^\markup {\italic "written" } s1 g'''1 s1 \bar"||" s2 d''1_\markup { \hspace #-8 \italic "sounds one octave higher" } s1 g''''1 s2 | \break } \layout { \context { \Staff \override ClefSignature.transparent = ##t \override TimeSignature.transparent = ##t } indent = 20.00\mm line-width = 160.00\mm } } } }} \markup { " " } \markup { \vspace #2 } \markup { \hspace #8 \column { \line { \hspace #18.4 \bold "Bass Flute"--\tiny "like this"-- } \line { \score { { \clef treble \key cis\major \time 4/1 c'1^\markup {\italic "written" } s1 a'''1 s1 \bar"||" \clef bass s2 c1_\markup { \hspace #-8 \italic "sounds one octave lower" } s1 \clef treble a''1 s2| \break } \layout { \context { \Staff \override ClefSignature.transparent = ##t \override TimeSignature.transparent = ##t } indent = 20.00\mm line-width = 160.00\mm } } } }} \markup { " " } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \markup { \vspace #6 } \markup { \fill-with-pattern #2 #CENTER - \null \null } \markup { " " } \markup { \hspace #20 \magnify #2 { Stage Position;\tiny \italic "(This arrangement--with the instrument needles column below--)" } } \markup { " " } \markup { \hspace #26 \column { \line { About the Chorus; \teeny \italic "(For instsnce")} \line { \hspace # 18 \rounded-box {Bass}\hspace #2 \rounded-box {Tenor}\hspace #2 \rounded-box {Alto}\hspace #2 \rounded-box{Soprano} } \teeny \italic " since, They must be reverse for Instrument's arrangement " } } \markup { \vspace #2 } \markup { \italic " About Position of Sololist is placed freely(on the stage) " } \markup { \vspace #2 } \markup { About Instrument arrangement;\teeny \italic "(must be reverse for Chours's position)" } \markup { \hspace # 20 \rounded-box { \column { \huge " Instruments " " Soprano " " Group "} }\hspace #3 \rounded-box { \column { \huge " Instruments " " Alto " " Group "} }\hspace #3 \rounded-box { \column { \huge " Instruments " " Tenor " " Group "} }\hspace #3 \rounded-box { \column { \huge " Instruments " " Bass " " Group "} } } \markup { \vspace #2 } \markup { \hspace #56 \huge " Conductor " } \markup { " " } \markup { \vspace #1 } \markup { \fill-with-pattern #2 #CENTER - \null \null } \markup { \vspace #2 } \markup { ........... Audience seats ........... } \markup { \vspace #4 } \markup { \teeny { \column { \bold \italic "If you can do it, please running on;" \line { \wordwrap { As it is the lighting of the audience's Seats(Do not turn off even when the play began). \hspace #2 \italic "When play began, lighting the stage (rather than the audience's) more brightly."}}}}} \markup { " " } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \pageBreak \markup {\null} \pageBreak \markup { " " } %% eps-part ------------------------------------------------------------------- %% C:\Program Files (x86)\LilyPond\usr\share\ghostscript\8.70\Resource\Init\ %% Fontmap.GS // Not!! [Windows--ghostscript] #(let* ((port (open-output-file "Source-code.eps"))) (display "%!PS-Adobe-3.0 EPSF-3.0 %%BoundingBox: 60 227 525 636 %%HiResBoundingBox: 60.20 227.30 524.50 635.60 %%Creator: GPL Ghostscript 922 (eps2write) %%LanguageLevel: 2 %%CreationDate: D:20180608144500+09'00' %%Pages: 1 %%EndComments /Times-Italic findfont 200 scalefont setfont 120 500 moveto 1 0 0 setrgbcolor (ALL) false charpath 4 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 60 320 moveto 0 0 0 setrgbcolor (SOURCE) false charpath 3 setlinewidth stroke /Times-Italic findfont 120 scalefont setfont 100 230 moveto 0 0 0 setrgbcolor (CODE) false charpath 1 setlinewidth stroke" port) (close port)) %Trailer %% end -----eps part------------------------------------------------------------------- %%%% Needn't Surce code's Title-String for texi-document. \markup { \vspace #10 } \markup { \hspace #12 \epsfile #X #100 #"Source-code.eps" } \markup { " " } \markup { \vspace #1 } \markup { \fill-line { \center-column { \line { As all;\hspace #2 See! (HTML) @menu } "https://www.sheet-poem.com/poem/html/2026/2.24.0/ukraine/ukraine.html" } } } \markup { " " } }%% end book{ IV %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% }%% End book %%%%%%%%%%%%%%%%%%%% All End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% 7:58 Saturday, November 15, 2025 %% \version "2.24.0" %% If you want to change of color, then do see! in "define-grobs.scm"(lilypond's system file) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% VoiceColorBlue = { \override Staff.StaffSymbol.color = #blue \override Staff.LedgerLineSpanner.color = #blue \override Staff.Clef.color = #blue \override Staff.TimeSignature.color = #blue \override Staff.KeySignature.color = #blue \override Staff.BarLine.color = #blue \override Voice.NoteHead.color = #blue \override Voice.Rest.color = #blue \override Voice.Stem.color = #blue \override Voice.Flag.color = #blue \override Voice.Beam.color = #blue \override Voice.Slur.color = #blue \override Voice.PhrasingSlur.color = #blue \override Voice.Tie.color = #blue \override Voice.Dots.color = #blue \override Voice.Script.color = #blue \override Voice.Accidental.color = #blue \override Voice.DynamicLineSpanner.color = #blue \override Voice.DynamicText.color = #blue \override Voice.DynamicTextSpanner.color = #blue \override Voice.TupletNumber.color = #blue \override Voice.TupletBracket.color = #blue \override Voice.BreathingSign.color = #blue \override Voice.PercentRepeat.color = #blue \override Voice.RepeatSlash.color = #blue } VoiceColorBlueRevert = { \revert Voice.NoteHead.color \revert Voice.Rest.color \revert Voice.Stem.color \revert Voice.Flag.color \revert Voice.Beam.color \revert Voice.Slur.color \revert Voice.PhrasingSlur.color \revert Voice.Tie.color \revert Voice.Dots.color \revert Voice.Script.color \revert Voice.Accidental.color \revert Voice.DynamicLineSpanner.color \revert Voice.DynamicTextSpanner.color \revert Voice.DynamicText.color \revert Voice.TupletNumber.color \revert Voice.TupletBracket.color \revert Voice.BreathingSign.color \revert Voice.PercentRepeat.color \revert Voice.RepeatSlash.color } VoiceColorRed = { \override Voice.NoteHead.color = #red \override Voice.Rest.color = #red \override Voice.Stem.color = #red \override Voice.Flag.color = #red \override Voice.Dots.color = #red \override Voice.Script.color = #red \override Voice.PhrasingSlur.color = #red } VoiceColorRedRevert = { \revert Voice.NoteHead.color \revert Voice.Rest.color \revert Voice.Stem.color \revert Voice.Flag.color \revert Voice.Dots.color \revert Voice.Script.color \revert Voice.PhrasingSlur.color } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% 3:41 Tuesday, February 10, 2026 %% Yukio Yoshida %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% Part Vocal;; Start: \hide Staff.BarLine %% and end: \undo \hide Staff.BarLine \bar "|." \break %% And \score{ \context StaffGroup << } !! %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% !! Pay attention to the position of "\nobreak". %% That is, to declare it in the staff notation where it occurs." %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \version "2.24.0" %% #(set-default-paper-size "letter") %% #(set-global-staff-size 18) \include "color.ly" %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% AriaS=^\markup { \hspace #-6 \raise #4 \with-color #red \box { \pad-around #0.5 { \bold \teeny \italic "Aria"} } } AriaSII=^\markup { \hspace #-4 \with-color #red \box { \pad-around #0.5 { \bold \teeny \italic "Aria"} } } AriaB=^\markup { \hspace #-4 \raise #4 \with-color #red \box { \pad-around #0.5 { \bold \teeny \italic "Aria"} } } Tutti=^\markup { \with-color #blue { \override #'(box-padding . 0.5) \override #'(thickness . 2) \rounded-box { {\teeny \italic "Tutti"} } } } Both=^\markup { \with-color #red \box { \pad-around #0.5 {\teeny \italic "Aria" } } or \with-color #blue \box { \pad-around #0.5 {\teeny \italic "Tutti" } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%% soprano part %%%%%%%%%%%%%%%%%%%%% sopranoVoice = { \hide Staff.BarLine \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\breve e'\breve^\Tutti \melisma | e'\longa | \break %% 3-5 e'\breve e'8\melismaEnd r2.. r1 | \noBreak \time 3/2 r1. | r1. | \break %% 6-9 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | r1. | \break %% 14-17 r1. | r1. | r1. | r1. | \break %% 18-21 r1. | r1. | r1. | r1. | \break %% 22-25 r1. | r1. | r1. | r1. | \break %% 26-29 r1. | r1. | r1. | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 r1. | r1. | r1. | r1. | \break %%42-45 r1. | e'1.^\Tutti \melisma | f'1. | f'8.\melismaEnd r16 d'4._\( e'4..\) r16 e'4._\( | \break %% 46-49 e'4 a'4.\) r4. e'2\melisma | \noBreak f'1. | \noBreak e'1._~ | \noBreak e'2 f'2 e'4.\melismaEnd r8 | \break %% 50-53 c'4 c'8_\( e'4.\) e'8_\( d' c'4.\) r8 | g'4_( a') c''4. b'8_\( c''4.\) b'8 | c''4. b'4^._\( c''8^. d''4^. e''2^.\) | c''4._\( e''2.\) r4. | \break %% 54-57 r1. | r4 e''4 c''2 b'4_( a') | g'4 b'2 a'4 g'2_( | f'4) f'4._( g'8.) f'16 r8 e'2 | \break %% 58-61 e'2 r16 d'2_( c'4..) | e'4 c'4_( d' e') c'16 d'8._\( d'4 | e'4.\) r4. e'4 e'4( c') | d'16 c'1_( c'4..)^\markup { \hspace #3 \bold If you can \magnify #1.5 \coda }\undo \hide Staff.BarLine \bar "|." \break %% 1(62)-3 \set Score.currentBarNumber = #1 \time 4/1 r\longa^\markup {\hspace #-5 \bold \magnify #1 \coda} | r\longa | \time 3/2 f'2 g'1 | \break %% 4(65)-7 f'4. a' a'8 a'4._\( b'4_~ | b'\) c''4_\( d''4.\) c''8 c''4. r8 | e'4 a'4. g'8 a'4_\( c''4.\) b'8 | c''2 r1 | \break %% 8(69)-11 r1. | r1. | r1. | r1. | \break %% 12(73)-15 \hide Staff.BarLine f'4 a'4. a' g'8 b'4. | g'4. g'16 a'4_\( b'8 c''8. b'2\) | g'4 a'8 a'4. r4 c''4 b'8 c''8_( | c''8) c''4 d''4._\( e''2\) r4 | \break %% 16(77)-19 r1. | r1. | r1. | r1. | \break %% 20(81)- c''8 e''4. d''4_\( e''4\) e''4_\( f''4_~ | f''4.\) c''4 d'' d'' d''8 e''4 | e''8_\( f''4.\) e''8 f''4. d''8_\( d'' f''4_( | f''8)\) r2 f''4. r16 g''4. r16 | \break %% 24(85)-27 r32 f'8 g'4... a'4_\( b'\) g'4._\(_( | b'8) d''4.\) c''4._\( e''\) r4 | f''4. r16 g''4. r8 f'8 a'8._\( b'4\) | b'8 e''2 g'8_( b'4) a'4. r8 | \break %% 28(89)-31 e''2 r16 c''4_\( d''8. f''2_( | g''2)\) r1| \time 4/1 r\longa^\fermata | r\breve r1. f'2 | \break %% 32(93)-35 e'2 e'4._( f') g'4_\(_( a') c''2\) b'4 b'_\( c'' e''1\) | b'4. c''_\( d''2.\) r2 r\breve | r\breve r1 c''1\melisma | \time 3/2 s32\melismaEnd f''1^\fermata s4... \undo \hide Staff.BarLine \bar "|." \break } %%%%% sopranoVoiceL = \lyricmode { \override Lyrics.LyricText.color = #blue \override Lyrics.LyricHyphen.color = #blue \override Lyrics.LyricExtender.color = #blue \override Score.LyricText.font-shape = #'italic \teeny m __ n __ Af -- ter com -- plet -- ing m __ its si -- lent in -- va -- sion, \once \override Lyrics.LyricText.color = #green "Россия" has re -- vealed its true dic -- ta -- tor -- ial na -- ture! %% With -- in a week, it wiped \once \override Lyrics.LyricText.color = #green "Україна" "off the" face "of the" earth, "ceding all" of \once \override Lyrics.LyricText.color = #green "Україна's" "land to" \once \override Lyrics.LyricText.color = #green "Россия," "and then" launched an in -- va -- sion "with an" army of " 100000!" %%"one hun -- dred thou -- sand peo -- ple" %%%%%%% %%%%%%% Coda %%%%%%%%%%%%%%%%%%%%%%%%%%%% "We will" fight. Just like the Brit -- ish peo -- ple of old, just like the citi -- zens of London. "We will" fight against the armed forces of dic -- ta -- tor -- ial com -- mun -- ism. "We will" not "give up" our free -- dom and our so -- cial sys -- tem. We will take a step to -- wards a free so -- ci -- ety, just like the "13" for -- mer Ameri -- can colon -- ies. Just like the citi -- zens of Paris once "led the" French Revo -- lu -- tion. We are deeply grate -- ful "for the" as -- sis -- tance "of all" coun -- tries. A -- men } %%%%% sopranoVoiceM = { \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\breve e'\breve | e'\longa | \break %% 3-5 e'\breve e'8\melismaEnd r2.. r1 | \time 3/2 r1. | r1. | \break %% 6-9 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | r1. | \break %% 14-17 r1. | r1. | r1. | r1. | \break %% 18-21 r1. | r1. | r1. | r1. | \break %% 22-25 r1. | r1. | r1. | r1. | \break %% 26-29 r1. | r1. | r1. | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 r1. | r1. | r1. | r1. | \break %%42-45 r1. | e'1.^\Tutti \melisma | f'1. | f'8.\melismaEnd r16 d'4._\( e'4..\) r16 e'4._\( | \break %% 46-49 e'4 a'4.\) r4. e'2\melisma | f'1. | e'1._~ | e'2 f'2 e'4.\melismaEnd r8 | \break %% 50-53 c'4 c'8_\( e'4.\) e'8_\( d' c'4.\) r8 | g'4_( a') c''4. b'8_\( c''4.\) b'8 | c''4. b'4^._\( c''8^. d''4^. e''2^.\) | c''4._\( e''2.\) r4. | \break %% 54-57 r1. | r4 e''4 c''2 b'4_( a') | g'4 b'2 a'4 g'2_( | f'4) f'4._( g'8.) f'16 r8 e'2 | \break %% 58-61 e'2 r16 d'2_( c'4..) | e'4 c'4_( d' e') c'16 d'8._\( d'4 | e'4.\) r4. e'4 e'4( c') | d'16 c'1_( c'4..) %% 62-64 \time 4/1 r\longa | r\longa | \time 3/2 f'2 g'1 | \break %% 65-68 f'4. a' a'8 a'4._\( b'4_~ | b'\) c''4_\( d''4.\) c''8 c''4. r8 | e'4 a'4. g'8 a'4_\( c''4.\) b'8 | c''2 r1 | \break %% 69-72 r1. | r1. | r1. | r1. | \break %% 73-76 f'4 a'4. a' g'8 b'4. | g'4. g'16 a'4_\( b'8 c''8. b'2\) | g'4 a'8 a'4. r4 c''4 b'8 c''8_( | c''8) c''4 d''4._\( e''2\) r4 | \break %% 77-80 r1. | r1. | r1. | r1. | \break %% 81-84 c''8 e''4. d''4_\( e''4\) e''4_\( f''4_~ | f''4.\) c''4 d'' d'' d''8 e''4 | e''8_\( f''4.\) e''8 f''4. d''8_\( d'' f''4_( | f''8)\) r2 f''4. r16 g''4. r16 | \break %% 85- r32 f'8 g'4... a'4_\( b'\) g'4._\(_( | b'8) d''4.\) c''4._\( e''\) r4 | f''4. r16 g''4. r8 f'8 a'8._\( b'4\) | b'8 e''2 g'8_( b'4) a'4. r8 | \break %% 89-92 e''2 r16 c''4_\( d''8. f''2_( | g''2)\) r1| \time 4/1 r\longa^\fermata | r\breve r1. f'2 | \break %% 93-96 e'2 e'4._( f') g'4_\(_( a') c''2\) b'4 b'_\( c'' e''1\) | b'4. c''_\( d''2.\) r2 r\breve | r\breve r1 c''1\melisma | \time 3/2 r32\melismaEnd f''1^\fermata r4... \bar "|." \break } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%% Instruments part soprano = { \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 a'\breve r\breve | r\longa | \break %% 3-5 r\breve c'\breve_~ | \time 3/2 c'1._\( | <d' e'>4._. <f' g'>_. <a' b'>^. c''\)_~ | \break %% 6-9 c''8 a'16 f' d'2 c'2. | \noBreak \repeat percent 12 { <b' g' e'>16 <a' f' d'> } | \noBreak a'2 <c' e' g'>16 <d' f' a'> <e' g' b'>_~ b'4_~ <b' g' e'>8. <a' f' d'> <g' e' c'> | \noBreak c'2.. r8. g'4.._~ | \break %% 10-13 g'16_\( c'4..\) _~ <c' e'>1_~ | <e' g'>1._~ | \noBreak <g' c'>1._~ | c'1. | \break %% 14-17 r1. | r1. | <c' c''>8.-. <d' c''>-. <e' c''>-. <f' c''>-. <g' c''>2._~ | <g' c''>1._\( | \break %% 18-21 g'2\) <c' e'>4 <e' g'> <g' b'> <a' c''> | <b' a'>2 <a' g'> <g' f'> | <e' f'>4 <f' g'> a'1_\( | <a' c''>1.\) | \break %% 22-25 r4. <c' e' g'>2_\( <d' f' a'>\) r8 | <a' f'>8 <g' e'> <f' d'><e' c'>_~ c'1_~ | c'8 d' e' f'4. g'8 a' b' c''4._~ | <c'' a'>16 <b' g'> <a' f'> <g' e'> <f' a'> <g' b'> c''2. r4. | \break %% 26-29 r1. | r1. | r1. | r1 r4 <c' e' g'>4_~ | \break %% 30-33 <c' e' g'>4_~ <e' g'>2_~ <e' c'>2_~ c'4_~ | \noBreak <c' f' b'>1_\( c''8\)_\( b' a' g'\)_~ | \noBreak g'1._~ | \noBreak <e' g' b'>1 c''2 | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 c''4._~ <c'' a'>16 <b' g'>16 <a' f'> <g' e'> <f' d'> <e' c'>_~ c'2._~ | <c' f'>2._~ f'4. e'8 d' c'_~ | <c' e'>4. <d' f'> <e' g'>_~ g'8 a' b' | c''1._~ | \break %% 42-45 c''1._~ | \noBreak <c'' a' f'>32[ <b' g' e'> <a' f' d'> <g' e' c'>]_~ <c' e'>8 <d' f'> <e' g'> <f' a'> <g' b'> <a' c''>_~ <c'' a' f'>32[ <b' g' e'> <a' f' d'> <g' e' c'>]_~ c'2_~ | \noBreak <c' e' g'>32[ <d' f' a'> <e' g' b'> <f' a' c''>]_~ <c'' a'>8 <b' g'> <a' f'> <g' e'> <f' d'> <e' c'>_~ c'2_~ <c' e' g'>32[ <d' f' a'> <e' g' b'> <f' a' c''>] | \noBreak d''1\glissando d'4 r4 | \break %% 46-49 \override Glissando.style = #'zigzag d'4\glissando d''1 r4 | %% \repeat percent 3 { c'1 \times 2/3 {e'4 g' b' } } | \break c'1 \times 2/3 {e'4 g' b' } | \times 2/3 { d''4 c'' b' a' g' f' } e'2_~ | e'1._~ | \break %% 50-53 e'1 r2 | r1. | r1. | r1 b''2_~ | \break %% 54-57 b''8 r1 c'4._~ | c'1._~ | <c'_. c''>2 <e'_. a'> <f'_. g'> | <c''^. b'>8. <b'^. a'> <a'^. g'> \once \stemDown <g'^. f'> <f'_. e'> <e'_. d'> <d'_. c'>_~ c'_._~ | \break %% 58-61 c'2_.( \makeClusters { <c' f '>2) d'2 | <c' f'>2 <c' g'> <d' a'> | f'1 <c' a'>2 | <e' a'>2 <d' g'>4 c'4 } c'2\repeatTie ^\markup {\hspace #3 \bold If you can \magnify #3 \varcoda } \bar "|." \break %% 1(62)- \set Score.currentBarNumber = #1 \time 4/1 r\longa^\markup {\hspace #-5 \bold \magnify #3 \varcoda} | r\longa | \time 3/2 <d' a'>2 <e' b'>1 | \break %% 4(65)-7 r1. | r1. | r1. | r1. | \break %% 8(69)-11 c'16 d' e' f' g' a' b' c'' r16 c''2 f''4. r16 | <c' e'>16 <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> <c'' e''> r16 d''2 g''4. r16 | <c' e' g'>16 <d' f' a'> <e' g' b'> <f' a' c''> <g' b' d''> <a' c'' e''> <b' d'' f''> <c'' e'' g''> r16 g''2 c'''4. r16 | <c' e'>16 <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> <c'' e''> r16 d''2 g''4.. | \break %% 12(73)-15 r2 <d' f'>1 | e'2 <c' g'>1_~ | <c' g'>2 e' d' | <c' e'>16 <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> <c'' e''> r16 d''2 g''4.. | \break %% 16(77)-19 r1. | r1. | r1. | r1. | \break %% 20(81)-23 << { \pitchedTrill d'1._\startTrillSpan c' | \pitchedTrill e'1.\stopTrillSpan _\startTrillSpan f' | \pitchedTrill c'1.\stopTrillSpan _\startTrillSpan d' | e'2\stopTrillSpan r1 } \\ { \pitchedTrill f'1.^\startTrillSpan g' | s1.\stopTrillSpan | \pitchedTrill g'1.^\startTrillSpan a' | s1.\stopTrillSpan } >> | \break %% 24(85)-27 c'16 d' e' f' g' a' b' c'' r16 c''2 f''4. r16 | <c' e'>16 <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> <c'' e''> r16 d''2 g''4. r16 | <c' e' g'>16 <d' f' a'> <e' g' b'> <f' a' c''> <g' b' d''> <a' c'' e''> <b' d'' f''> <c'' e'' g''> r16 g''2 c'''4. r16 | <c' e'>16 <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> <c'' e''> r16 d''2 g''4.. | \break %% 28(89)-31 <c' e' g'>16 <d' f' a'> <e' g' b'> <f' a' c''> <g' b' d''> <a' c'' e''> <b' d'' f''> <c'' e'' g''> r16 g''2 c'''4. r16 | << { \pitchedTrill c'1. _\startTrillSpan d' } \\ { \pitchedTrill g'1.^\startTrillSpan a' } >> | \time 4/1 r\longa^\fermata | r\breve e'\breve_~ | \break %% 32(93)-35 e'\breve <c' g'>\breve_~ | <c' g'>\breve e'\breve_~ | e'\longa_~ | \time 3/2 <e' g'>1^\fermata s2 \bar "|." \break } %%%%% end Soprano sheet. sopranoM = { \partial 2 r2^\fermata | %% 1-2 \time 4/1 a'\breve r\breve | r\longa | \break %% 3-5 r\breve c'\breve_~ | \time 3/2 c'1._\( | <d' e'>4._. <f' g'>_. <a' b'>^. c''\)_~ | \break %% 6-9 c''8 a'16 f' d'2 c'2. | \repeat percent 12 { <b' g' e'>16 <a' f' d'> } | a'2 <c' e' g'>16 <d' f' a'> <e' g' b'>_~ b'4_~ <b' g' e'>8. <a' f' d'> <g' e' c'> | c'2.. r8. g'4.._~ | \break %% 10-13 g'16_\( c'4..\) _~ <c' e'>1_~ | <e' g'>1._~ | <g' c'>1._~ | c'1. | \break %% 14-17 r1. | r1. | <c' c''>8.-. <d' c''>-. <e' c''>-. <f' c''>-. <g' c''>2._~ | <g' c''>1. | \break %% 18-21 g'2\) <c' e'>4 <e' g'> <g' b'> <a' c''> | <b' a'>2 <a' g'> <g' f'> | <e' f'>4 <f' g'> a'1_\( | <a' c''>1.\) | \break %% 22- r4. <c' e' g'>2_\( <d' f' a'>\) r8 | <a' f'>8 <g' e'> <f' d'><e' c'>_~ c'1_~ | c'8 d' e' f'4. g'8 a' b' c''4._~ | <c'' a'>16 <b' g'> <a' f'> <g' e'> <f' a'> <g' b'> c''2. r4. | \break %% 26-29 r1. | r1. | r1. | r1 r4 <c' e' g'>4_~ | \break %% 30-33 <c' e' g'>4_~ <e' g'>2_~ <e' c'>2_~ c'4_~ | <c' f' b'>1_\( c''8\)_\( b' a' g'\)_~ | g'1._~ | <e' g' b'>1 c''2 | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 c''4._~ <c'' a'>16 <b' g'>16 <a' f'> <g' e'> <f' d'> <e' c'>_~ c'2._~ | <c' f'>2._~ f'4. e'8 d' c'_~ | <c' e'>4. <d' f'> <e' g'>_~ g'8 a' b' | c''1. | \break %% 42-45 c''1._~ | <c'' a' f'>32[ <b' g' e'> <a' f' d'> <g' e' c'>]_~ <c' e'>8 <d' f'> <e' g'> <f' a'> <g' b'> <a' c''>_~ <c'' a' f'>32[ <b' g' e'> <a' f' d'> <g' e' c'>]_~ c'2_~ | <c' e' g'>32[ <d' f' a'> <e' g' b'> <f' a' c''>]_~ <c'' a'>8 <b' g'> <a' f'> <g' e'> <f' d'> <e' c'>_~ c'2_~ <c' e' g'>32[ <d' f' a'> <e' g' b'> <f' a' c''>] | d''1\glissando d'4 r4 | \break %% 46-49 \override Glissando.style = #'zigzag d'4\glissando d''1 r4 | %% \repeat percent 3 { c'1 \times 2/3 {e'4 g' b' } } | \break c'1 \times 2/3 {e'4 g' b' } | \times 2/3 { d''4 c'' b' a' g' f' } e'2_~ | e'1._~ | \break %% 50-53 e'1 r2 | r1. | r1. | r1 b''2_~ | \break %% 54-57 b''8 r1 c'4._~ | c'1._~ | <c'_. c''>2 <e'_. a'> <f'_. g'> | <c''^. b'>8. <b'^. a'> <a'^. g'> <g'^. f'> <f'_. e'> <e'_. d'> <d'_. c'>_~ c'_._~ | \break %% 58-61 c'2_.( \makeClusters { <c' f '>2) d'2 | <c' f'>2 <c' g'> <d' a'> | f'1 <c' a'>2 | <e' a'>2 <d' g'>4 c'4 }_~ c'2\bar "|." \break %% 62-64 \time 4/1 r\longa | r\longa | \time 3/2 <d' a'>2 <e' b'>1 | \break %% 65-68 r1. | r1. | r1. | r1. | \break %% 69-72 c'16 d' e' f' g' a' b' c'' r16 c''2 f''4. r16 | <c' e'>16 <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> <c'' e''> r16 d''2 g''4. r16 | <c' e' g'>16 <d' f' a'> <e' g' b'> <f' a' c''> <g' b' d''> <a' c'' e''> <b' d'' f''> <c'' e'' g''> r16 g''2 c'''4. r16 | <c' e'>16 <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> <c'' e''> r16 d''2 g''4.. | \break %% 73-76 r2 <d' f'>1 | e'2 <c' g'>1_~ | <c' g'>2 e' d' | <c' e'>16 <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> <c'' e''> r16 d''2 g''4.. | \break %% 77-80 r1. | r1. | r1. | r1. | \break %% 81-84 << { \pitchedTrill d'1._\startTrillSpan c' | \pitchedTrill e'1.\stopTrillSpan _\startTrillSpan f' | \pitchedTrill c'1.\stopTrillSpan _\startTrillSpan d' | e'2\stopTrillSpan r1 } \\ { \pitchedTrill f'1.^\startTrillSpan g' | s1.\stopTrillSpan | \pitchedTrill g'1.^\startTrillSpan a' | s1.\stopTrillSpan } >> | \break %% 85-88 c'16 d' e' f' g' a' b' c'' r16 c''2 f''4. r16 | <c' e'>16 <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> <c'' e''> r16 d''2 g''4. r16 | <c' e' g'>16 <d' f' a'> <e' g' b'> <f' a' c''> <g' b' d''> <a' c'' e''> <b' d'' f''> <c'' e'' g''> r16 g''2 c'''4. r16 | <c' e'>16 <d' f'> <e' g'> <f' a'> <g' b'> <a' c''> <b' d''> <c'' e''> r16 d''2 g''4.. | \break %% 89-92 <c' e' g'>16 <d' f' a'> <e' g' b'> <f' a' c''> <g' b' d''> <a' c'' e''> <b' d'' f''> <c'' e'' g''> r16 g''2 c'''4. r16 | << { \pitchedTrill c'1. _\startTrillSpan d' } \\ { \pitchedTrill g'1.^\startTrillSpan a' } >> | \time 4/1 r\longa^\fermata | r\breve e'\breve_~ | \break %% 93-96 e'\breve <c' g'>\breve_~ | <c' g'>\breve e'\breve_~ | e'\longa_~ | \time 3/2 <e' g'>1^\fermata s2 \bar "|." \break } %%% end Soprano midi. %%%%%%%%%% sopranoAria %%%%%%%%%%% sopranoAria = { \hide Staff.BarLine \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\longa | r\longa | \break %% 3-5 r\breve c'4_\AriaS d'8. e'4._\( e'\) e'16 a'8_\( a'4 b'4.\) | \noBreak \time 3/2 b'4_\( c''\) b'4. a'8 g'4._\( f'8 | f'8. e'4\) r16 e'8_\( f'4. g'\) r8 | \break %% 6-9 g'8 a'8._\( b' c''4\) c''4_\( c''4. d''8\) | r2. e''4 g'4. f'8 | f'4._\( f'4.\) g'8. r16 a'2_\( | b'2\) b'4 c''4. g' | \break %% 10-13 c'4._\( e'\) e'8 g'4._\( a'4 | c''4. \) e''4_\( c'' a'\) b'4._\( | \noBreak d''2\) r4. b'4. b'4_(_\( | c''4) e''4.\) e''8 f''2. | \break %%14-17 r4 g'8 d''4_\( e''4.\) e''_\(_( f''8) | f''4.\) r2 g'4. r4 | e'4. b'4 c''4. a'8 c''4._\( | d''4.\) a'4_\( a'4. a'2\) | \break %% 18-21 d'4 d'_\( e' f'\) c'4_\( d' | e' f'\) r1 | r1. | r1. | \break %% 22-25 r1. | r1. | r1. | r1. | \break %% 26-29 r1. | r1. | r1. | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 r1. | r1. | r1. | r1. | \break %% 42-45 r1. | r1. | r1. | r1. | \break %% 46-49 r1. | r1. | r1. | r1. | \break %% 50-53 r1. | r1_\AriaSII g''2\melisma | d''4 e'' f'' g''2. | \breathe a''2 c'''2.. r8\melismaEnd | \break %% 54-57 r2 c''4._\( b'8.\) c''4 d''8._( | e''8..) r32 e''4 c''2 b'4_( a') | g'4 b'2 a'4 g'2_( | f'4.) g'2 f'32 r8 e'4... | %% 58-61 e'2 r16 d'2_( c'4..) | e'4 c'4_( d' e') c'16 d'8._\( d'4 | e'4.\) r4. e'4 e'4( c') | d'16 c'1_( c'4..)^\markup {\hspace #3 \bold If you can \magnify #1.5 \coda }\undo \hide Staff.BarLine \bar "|." \break %% 1(62)-3 \set Score.currentBarNumber = #1 \time 4/1 r\longa^\markup {\hspace #-5 \bold \magnify #1 \coda} | r\longa | \time 3/2 f'2 g'1 | \break %% 4-7 f'4._. a'^. a'8 a'4._\( b'4_~ | b'\) c''4_\( d''4.\) c''8 c''4. r8 | e'4 a'4. g'8 a'4_\( c''4.\) b'8 | c''2 r1 | \break %% 8(69)-11 r1. | r1. | r1. | r1. | \break %% 12(73)-15 \hide Staff.BarLine f'4 a'4. a' g'8 b'4. | g'4. g'16 a'4_\( b'8 c''8. b'2\) | g'4 a'8 a'4. r4 c''4 b'8 c''8_( | c''8) c''4 d''4._\( e''2\) r4 | \break %% 16(77)-19 r1. | r1. | r1. | r1. | \break %% 20(81)- c''8 e''4. d''4_\( e''4\) e''4_\( f''4_~ | f''4.\) c''4 d'' d'' d''8 e''4 | e''8_\( f''4.\) e''8 f''4. d''8_\( d'' f''4_( | f''8)\) r2 f''4.^. r16 g''4.^. r16 | \break %% 24(85)-27 f'8 g'2 a'4_\( b'\) g'4._\(_( | b'8) d''4.\) c''4._\( e''\) r4 | f''4. r16 g''4. r16 f'8 a'4_\( b'4\) | b'8 e''2 g'8_( b'4) a'4. r8 | \break %% 28(89)- e''2 r16 c''4_\( d''8. f''2_( | g''2)\) r1| \time 4/1 r\longa^\fermata | r\breve r1. f'2 | \break %% 32(93)-35 e'2 e'4._( f') g'4_\(_( a') c''2\) b'4 b'_\( c'' e''1\) | b'4. c''_\( d''2.\) r2 e'1\melisma f'1 | e'1\melismaEnd r\breve c''1\melisma | \time 3/2 s32\melismaEnd f''1^\fermata s4... \undo \hide Staff.BarLine \bar "|." \break } %%%%% sopranoAriaL = \lyricmode { \override Lyrics.LyricText.color = #blue \override Lyrics.LyricHyphen.color = #blue \override Lyrics.LyricExtender.color = #blue \override Score.LyricText.font-shape = #'italic \teeny This "is a" sto -- ry of nu -- mer -- ous vio -- lent acts of sov -- er -- eign -- ty ag -- gres -- sion by com -- mun -- ist be -- lieve -- rs. "It is" also a sto -- ry of peo -- ple who, amid much sor -- row and suf -- fer -- ing, reso -- lute -- ly de -- fended their free -- dom to live and hu -- man dig -- nity, and stood up against the bru -- tal ag -- gres -- sion "of the" com -- mun -- ist dic -- ta -- tor -- ship. ɑ __ With -- in a week, it wiped \once \override Lyrics.LyricText.color = #green "Україна" "off the" face "of the" earth, "ceding all" of \once \override Lyrics.LyricText.color = #green "Україна's" "land to" \once \override Lyrics.LyricText.color = #green "Россия," "and then" launched an in -- va -- sion "with an" army of " 100000!" %%"one hun -- dred thou -- sand peo -- ple" %%%%%%% %%%%%%% Coda %%%%%%%%%%%%%%%%%%%%%%%%%%%% "We will" fight. Just like the Brit -- ish peo -- ple of old, just like the citi -- zens of London. "We will" fight against the armed forces of dic -- ta -- tor -- ial com -- mun -- ism. "We will" not "give up" our free -- dom and our so -- cial sys -- tem. We will take a step to -- wards a free so -- ci -- ety, just like the "13" for -- mer Ameri -- can colon -- ies. Just like the citi -- zens of Paris once "led the" French Revo -- lu -- tion. We are deeply grate -- ful "for the" as -- sis -- tance "of all" coun -- tries. n __ A -- men } %%%%% end sopranoAria sheet. sopranoAriaM = { \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\longa | r\longa | \break %% 3-5 r\breve c'4 d'8. e'4._\( e'\) e'16 a'8_\( a'4 b'4.\) | \time 3/2 b'4_\( c''\) b'4. a'8 g'4._\( f'8 | f'8. e'4\) r16 e'8_\( f'4. g'\) r8 | \break %% 6-9 g'8 a'8._\( b' c''4\) c''4_\( c''4. d''8\) | r2. e''4 g'4. f'8 | f'4._\( f'4.\) g'8. r16 a'2_\( | b'2\) b'4 c''4. g' | \break %% 10- c'4._\( e'\) e'8 g'4._\( a'4 | c''4. \) e''4_\( c'' a'\) b'4._\( | d''2\) r4. b'4. b'4_(_\( | c''4) e''4.\) e''8 f''2. | \break %%14-17 r4 g'8 d''4_\( e''4.\) e''_\(_( f''8) | f''4.\) r2 g'4. r4 | e'4. b'4 c''4. a'8 c''4._\( | d''4.\) a'4_\( a'4. a'2\) | \break %% 18-21 d'4 d'_\( e' f'\) c'4_\( d' | e' f'\) r1 | r1. | r1. | \break %% 22-25 r1. | r1. | r1. | r1. | \break %% 26-29 r1. | r1. | r1. | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 r1. | r1. | r1. | r1. | \break %% 42-45 r1. | r1. | r1. | r1. | \break %% 46-49 r1. | r1. | r1. | r1. | \break %% 50-53 r1. | r1 g''2\melisma | d''4 e'' f'' g''2. | \breathe a''2 c'''2.. r8\melismaEnd | \break %% 54-57 r2 c''4._\( b'8.\) c''4 d''8._( | e''8..) r32 e''4 c''2 b'4_( a') | g'4 b'2 a'4 g'2_( | f'4.) g'2 f'32 r8 e'4... | %% 58-61 e'2 r16 d'2_( c'4..) | e'4 c'4_( d' e') c'16 d'8._\( d'4 | e'4.\) r4. e'4 e'4( c') | d'16 c'1_( c'4..) %% 62-64 \time 4/1 r\longa | r\longa | \time 3/2 f'2 g'1 | \break %% 65-68 f'4._. a'^. a'8 a'4._\( b'4_~ | b'\) c''4_\( d''4.\) c''8 c''4. r8 | e'4 a'4. g'8 a'4_\( c''4.\) b'8 | c''2 r1 | \break %% 69-72 r1. | r1. | r1. | r1. | \break %% 73-76 f'4 a'4. a' g'8 b'4. | g'4. g'16 a'4_\( b'8 c''8. b'2\) | g'4 a'8 a'4. r4 c''4 b'8 c''8_( | c''8) c''4 d''4._\( e''2\) r4 | \break %% 77-80 r1. | r1. | r1. | r1. | \break %% 81-84 c''8 e''4. d''4_\( e''4\) e''4_\( f''4_~ | f''4.\) c''4 d'' d'' d''8 e''4 | e''8_\( f''4.\) e''8 f''4. d''8_\( d'' f''4_( | f''8)\) r2 f''4.^. r16 g''4.^. r16 | \break %% 85-88 f'8 g'2 a'4_\( b'\) g'4._\(_( | b'8) d''4.\) c''4._\( e''\) r4 | f''4. r16 g''4. r16 f'8 a'4_\( b'4\) | b'8 e''2 g'8_( b'4) a'4. r8 | \break %% 89-92 e''2 r16 c''4_\( d''8. f''2_( | g''2)\) r1| \time 4/1 r\longa^\fermata | r\breve r1. f'2 | \break %% 93-96 e'2 e'4._( f') g'4_\(_( a') c''2\) b'4 b'_\( c'' e''1\) | b'4. c''_\( d''2.\) r2 e'1\melisma f'1 | e'1\melismaEnd r\breve c''1\melisma | \time 3/2 s32\melismaEnd f''1^\fermata s4... \bar "|." \break } %%%%% end sopranoAria midi. %%%%%%%%%% alto part %%%%%%%%%%%%%%%%%%%%% altoVoice = {\hide Staff.BarLine \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\breve a\breve^\Tutti \melisma | a\longa | \break %% 3-5 a\breve a8\melismaEnd r2.. r1 | \time 3/2 r1. | r1. | \break %% 6-9 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | r1. | \break %% 14-17 r1. | r1. | r1. | r1. | \break %% 18-21 r1. | r1. | r1. | r1. | \break %% 22-25 r1. | r1. | r1. | r1. | \break %% 26-29 r1. | r1. | r1. | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 r1. | r1. | r1. | r1. | \break %% 42-45 r1. | a1.^\Tutti \melisma | b1. | b1. | \break %% 46-49 b1. | b8.\melismaEnd r16 g4._\( g4..\) r16 g4._\( | g4 c'4.\) r4. a2\melisma | b1 a4.\melismaEnd r8 | \break %% 50-53 c'4 c'8_\( e'4.\) e'8_\( d' c'4.\) r8 | g'4_( a') c''4. b'8_\( c''4.\) b'8 | c''4. b'4^._\( c''8^. d''4^. e''2^.\) | c''4._\( e''2.\) r4. | \break %% 54-57 r1. | r4 a'4 f'2 e'4_( d') | f'4 e'2 d'4 c'2_( | b4) b4._( c'8.) b16 r8 a2 | \break %% 58-61 a2 r16 g2_( f4..) | g'4 e'4_( f' g') e'16 f'8._\( f'4 | g'4.\) r4. g'4 g'_( e') | f'16 e'1_( e'4..)^\markup {\hspace #3 \bold If you can \magnify #1.5 \coda }\undo \hide Staff.BarLine \bar "|." \break %% 1(62-) \set Score.currentBarNumber = #1 \time 4/1 r\longa^\markup {\hspace #-5 \bold \magnify #1 \coda} | r\longa | \time 3/2 b2 c'1 | \break %% 4(65-) b4. d' d'8 d'4._\( e'4_~ | e'\) f'4_\( g'4.\) f'8 f'4. r8 | a4 d'4. c'8 d'4_\( f'4.\) e'8 | f'2 r1 | \break %% 8(69)-11 r1. | r1. | r1. | r1. | \break %% 12(73)-15 \hide Staff.BarLine b4 d'4. d' c'8 e'4. | c'4. c'16 d'4_\( e'8 f'8. e'2\) | c'4 d'8 d'4. r4 a'4 e'8 f'8_( | f'8) f'4 g'4._\( a'2\) r4 | \break %% 16(77)-19 r1. | r1. | r1. | r1. | \break %% 20(81)- f'8 a'4. g'4_\( a'4\) a'4_\( b'4_~ | b'4.\) f'4 g' g' g'8 a'4 | a'8_\( b'4.\) a'8 b'4. g'8_\( g' b'4_( | b'8)\) r2 b'4. r16 c''4. r16 | \break %% 24(85)-27 r32 b8 c'4... d'4_\( e'\) c'4._\(_( | e'8) g'4.\) f'4._\( a'\) r4 | b'4. r16 c''4. r8 b8 d'8._\( e'4\) | e'8 a'2 c'8_( e'4) d'4. r8 | \break %% 28(89)-31 a'2 r16 f'4_\( g'8. b'2_( | c''2)\) r1 | \time 4/1 r\longa^\fermata | r\breve r1. f'2 | \break %% 32(93)-35 a2 a4._( b) c'4_\(_( d') f'2\) e'4 e'_\( f' a'1\) | e'4. f'_\( g'2.\) r2 r\breve | r\breve r1 f'1\melisma | \time 3/2 s32\melismaEnd b'1^\fermata s4... \undo \hide Staff.BarLine \bar "|." \break } %%%%% altoVoiceL = \lyricmode { \override Lyrics.LyricText.color = #blue \override Lyrics.LyricHyphen.color = #blue \override Lyrics.LyricExtender.color = #blue \override Score.LyricText.font-shape = #'italic \teeny m __ n __ Af -- ter com -- plet -- ing m __ its si -- lent in -- va -- sion, \once \override Lyrics.LyricText.color = #green "Россия" has re -- vealed its true dic -- ta -- tor -- ial na -- ture! %% With -- in a week, it wiped \once \override Lyrics.LyricText.color = #green "Україна" "off the" face "of the" earth, "ceding all" of \once \override Lyrics.LyricText.color = #green "Україна's" "land to" \once \override Lyrics.LyricText.color = #green "Россия," "and then" launched an in -- va -- sion "with an" army of " 100000!" %%"one hun -- dred thou -- sand peo -- ple" %%%%%%% %%%%%%% Coda %%%%%%%%%%%%%%%%%%%%%%%%%%%% "We will" fight. Just like the Brit -- ish peo -- ple of old, just like the citi -- zens of London. "We will" fight against the armed forces of dic -- ta -- tor -- ial com -- mun -- ism. "We will" not "give up" our free -- dom and our so -- cial sys -- tem. We will take a step to -- wards a free so -- ci -- ety, just like the "13" for -- mer Ameri -- can colon -- ies. Just like the citi -- zens of Paris once "led the" French Revo -- lu -- tion. We are deeply grate -- ful "for the" as -- sis -- tance "of all" coun -- tries. A -- men } %%%%% altoVoiceM = { \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\breve a\breve\melisma | a\longa | \break %% 3-5 a\breve a8\melismaEnd r2.. r1 | \time 3/2 r1. | r1. | \break %% 6-9 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | r1. | \break %% 14-17 r1. | r1. | r1. | r1. | \break %% 18-21 r1. | r1. | r1. | r1. | \break %% 22-25 r1. | r1. | r1. | r1. | \break %% 26-29 r1. | r1. | r1. | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 r1. | r1. | r1. | r1. | \break %% 42-45 r1. | a1.^\Tutti \melisma | b1. | b1. | \break %% 46-49 b1. | b8.\melismaEnd r16 g4._\( g4..\) r16 g4._\( | g4 c'4.\) r4. a2\melisma | b1 a4.\melismaEnd r8 | \break %% 50-53 c'4 c'8_\( e'4.\) e'8_\( d' c'4.\) r8 | g'4_( a') c''4. b'8_\( c''4.\) b'8 | c''4. b'4^._\( c''8^. d''4^. e''2^.\) | c''4._\( e''2.\) r4. | \break %% 54-57 r1. | r4 a'4 f'2 e'4_( d') | f'4 e'2 d'4 c'2_( | b4) b4._( c'8.) b16 r8 a2 | \break %% 58-61 a2 r16 g2_( f4..) | g'4 e'4_( f' g') e'16 f'8._\( f'4 | g'4.\) r4. g'4 g'_( e') | f'16 e'1_( e'4..) \bar "|." \break %% 62-64 \time 4/1 r\longa | r\longa | \time 3/2 b2 c'1 | \break %% 65-68 b4. d' d'8 d'4._\( e'4_~ | e'\) f'4_\( g'4.\) f'8 f'4. r8 | a4 d'4. c'8 d'4_\( f'4.\) e'8 | f'2 r1 | \break %% 69-72 r1. | r1. | r1. | r1. | \break %% 73-76 b4 d'4. d' c'8 e'4. | c'4. c'16 d'4_\( e'8 f'8. e'2\) | c'4 d'8 d'4. r4 a'4 e'8 f'8_( | f'8) f'4 g'4._\( a'2\) r4 | \break %%77-80 r1. | r1. | r1. | r1. | \break %% 81-84 f'8 a'4. g'4_\( a'4\) a'4_\( b'4_~ | b'4.\) f'4 g' g' g'8 a'4 | a'8_\( b'4.\) a'8 b'4. g'8_\( g' b'4_( | b'8)\) r2 b'4. r16 c''4. r16 | \break %% 85-88 r32 b8 c'4... d'4_\( e'\) c'4._\(_( | e'8) g'4.\) f'4._\( a'\) r4 | b'4. r16 c''4. r8 b8 d'8._\( e'4\) | e'8 a'2 c'8_( e'4) d'4. r8 | \break %% 89-92 a'2 r16 f'4_\( g'8. b'2_( | c''2)\) r1 | \time 4/1 r\longa^\fermata | r\breve r1. f'2 | \break %% 93-96 a2 a4._( b) c'4_\(_( d') f'2\) e'4 e'_\( f' a'1\) | e'4. f'_\( g'2.\) r2 r\breve | r\breve r1 f'1\melisma | \time 3/2 s32\melismaEnd b'1^\fermata s4... \bar "|." \break } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%% Instruments alto = { \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 d'\breve r\breve | r\longa | \break %% 3-5 r\breve f\breve_~ | \time 3/2 f1._~ | f_ ~ | \break %% 6-9 <f b>_~ | <b e'>_~ | e'_~ | <e' b>_~ | \break %% 10-13 <b f>_~ | f_~ | f_~ | f | \break %% 14-17 r1. | r1. | c'8.-. d'-. e'-. f'-. <g' c''>2._~ | <g' c''>1._~ | \break %% 18-21 g'1 <c' e'>4 <d' f'> | <e' g'> <d' f'> <c' e'>2 <b c'> | <a b>4 <b c'> d'1_~ | <d' f'>1. | \break %% 22-25 r4. <f a c'>1 d'8 | c' b a g f_~ <f a>4. <g b>4 <b d'>_~ | <b d'>4 <a c'>1 r4 | <c' e'>1 r2 | \break %% 26-29 r1. | r1. | r1. | r1 r4 <f a c'>4_~ | \break %% 30-33 <f a c'>4 r4. f'8_\( e' d' c' b a g | f\)_~ <f g>1_~ <g b>4._~ | <b d' f'>1_~ d'2_~ | d'4 <a c' e'>1 r4 | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 e'4._~ <e' c'>8. <d' b> <c' a> <b g> <a f>_~ f_~ | <f b>2_~ <b g> f_~ | <f a>1_~ a8 b c' d' | <e' g'>2 f'1_~ | \break %% 42-45 f'1._~ | f'8 e' d' c' b a_~ <a c' e'>32^[ <b d' f'> <c' e' g'> <d' f' a'>] <e' g'>[ <f' a'> <g' b'> <a' c''>]_~ c''2_~ | <c'' a' f'>32^[ <b' g' e'> <a' f' d'>] <g' e' c'>[ <f' d' b> <e' c' a>]_~ a4. r8. \arpeggioArrowUp <a c' e' g'>2.\arpeggio_~ | g'1\glissando g4 r4 | \break %% 46-49 \override Glissando.style = #'zigzag g4\glissando g'1 r4 | \repeat percent 3 { g'16 f' e' c' b a g f_~ f1 } | \break %% 50-53 f1_\repeatTie r2 | r1. | r1. | r1 d''2_~ | \break %% 54-57 d''8 r1 f4._~ | f1_~ \times 2/3 {<f a>4_~ <f b>_~ <f c'>} | \repeat percent 6 {<c' b_.>8 <b a_.> <a g_.> <g f_.>} | \break %%58-61 f2\repeatTie_.( \makeClusters { <f a>) <f c'> | <c' f'> g' <g' e'> | <e' a'> a' <a' f'> | <f' d'>4. c'4 <c' e'>4. } e'2_\repeatTie | \break %% 1(62)- \set Score.currentBarNumber = #1 \time 4/1 r\longa | r\longa | \time 3/2 <g d'>2 <a e'>1 | \break %% 4(65)-7 r1. | r1. | r1. | r1. | \break %% 8(69)-11 <f a c'>16 <g b d'> <a c' e'> <b d' f'> <c' e' g'> <d' f' a'> <e' g' b'> <f' a' c''> r16 c''2 f''4. r16 | <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> <e' g'> <f' a'> r16 a'2 d''4. r16 | f16 g a b c' d' e' f' r16 f'2 b'4. r16 | <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> <e' g'> <f' a'> r16 a'2 d''4.. | \break %% 12(73)-15 r2 <g b>1 | a2 <f c'>1_~ | <f c'>2 a g | <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> <e' g'> <f' a'> r16 a'2 d''4.. | \break %% 16(77)-19 r1. | r1. | r1. | r1. | \break %% 20(81)-23 << { \pitchedTrill g1._\startTrillSpan f | \pitchedTrill a1.\stopTrillSpan _\startTrillSpan b | \pitchedTrill f1.\stopTrillSpan _\startTrillSpan g | a2\stopTrillSpan r1 } \\ { \pitchedTrill b1.^\startTrillSpan c' | s1.\stopTrillSpan | \pitchedTrill c'1.^\startTrillSpan d' | s1.\stopTrillSpan } >> | \break %% 24(85)-27 <f a c'>16 <g b d'> <a c' e'> <b d' f'> <c' e' g'> <d' f' a'> <e' g' b'> <f' a' c''> r16 c''2 f''4. r16 | <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> <e' g'> <f' a'> r16 a'2 d''4. r16 | f16 g a b c' d' e' f' r16 f'2 b'4. r16 | <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> <e' g'> <f' a'> r16 a'2 d''4.. | \break %% 28(89)-31 f16 g a b c' d' e' f' r16 f'2 b'4. r16 | << { \pitchedTrill f1. _\startTrillSpan g } \\ { \pitchedTrill c'1.^\startTrillSpan d' } >> | \time 4/1 r\longa^\fermata | r\breve a\breve | \break %% 32(93)-35 a\breve <f c'>\breve_~ | <f c'>\breve a\breve_~ | a\longa_~ | \time 3/2 <a c'>1^\fermata s2 \bar "|." \break } %%%%% end alto sheet. altoM = { \partial 2 r2^\fermata | %% 1-2 \time 4/1 d'\breve r\breve | r\longa | \break %% 3-5 r\breve f\breve_~ | \time 3/2 f1._~ | f | \break %% 6-9 <f b>_~ | <b e'>_~ | e'_~ | <e' b>_~ | \break %% 10-13 <b f>_~ | f_~ | f_~ | f | \break %% 14-17 r1. | r1. | c'8.-. d'-. e'-. f'-. <g' c''>2._~ | <g' c''>1._~ | \break %% 18-21 g'1 <c' e'>4 <d' f'> | <e' g'> <d' f'> <c' e'>2 <b c'> | <a b>4 <b c'> d'1_~ | <d' f'>1. | \break %% 22-25 r4. <f a c'>1 d'8 | c' b a g f_~ <f a>4. <g b>4 <b d'>_~ | <b d'>4 <a c'>1 r4 | <c' e'>1r2 | \break %% 26-29 r1. | r1. | r1. | r1 r4 <f a c'>4_~ | \break %% 30-33 <f a c'>4 r4. f'8_\( e' d' c' b a g | f\)_~ <f g>1_~ <g b>4._~ | <b d' f'>1_~ d'2_~ | d'4 <a c' e'>1 r4 | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 e'4._~ <e' c'>8. <d' b> <c' a> <b g> <a f>_~ f_~ | <f b>2_~ <b g> f_~ | <f a>1_~ a8 b c' d' | <e' g'>2 f'1 | \break %% 42-45 f'1._~ | f'8 e' d' c' b a_~ <a c' e'>32^[ <b d' f'> <c' e' g'> <d' f' a'>] <e' g'>[ <f' a'> <g' b'> <a' c''>]_~ c''2_~ | <c'' a' g'>32^[ <b' g' f'> <a' f' e'> <g' e' c'> <f' d' b> <e' c' a>]_~ a4. r8. \arpeggioArrowUp <a c' e' g'>2.\arpeggio | g'1\glissando g4 r4 | \break %% 46-49 \override Glissando.style = #'zigzag g4\glissando g'1 r4 | \repeat percent 3 { g'16 f' e' c' b a g f_~ f1 } | \break %% 50-53 f1_\repeatTie r2 | r1. | r1. | r1 d''2_~ | \break %% 54-57 d''8 r1 f4._~ | f1_~ \times 2/3 {<f a>4_~ <f b>_~ <f c'>} | \repeat percent 6 {<c' b-.>8 <b a-.> <a g-.> <g f-.>} | \break %%58-61 f2\repeatTie_.( \makeClusters { <f a>) <f c'> | <c' f'> g' <g' e'> | <e' a'> a' <a' f'> | <f' d'>4. c'4 <c' e'>4. } e'2_\repeatTie | \break %% 62-64 \time 4/1 r\longa | r\longa | \time 3/2 <g d'>2 <a e'>1 | \break %% 65-68 r1. | r1. | r1. | r1. | \break %% 69-72 <f a c'>16 <g b d'> <a c' e'> <b d' f'> <c' e' g'> <d' f' a'> <e' g' b'> <f' a' c''> r16 c''2 f''4. r16 | <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> <e' g'> <f' a'> r16 a'2 d''4. r16 | f16 g a b c' d' e' f' r16 f'2 b'4. r16 | <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> <e' g'> <f' a'> r16 a'2 d''4.. | \break %% 73-76 r2 <g b>1 | a2 <f c'>1_~ | <f c'>2 a g | <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> <e' g'> <f' a'> r16 a'2 d''4.. | \break %% 77-80 r1. | r1. | r1. | r1. | \break %% 81-84 << { \pitchedTrill g1._\startTrillSpan f | \pitchedTrill a1.\stopTrillSpan _\startTrillSpan b | \pitchedTrill f1.\stopTrillSpan _\startTrillSpan g | a2\stopTrillSpan r1 } \\ { \pitchedTrill b1.^\startTrillSpan c' | s1.\stopTrillSpan | \pitchedTrill c'1.^\startTrillSpan d' | s1.\stopTrillSpan } >> | \break %% 85-88 <f a c'>16 <g b d'> <a c' e'> <b d' f'> <c' e' g'> <d' f' a'> <e' g' b'> <f' a' c''> r16 c''2 f''4. r16 | <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> <e' g'> <f' a'> r16 a'2 d''4. r16 | f16 g a b c' d' e' f' r16 f'2 b'4. r16 | <f a>16 <g b> <a c'> <b d'> <c' e'> <d' f'> <e' g'> <f' a'> r16 a'2 d''4.. | \break %% 89-92 f16 g a b c' d' e' f' r16 f'2 b'4. r16 | << { \pitchedTrill f1. _\startTrillSpan g } \\ { \pitchedTrill c'1.^\startTrillSpan d' } >> | \time 4/1 r\longa^\fermata | r\breve a\breve | \break %% 93-96 a\breve <f c'>\breve_~ | <f c'>\breve a\breve_~ | a\longa_~ | \time 3/2 <a c'>1^\fermata s2 \bar "|." \break } %%%%% end alto midi. %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%% tenor part %%%%%%%%%%%%%%%%%%%%%%% tenorVoice = { \hide Staff.BarLine \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\breve f\breve^\Tutti \melisma | f\longa | \break %% 3-5 f\breve f8\melismaEnd r2.. r1 | \time 3/2 r1. | r1. | \break %% 6-9 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | r1. | \break %% 14-17 r1. | r1. | r1. | r1. | \break %% 18-21 r1. | r1. | r1. | r1. | \break %% 22-25 r1. | r1. | r1. | r1. | \break %% 26-29 r1. | r1. | r1. | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 r1. | r1. | r1. | r1. | \break %% 42-45 r1. | f1.^\Tutti \melisma | g1. | g1. | \break %% 46-49 g8.\melismaEnd r16 d4._\( e4..\) r16 e4._\( | e4 a4.\) r4. g2\melisma | a1. | g2 a2 g4.\melismaEnd r8 | \break %% 50-53 c4 c8_\( e4.\) e8_\( d c4.\) r8 | g4_( a) c'4. b8_\( c'4.\) b8 | c'4. b4^._\( c'8^. d'4^. e'2^.\) | c'4._\( e'2.\) r4. | \break %% 54-57 r1. | r4 f'4 d'2 c'4_( b) | d'4 c'2 b4 a2_( | g4) g4._( a8.) g16 r8 f2 | \break %% 58-61 f2 r16 e2_( d4..) | e'4 c'_( d' e') c'16 d'8._\( d'4| e'4.\) r4. e'4 e'_( c') | d'16 c'1_( c'4..)^\markup {\hspace #3 \bold If you can \magnify #1.5 \coda }\undo \hide Staff.BarLine \bar "|." \break %% 1(62)- \set Score.currentBarNumber = #1 \time 4/1 r\longa^\markup {\hspace #-5 \bold \magnify #1 \coda} | r\longa | \time 3/2 g2 a1 | \break %% 4(65-)7 g4. b b8 b4._\( c'4_~ | c'\) d'4_\( e'4.\) d'8 d'4. r8 | f4 b4. a8 b4_\( d'4.\) c'8 | d'2 r1 | \break %% 8(69)-11 r1. | r1. | r1. | r1. | \break %% 12(73)-15 \hide Staff.BarLine g4 b4. b a8 c'4. | a4. a16 b4_\( c'8 d'8. c'2\) | a4 b8 b4. r4 f'4 c'8 d'8_( | d'8) d'4 e'4._\( f'2\) r4 | \break %% 16(77)-19 r1. | r1. | r1. | r1. | \break %% 20(81)- d'8 f'4. e'4_\( f'4\) f'4_\( g'4_~ | g'4.\) d'4 e' e' e'8 f'4 | f'8_\( g'4.\) f'8 g'4. e'8_\( e' g'4_( | g'8)\) r2 g'4. r16 a'4. r16 | \break %% 24(85)-27 r32 g8 a4... b4_\( c'\) a4._\(_( | c'8) e'4.\) d'4._\( f'\) r4 | g'4. r16 a'4. r8 g8 a8._\( c'4\) | c'8 f'2 g8_( b4) b4. r8 | \break %% 28(89)-31 f'2 r16 d'4_\( e'8. g'2_( | a'2)\) r1 | \time 4/1 r\longa^\fermata | r\breve r1. f'2 | \break %% 32(93)-35 f2 f4._( g) a4_\(_( b) d'2\) c'4 c'_\( d' f'1\) | c'4. d'_\( e'2.\) r2 r\breve | r\breve r1 d'1\melisma | \time 3/2 s32\melismaEnd g'1^\fermata s4... \undo \hide Staff.BarLine \bar "|." \break } %%%%% tenorVoiceL = \lyricmode { \override Lyrics.LyricText.color = #blue \override Lyrics.LyricHyphen.color = #blue \override Lyrics.LyricExtender.color = #blue \override Score.LyricText.font-shape = #'italic \teeny m __ n __ Af -- ter com -- plet -- ing m __ its si -- lent in -- va -- sion, \once \override Lyrics.LyricText.color = #green "Россия" has re -- vealed its true dic -- ta -- tor -- ial na -- ture! %% With -- in a week, it wiped \once \override Lyrics.LyricText.color = #green "Україна" "off the" face "of the" earth, "ceding all" of \once \override Lyrics.LyricText.color = #green "Україна's" "land to" \once \override Lyrics.LyricText.color = #green "Россия," "and then" launched an in -- va -- sion "with an" army of " 100000!" %%"one hun -- dred thou -- sand peo -- ple" %%%%%%% %%%%%%% Coda %%%%%%%%%%%%%%%%%%%%%%%%%%%% "We will" fight. Just like the Brit -- ish peo -- ple of old, just like the citi -- zens of London. "We will" fight against the armed forces of dic -- ta -- tor -- ial com -- mun -- ism. "We will" not "give up" our free -- dom and our so -- cial sys -- tem. We will take a step to -- wards a free so -- ci -- ety, just like the "13" for -- mer American colon -- ies. Just like the citi -- zens of Paris once led the French Revo -- lu -- tion. We are deeply grate -- ful "for the" as -- sis -- tance "of all" coun -- tries. A -- men } %%%%% tenorVoiceM = { \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\breve f\breve\melisma | f\longa | \break %% 3-5 f\breve f8\melismaEnd r2.. r1 | \time 3/2 r1. | r1. | \break %% 6-9 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | r1. | \break %% 14-17 r1. | r1. | r1. | r1. | \break %% 18-21 r1. | r1. | r1. | r1. | \break %% 22-25 r1. | r1. | r1. | r1. | \break %% 26-29 r1. | r1. | r1. | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 r1. | r1. | r1. | r1. | \break %% 42-45 r1. | f1.^\Tutti \melisma | g1. | g1. | \break %% 46- g8.\melismaEnd r16 d4._\( e4..\) r16 e4._\( | e4 a4.\) r4. g2\melisma | a1._~ | g2 a2 g4.\melismaEnd r8 | \break %% 50-53 c4 c8_\( e4.\) e8_\( d c4.\) r8 | g4_( a) c'4. b8_\( c'4.\) b8 | c'4. b4^._\( c'8^. d'4^. e'2^.\) | c'4._\( e'2.\) r4. | \break %% 54-57 r1. | r4 f'4 d'2 c'4_( b) | d'4 c'2 b4 a2_( | g4) g4._( a8.) g16 r8 f2 | \break %% 58-61 f2 r16 e2_( d4..) | e'4 c'_( d' e') c'16 d'8._\( d'4| e'4.\) r4. e'4 e'_( c') | d'16 c'1_( c'4..) \bar "|." \break %% 62-64 \time 4/1 r\longa | r\longa | \time 3/2 g2 a1 | \break %%65-68 g4. b b8 b4._\( c'4_~ | c'\) d'4_\( e'4.\) d'8 d'4. r8 | f4 b4. a8 b4_\( d'4.\) c'8 | d'2 r1 | \break %% 69-72 r1. | r1. | r1. | r1. | \break %% 73-76 g4 b4. b a8 c'4. | a4. a16 b4_\( c'8 d'8. c'2\) | a4 b8 b4. r4 f'4 c'8 d'8_( | d'8) d'4 e'4._\( f'2\) r4 | \break %% 77-80 r1. | r1. | r1. | r1. | \break %% 81-84 d'8 f'4. e'4_\( f'4\) f'4_\( g'4_~ | g'4.\) d'4 e' e' e'8 f'4 | f'8_\( g'4.\) f'8 g'4. e'8_\( e' g'4_( | g'8)\) r2 g'4. r16 a'4. r16 | \break %% 85-88 r32 g8 a4... b4_\( c'\) a4._\(_( | c'8) e'4.\) d'4._\( f'\) r4 | g'4. r16 a'4. r8 g8 a8._\( c'4\) | c'8 f'2 g8_( b4) b4. r8 | \break %% 89-92 f'2 r16 d'4_\( e'8. g'2_( | a'2)\) r1 | \time 4/1 r\longa^\fermata | r\breve r1. f'2 | \break %% 93-96 f2 f4._( g) a4_\(_( b) d'2\) c'4 c'_\( d' f'1\) | c'4. d'_\( e'2.\) r2 r\breve | r\breve r1 d'1\melisma | \time 3/2 s32\melismaEnd g'1^\fermata s4... \bar "|." \break } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%% Instruments tenor = { \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 f\breve r\breve | r\longa | \break %% 3-5 r\breve d\breve_~ | \time 3/2 d1._\( | <e f>4. <g a> <b c'> d'\)_~ | \break %% 6-9 d'8 b16 g e2 d2. | \repeat percent 2 { <c' a f>16 <b g e> <a f d>_~ d8._~ <d f a>16 <e g b> <f a c'> r8. } | \repeat percent 12 { <e g b>16 <f a c'> } | d2.. r8. a4.._~ | \break %% 10-13 a16_\( d4..\)_~ <d f>1_~ | <f a>1._~ | <a d>1._~ | d1. | \break %% 14-17 r1. | r1. | c'8.-. d'-. e'-. f'-. <g' c''>2._~ | <g' c''>1._~ | \break %% 18-21 c''4 <d f> <e g> <f a> <g b> <a c'>_~ | c'2 b a_~ | a2 c'1_~ | <a c'>1. | \break %% 22-25 r4. <d f a>1 b8 | a g f e d_~ <d f>4. <e g>4 <g b>_~ | <g b>4 <a f>1 r4 | <a c'>1 r2 | \break %% 26-29 r1. | r1. | r1. | r1 r4 <d f a>4_~ | \break %% 30-33 <d f a>4_~ <a c' e'>1_~ c'4_~ | c'1_\( d'8\)_\( c' b a | g\)_~ g4._~ <g b d'>2_~ <b d' f'>_~ | f'8_\( <f' d' b> <e' c' a> <d' b g> <c' a f> <b g e> <a f d> <g e c>\)_~ c2 | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 c4._~ <c e>4. <d f>2._~ | f2. <g b>8 <f a> <e g> <d f> c4_~ | <c f>1 <d g>2_~ | <d g>_~ d1_~ | \break %% 42-45 d1._~ | \acciaccatura {f16 e} d4. \acciaccatura {a16 g} f4. \acciaccatura {c'16 b} a4. \acciaccatura {e'16 d'} c'4. | \afterGrace 1/2 e'4._( {f'16 g')} \afterGrace b4._( {c'16 d')} \afterGrace f4._( {g16 a)} \afterGrace c4._( {d16 e)} | d1. | \break %% 46-49 \override Glissando.style = #'zigzag d4\glissando d'1 r4 | d'4^. c'^. b^. c16 d e f g a b c' d' e' f' g' | f'16 e' d' c' b a g f e d c8_~ c4_. d4_. e_. | d1._~ | \break %% 50-53 d1 r2 | r1. | r1. | r1 a'2_~ | \break %% 54-57 a'8 r1 d4._~ | d1 c2_~ | <c e g>2 <d f a> <e g b> | <c' a>8[ <b g> <a f>] <g e>[ <f d> <e c>]_~ c2._~ | \break %% 58-61 c2\repeatTie_. ( \makeClusters { <d f>) <d a> | <a d'> e' <e' c'> | <c' f'> f' <f' d'> | <d' b>4. a4 <a c'>4. } c'2_\repeatTie | \break %% 1(62)-3 \set Score.currentBarNumber = #1 \time 4/1 r\longa | r\longa | \time 3/2 <e b>2 <g d'>1 | \break %% 4(65)-7 r1. | r1. | r1. | r1. | \break %% 8(69)-11 \once \stemDown g8 a b c' f'1 | <g b>8 <a c'> <b d'> <c' e'> a'1 | <g b d'>8 <a c' e'> <b d' f'> <c' e' g'> c''1 | <g b>8 <a c'> <b d'> <c' e'> a'1 | \break %% 12(73)-15 r1. | r1. | r1. | r1. | \break %% 16(77)-19 << \autoBeamOff { g8 a b c' f'1 | <g b>8 <a c'> <b d'> <c' e'> a'1 | <g b d'>8 <a c' e'> <b d' f'> <c' e' g'> c''1 | <g b>8 <a c'> <b d'> <c' e'> a'1 } \\ { r2 <e g>1 | r2 <d a>1 | r2 <e g>1 | r2 <d a>1 } >> | \break %% 20(81)-23 << { \pitchedTrill e1._\startTrillSpan d | \pitchedTrill f1.\stopTrillSpan _\startTrillSpan g | \pitchedTrill d1.\stopTrillSpan _\startTrillSpan e | f2\stopTrillSpan r1 } \\ { \pitchedTrill g1.^\startTrillSpan a | s1.\stopTrillSpan | \pitchedTrill a1.^\startTrillSpan b | s1.\stopTrillSpan } >> | \break %% 24(85)- \once \stemDown g8 a b c' f'1 | <g b>8 <a c'> <b d'> <c' e'> a'1 | <g b d'>8 <a c' e'> <b d' f'> <c' e' g'> c''1 | <g b>8 <a c'> <b d'> <c' e'> a'1 | \break %% 28(89)-31 <g b d'>8 <a c' e'> <b d' f'> <c' e' g'> c''1 | << { \pitchedTrill d1. _\startTrillSpan e } \\ { \pitchedTrill a1.^\startTrillSpan b } >> | \time 4/1 r\longa^\fermata | r\breve f\breve | \break %% 32(93)-35 f\breve <d a>\breve_~ | <d a>\breve f\breve_~ | f\longa_~ | \time 3/2 <f a>1^\fermata s2 \bar "|." \break } %%%%% end tenor sheet. tenorM = { \partial 2 r2^\fermata | %% 1-2 \time 4/1 f\breve r\breve | r\longa | \break %% 3-5 r\breve d\breve_~ | \time 3/2 d1._\( | <e f>4. <g a> <b c'> d'\)_~ | \break %% 6-9 d'8 b16 g e2 d2. | \repeat percent 2 { <c' a f>16 <b g e> <a f d>_~ d8._~ <d f a>16 <e g b> <f a c'> r8. } | \repeat percent 12 { <e g b>16 <f a c'> } | d2.. r8. a4.._~ | \break %% 10-13 a16_\( d4..\)_~ <d f>1_~ | <f a>1._~ | <a d>1._~ | d1. | \break %% 14-17 r1. | r1. | c'8.-. d'-. e'-. f'-. <g' c''>2._~ | <g' c''>1._~ | \break %% 18-21 c''4 <d f> <e g> <f a> <g b> <a c'>_~ | c'2 b a_~ | a2 c'1_~ | <a c'>1. | \break %% 22-25 r4. <d f a>1 b8 | a g f e d_~ <d f>4. <e g>4 <g b>_~ | <g b> <a f>1 r4 | <a c'>1 r2 | \break %% 26-29 r1. | r1. | r1. | r1 r4 <d f a>4_~ | \break %% 30-33 <d f a>4_~ <a c' e'>1_~ c'4_~ | c'1_\( d'8\)_\( c' b a | g\)_~ g4._~ <g b d'>2_~ <b d' f'>_~ | f'8_\( <f' d' b> <e' c' a> <d' b g> <c' a f> <b g e> <a f d> <g e c>\)_~ c2 | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 c4._~ <c e>4. <d f>2._~ | f2. <g b>8 <f a> <e g> <d f> c4_~ | <c f>1 <d g>2_~ | <d g>_~ d1_~ | \break %% 42-45 d1._~ | \acciaccatura {f16 e} d4. \acciaccatura {a16 g} f4. \acciaccatura {c'16 b} a4. \acciaccatura {e'16 d'} c'4. | \afterGrace 1/2 e'4._( {f'16 g')} \afterGrace b4._( {c'16 d')} \afterGrace f4._( {g16 a)} \afterGrace c4._( {d16 e)} | d1. | \break %% 46-49 \override Glissando.style = #'zigzag d4\glissando d'1 r4 | d'4^. c'^. b^. c16 d e f g a b c' d' e' f' g' | f'16 e' d' c' b a g f e d c8_~ c4_. d_. e_. | d1._~ | \break %% 50-53 d1 r2 | r1. | r1. | r1 a'2_~ | \break %% 54-57 a'8 r1 d4._~ | d1 c2_~ | <c e g>2 <d f a> <e g b> | <c' a>8[ <b g> <a f>] <g e>[ <f d> <e c>]_~ c2._~ | \break %% 58-61 c2\repeatTie_. ( \makeClusters { <d f>) <d a> | <a d'> e' <e' c'> | <c' f'> f' <f' d'> | <d' b>4. a4 <a c'>4. } c'2_\repeatTie | \break %% 62-64 \time 4/1 r\longa | r\longa | \time 3/2 <e b>2 <g d'>1 | \break %% 65-68 r1. | r1. | r1. | r1. | \break %% 69-72 %% << { g8 a b c' f'1 | <g b>8 <a c'> <b d'> <c' e'> a'1 | <g b d'>8 <a c' e'> <b d' f'> <c' e' g'> c''1 | <g b>8 <a c'> <b d'> <c' e'> a'1 } \\ %% { <g, b,>2 <a, c> <b, d> | \repeat percent 2 {<g, b, d>2. <a, c e> } | <g, b,>2 <a, c> <b, d> } >> | \break g8 a b c' f'1 | <g b>8 <a c'> <b d'> <c' e'> a'1 | <g b d'>8 <a c' e'> <b d' f'> <c' e' g'> c''1 | <g b>8 <a c'> <b d'> <c' e'> a'1 | \break %% 73-76 r1. | r1. | r1. | r1. | \break %% 77-80 << { g8 a b c' f'1 | <g b>8 <a c'> <b d'> <c' e'> a'1 | <g b d'>8 <a c' e'> <b d' f'> <c' e' g'> c''1 | <g b>8 <a c'> <b d'> <c' e'> a'1 } \\ { r2 <e g>1 | r2 <d a>1 | r2 <e g>1 | r2 <d a>1 } >> | \break %% 81-84 << { \pitchedTrill e1._\startTrillSpan d | \pitchedTrill f1.\stopTrillSpan _\startTrillSpan g | \pitchedTrill d1.\stopTrillSpan _\startTrillSpan e | f2\stopTrillSpan r1 } \\ { \pitchedTrill g1.^\startTrillSpan a | s1.\stopTrillSpan | \pitchedTrill a1.^\startTrillSpan b | s1.\stopTrillSpan } >> | \break %% 85-88 \once \stemDown g8 a b c' f'1 | <g b>8 <a c'> <b d'> <c' e'> a'1 | <g b d'>8 <a c' e'> <b d' f'> <c' e' g'> c''1 | <g b>8 <a c'> <b d'> <c' e'> a'1 | \break %% 89-92 <g b d'>8 <a c' e'> <b d' f'> <c' e' g'> c''1 | << { \pitchedTrill d1. _\startTrillSpan e } \\ { \pitchedTrill a1.^\startTrillSpan b } >> | \time 4/1 r\longa^\fermata | r\breve f\breve | \break %% 93-96 f\breve <d a>\breve_~ | <d a>\breve f\breve_~ | f\longa_~ | \time 3/2 <f a>1^\fermata s2 \bar "|." \break } %%%%% end tenor midi. %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%% baritone part %%%%%%%%%%%%%%%%%%%%%%% baritone = { \hide Staff.BarLine \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\longa | r\longa | \break %% 3-5 r\longa | \time 3/2 r1. | r1. | \break %% 6-9 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | r1. | \break %% 14-17 r1. | r1. | r1. | r1. | \break %% 18-21 r1. | r1. | r1. | r1. | \break %% 22-25 c4._(_\AriaB e2) g4_\( g4.\) | f8 a4._\( a4 b4.\) r4. | c1_( e4) r4 | e1_( g4.) r8 | \break %% 26-29 r4 f16_( g8.) f4_\( g4.\) b4. | r8 f16 g4_\( a4..\) r16 a4.. r8 | b4._\( c'2_( d'4)\) r4. | f16_( g8.) f4_\( g4. a2\) r8 | \break %% 30-33 c'4 a4_\( b4. b\) b4_~_\( | b c'4.\) b8 c'2 c'4_( | d'8) c'4 d'4._\( e'\) f'_( | g'8) r4. g'2 r2 | \break %% 34-37 a'2. r2. | g,4. a,_\( b,\) c_\( | d8 e2\) r4 g,4 a,4._\( | b, c\) c8 d2 r8 | \break %% 38-41 r2 c'2 b4._( c'8) | d'2 b4 c'2. | a8. g4._\( f4 e2\) f8. | a4._( c'2 d'4) r4. | \break %% 42-45 r1. | r1. | r1. | r1. | \break %% 46-49 r1. | r1. | r1. | r1. | \break %% 50-53 r1. | r2_\AriaB g,1\melisma | d4 c g1 | d'2 \breathe g'2.. r8\melismaEnd | \break %% 54-57 r2 b4._\( a8.\) b4 c'8._( | d'8..) r32 d'4 b2 a4_( g) | b4 a2 g4 f2_( | e4.) f2 e32 r8 d4... | %% 58-61 d2 r16 c2_( b,4..) | d4 b,_( c d) b,16 c8._\( c4 | d4.\) r4. d4 d_( b,) | c16 b,1_( b,4..)^\markup {\hspace #3 \bold If you can \magnify #1.5 \coda }\undo \hide Staff.BarLine \bar "|." \break %% 1(62)-3 \set Score.currentBarNumber = #1 \time 4/1 r\longa^\markup {\hspace #-5 \bold \magnify #1 \coda} | r\longa | \time 3/2 e2 f1 | \break %% 4(65)-7 e4._. g^. g8 g4._\( a4_~ | a\) b4_\( c'4.\) b8 b4. r8 | d4 g4. f8 g4_\( b4.\) a8 | b2 r1 | \break %% 8(69)-11 r1. | r1. | r1. | r1. | \break %% 12(73)-15 \hide Staff.BarLine e4 g4. g f8 a4. | f4. f16 g4_\( a8 b8. a2\) | f4 g8 g4. r4 d'4 a8 b8_( | b8) b4 c'4._\( d'2\) r4 | \break %% 16(77)-19 \VoiceColorBlueRevert { \undo \hide Staff.BarLine <g, b, d>1.^\markup {\bold \italic "Baritone Instruments"}_~ | <g, b, d>1._~ | <g, b, d>1._~ | <g, b, d>1. | \VoiceColorBlue }\break %% 20(81)-23 b8 d'4. c'4_\( d'4\) d'4_\( e'4_~ \hide Staff.BarLine | e'4.\) b4 c' c' c'8 d'4 | d'8_\( e'4.\) d'8 e'4. b8_\( c' d'4_( | e'8)\) r2 e'4.^. r16 f'4.^. r16 | \break %% 24(85)-27 r32 e8 f4... g4_\( a\) f4._\(_( | a8) c'4.\) b4._\( d'\) r4 | e'4. r16 f'4. r8 e8 f8._\( a4\) | a8 d'2 e8_( g4) g4. r8 | \break %% 28(89)-31 d'2 r16 b4_\( c'8. e'2_( | f'2)\) r1 | \time 4/1 r\longa^\fermata | r\breve r1. f'2 | \break %% 32(93)-35 %% d2 d4._( e) f4_\(_( g) b2\) a4 a_\( b d'1\) | a4. b_\( c'2.\) r2 r\breve | r\breve r1 b1\melisma | \time 3/2 s32\melismaEnd e'1 s4... d2 d4._( e) f4_\(_( g) b2\) a4 a_\( b d'1\) | a4. b_\( c'2.\) r2 d1\melisma e1 | d1\melismaEnd r\breve b1\melisma | \time 3/2 s32\melismaEnd e'1^\fermata s4... \undo \hide Staff.BarLine \bar "|." \break } %%%%% baritoneL = \lyricmode { \override Lyrics.LyricText.color = #blue \override Lyrics.LyricHyphen.color = #blue \override Lyrics.LyricExtender.color = #blue \override Score.LyricText.font-shape = #'italic \teeny \once \override Lyrics.LyricText.color = #green " Moũsa," god -- dess of po -- et -- ry! \once \override Lyrics.LyricText.color = #green " Speak!" \once \override Lyrics.LyricText.color = #green " Tell!" "Of this" bru -- tal act of vio -- lence among hu -- mans! "Of the" be -- hav -- ior that com -- plete -- ly elimi -- nates the weak through this vio -- lent act! Sing! Sing "of the" sad -- ness, lone -- li -- ness, and suf -- fer -- ing of life! Use your voice to heal the lone -- li -- ness of life! ɔː __ With -- in a week, it wiped \once \override Lyrics.LyricText.color = #green "Україна" "off the" face "of the" earth, "ceding all" of \once \override Lyrics.LyricText.color = #green "Україна's" "land to" \once \override Lyrics.LyricText.color = #green "Россия," "and then" launched an in -- va -- sion "with an" army of " 100000!" %%"one hun -- dred thou -- sand peo -- ple" %%%%%%% %%%%%%% Coda %%%%%%%%%%%%%%%%%%%%%%%%%%%% "We will" fight. Just like the Brit -- ish peo -- ple of old, just like the citi -- zens of London. "We will" fight against the armed forces of dic -- ta -- tor -- ial com -- mun -- ism. "We will" not "give up" our free -- dom \skip 1. and our so -- cial sys -- tem. We will take a step to -- wards a free so -- ci -- ety, just like the "13" for -- mer American colon -- ies. Just like the citi -- zens of Paris once led the French Revo -- lu -- tion. We are deeply grate -- ful "for the" as -- sis -- tance "of all" coun -- tries. m __ A -- men } %%%%% end baritone sheet. baritoneM = { \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\longa | r\longa | \break %% 3-5 r\longa | \time 3/2 r1. | r1. | \break %% 6-9 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | r1. | \break %% 14-17 r1. | r1. | r1. | r1. | \break %% 18-21 r1. | r1. | r1. | r1. | \break %% 22-25 c4._( e2) g4_\( g4.\) | f8 a4._\( a4 b4.\) r4. | c1_( e4) r4 | e1_( g4.) r8 | \break %% 26-29 r4 f16_( g8.) f4_\( g4.\) b4. | r8 f16 g4_\( a4..\) r16 a4.. r8 | b4._\( c'2_( d'4)\) r4. | f16_( g8.) f4_\( g4. a2\) r8 | \break %% 30-33 c'4 a4_\( b4. b\) b4_~_\( | b c'4.\) b8 c'2 c'4_( | d'8) c'4 d'4._\( e'\) f'_( | g'8) r4. g'2 r2 | \break %% 34-37 a'2. r2. | g,4. a,_\( b,\) c_\( | d8 e2\) r4 g,4 a,4._\( | b, c\) c8 d2 r8 | \break %% 38- r2 c'2 b4._( c'8) | d'2 b4 c'2. | a8. g4._\( f4 e2\) f8. | a4._( c'2 d'4) r4. | \break %% 42-45 r1. | r1. | r1. | r1. | \break %% 46-49 r1. | r1. | r1. | r1. | \break %% 50-53 r1. | r2_\AriaB g,1\melisma | d4 c g1 | d'2 \breathe g'2.. r8\melismaEnd | \break %% 54-57 r2 b4._\( a8.\) b4 c'8._( | d'8..) r32 d'4 b2 a4_( g) | b4 a2 g4 f2_( | e4.) f2 e32 r8 d4... | %% 58-61 d2 r16 c2_( b,4..) | d4 b,_( c d) b,16 c8._\( c4 | d4.\) r4. d4 d_( b,) | c16 b,1_( b,4..) \bar "|." \break %% 62-64 \time 4/1 r\longa | r\longa | \time 3/2 e2 f1 | \break %% 65-68 e4._. g^. g8 g4._\( a4_~ | a\) b4_\( c'4.\) b8 b4. r8 | d4 g4. f8 g4_\( b4.\) a8 | b2 r1 | \break %% 69- r1. | r1. | r1. | r1. | \break %% 73-76 e4 g4. g f8 a4. | f4. f16 g4_\( a8 b8. a2\) | f4 g8 g4. r4 d'4 a8 b8_( | b8) b4 c'4._\( d'2\) r4 | \break %% 77-80 <g, b, d>1._~ | <g, b, d>1._~ | <g, b, d>1._~ | <g, b, d>1._~ | \break %% 81-84 b8 d'4. c'4_\( d'4\) d'4_\( e'4_~ | e'4.\) b4 c' c' c'8 d'4 | d'8_\( e'4.\) d'8 e'4. b8_\( c' d'4_( | e'8)\) r2 e'4.^. r16 f'4.^. r16 | \break %% 85- r32 e8 f4... g4_\( a\) f4._\(_( | a8) c'4.\) b4._\( d'\) r4 | e'4. r16 f'4. r8 e8 f8._\( a4\) | a8 d'2 e8_( g4) g4. r8 | \break %% 89-92 d'2 r16 b4_\( c'8. e'2_( | f'2)\) r1 | \time 4/1 r\longa^\fermata | r\breve r1. f'2 | \break %% 93-96 d2 d4._( e) f4_\(_( g) b2\) a4 a_\( b d'1\) | a4. b_\( c'2.\) r2 d1\melisma e1 | d1\melismaEnd r\breve b1\melisma | \time 3/2 s32\melismaEnd e'1^\fermata s4... \bar "|." \break } %%%%% end baritone midi. %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%% bass; part %%%%%%%%%%%%%%%% bassVoice = { \hide Staff.BarLine \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\breve b,\breve^\Tutti \melisma | b,\longa | \break %% 3-5 b,\breve b,8\melismaEnd r2.. r1 | \time 3/2 r1. | r1. | \break %% 6-9 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | r1. | \break %% 14-17 r1. | r1. | r1. | r1. | \break %% 18-21 r1. | r1. | r1. | r1. | \break %% 22-25 r1. | r1. | r1. | r1. | \break %% 26-29 r1. | r1. | r1. | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 r1. | r1. | r1. | r1. | \break %% 42-45 r1. | b,1.^\Tutti\melisma | c1. | c1. | \break %% 46-49 c1. | c1. | c8.\melismaEnd r16 g4._\( g4..\) r16 g4._\( | g4 c'4.\) r2. r8 | \break %% 50-53 c4 c8_\( e4.\) e8_\( d c4.\) r8 | g4_( a) c'4. b8_\( c'4.\) b8 | c'4. b4^._\( c'8^. d'4^. e'2^.\) | c'4._\( e'2.\) r4. | \break %% 54-57 r1. | r4 b4 g2 f4_( e) | g4 f2 e4 d2_( | c4) c4._( d8.) c16 r8 b,2 | \break %% 58-61 b,2 r16 a,2_( g,4..) | b,4 g,4_( a, b,) g,16 a,8._\( a,4 | b,4.\) r4. b,4 b,( g,) | a,16 g,1_( g,4..)^\markup {\hspace #3 \bold If you can \magnify #1.5 \coda }\undo \hide Staff.BarLine \bar "|." \break %% 1(62)-3 \set Score.currentBarNumber = #1 \time 4/1 r\longa^\markup {\hspace #-5 \bold \magnify #1 \coda} | r\longa | \time 3/2 c2 d1 | \break %% 4(65)-7 c4. e e8 e4._\( f4_~ | f\) g4_\( a4.\) g8 g4. r8 | b,4 e4. d8 e4_\( g4.\) f8 | g2 r1 | \break %% 8(69)- r1. | r1. | r1. | r1. | \break %% 12(73)-15 \hide Staff.BarLine c4 e4. e d8 f4. | d4. d16 e4_\( f8 g8. g2\) | d4 e8 e4. r4 b4 f8 g8_( | g8) g4 a4._\( b2\) r4 | \break %% 16(77)-19 r1. | r1. | r1. | r1. | \break %% 20(81)- g8 b4. a4_\( b4\) b4_\( c'4_~ | c'4.\) g4 a a a8 b4 | b8_\( c'4.\) b8 c'4. g8_\( a b4_( | c'8)\) r2 c'4. r16 d'4. r16 | \break %% 24(85)-27 r32 c8 d4... e4_\( f\) d4._\(_( | f8) a4.\) g4._\( b\) r4 | c'4. r16 d'4. r8 c8 d8._\( f4\) | f8 b2 c8_( e4) e4. r8 | \break %% 28(89)-31 b2 r16 g4_\( a8. c'2_( | d'2)\) r1 | \time 4/1 r\longa^\fermata | r\breve r1. f'2 | \break %% 32(93)-35 b,2 b,4._( c) d4_\(_( e) g2\) f4 f_\( g b1\) | f4. g_\( a2.\) r2 r\breve | r\breve r1 g1\melisma | \time 3/2 s32\melismaEnd c'1^\fermata s4... \undo \hide Staff.BarLine \bar "|." \break } %%%%% bassVoiceL = \lyricmode { \override Lyrics.LyricText.color = #blue \override Lyrics.LyricHyphen.color = #blue \override Lyrics.LyricExtender.color = #blue \override Score.LyricText.font-shape = #'italic \teeny n __ m __ Af -- ter com -- plet -- ing its si -- lent in -- va -- sion, \once \override Lyrics.LyricText.color = #green "Россия" has re -- vealed its true dic -- ta -- tor -- ial na -- ture! %%With -- in a week, it wiped \once \override Lyrics.LyricText.color = #green "Україна" "off the" face "of the" earth, "ceding all" of \once \override Lyrics.LyricText.color = #green "Україна's" "land to" \once \override Lyrics.LyricText.color = #green "Россия," "and then" launched an in -- va -- sion "with an" army of " 100000!" %%"one hun -- dred thou -- sand peo -- ple" %%%%%%% %%%%%%% Coda %%%%%%%%%%%%%%%%%%%%%%%%%%%% "We will" fight. Just like the Brit -- ish peo -- ple of old, just like the citi -- zens of London. "We will" fight against the armed forces of dic -- ta -- tor -- ial com -- mun -- ism. "We will" not "give up" our free -- dom and our so -- cial sys -- tem. We will take a step to -- wards a free so -- ci -- ety, just like the "13" for -- mer American colon -- ies. Just like the citi -- zens of Paris once led the French Revo -- lu -- tion. We are deeply grate -- ful "for the" as -- sis -- tance "of all" coun -- tries. A -- men } %%%%% bassVoiceM = { \partial 2 r2^\fermata | %% 1-2 \time 4/1 r\breve b,\breve\melisma | b,\longa | \break %% 3-5 b,\breve b,8\melismaEnd r2.. r1 | \time 3/2 r1. | r1. | \break %% 6-9 r1. | r1. | r1. | r1. | \break %% 10-13 r1. | r1. | r1. | r1. | \break %% 14-17 r1. | r1. | r1. | r1. | \break %% 18-21 r1. | r1. | r1. | r1. | \break %% 22-25 r1. | r1. | r1. | r1. | \break %% 26-29 r1. | r1. | r1. | r1. | \break %% 30-33 r1. | r1. | r1. | r1. | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 r1. | r1. | r1. | r1. | \break %% 42-45 r1. | b,1.^\Tutti\melisma | c1. | c1. | \break %% 46-549 c1. | c1. | c8.\melismaEnd r16 g4._\( g4..\) r16 g4._\( | g4 c'4.\) r2. r8 | \break %% 50-53 c4 c8_\( e4.\) e8_\( d c4.\) r8 | g4_( a) c'4. b8_\( c'4.\) b8 | c'4. b4^._\( c'8^. d'4^. e'2^.\) | c'4._\( e'2.\) r4. | \break %% 54-57 r1. | r4 b4 g2 f4_( e) | g4 f2 e4 d2_( | c4) c4._( d8.) c16 r8 b,2 | \break %% 58-61 b,2 r16 a,2_( g,4..) | b,4 g,4_( a, b,) g,16 a,8._\( a,4 | b,4.\) r4. b,4 b,( g,) | a,16 g,1_( g,4..) \bar "|." \break %% 62-64 \time 4/1 r\longa | r\longa | \time 3/2 c2 d1 | \break %% 65-68 c4. e e8 e4._\( f4_~ | f\) g4_\( a4.\) g8 g4. r8 | b,4 e4. d8 e4_\( g4.\) f8 | g2 r1 | \break %% 69-72 r1. | r1. | r1. | r1. | \break %% 73-76 c4 e4. e d8 f4. | d4. d16 e4_\( f8 g8. g2\) | d4 e8 e4. r4 b4 f8 g8_( | g8) g4 a4._\( b2\) r4 | \break %% 77-80 r1. | r1. | r1. | r1. | \break %% 81-84 g8 b4. a4_\( b4\) b4_\( c'4_~ | c'4.\) g4 a a a8 b4 | b8_\( c'4.\) b8 c'4. g8_\( a b4_( | c'8)\) r2 c'4. r16 d'4. r16 | \break %% 85-88 r32 c8 d4... e4_\( f\) d4._\(_( | f8) a4.\) g4._\( b\) r4 | c'4. r16 d'4. r8 c8 d8._\( f4\) | f8 b2 c8_( e4) e4. r8 | \break %% 89-92 b2 r16 g4_\( a8. c'2_( | d'2)\) r1 | \time 4/1 r\longa^\fermata | r\breve r1. f'2 | \break %% 93-96 b,2 b,4._( c) d4_\(_( e) g2\) f4 f_\( g b1\) | f4. g_\( a2.\) r2 r\breve | r\breve r1 g1\melisma | \time 3/2 s32\melismaEnd c'1^\fermata s4... \bar "|." } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%% Instruments bass = { \autoBeamOff \partial 2 r2^\fermata | %% 1-2 \time 4/1 f\breve r\breve | r\longa | \break %% 3-5 << { s\longa | \time 3/2 s1. | s1. } \\ { r\breve g,\breve_~ | \time 3/2 g,1._~ | g,_~ } >> | \break %% 6-9 << { b,4 c d1_~ | d4 e f1_~ | f4 g a1_~ | a4 g f1_~ } \\ { <g, e,>1._~ | e,_~ | <e, g,>_~ | g, } >> | \break %% 10-13 << { f1 d4 b, } \\ { s1. } >> | g,8 a, b, c d e b, g, e, f,4. | g,16 a, b, c a, b, c d b, c d e f2._\( | c'1.\) | \break %% 14-17 r1. | r1. | << { \autoBeamOff <e a,>8._\( <f b,> <g c> <a d> <c' f'>2.\)_~ | <c' f'>1._~ } \\ { s1. | s1. }>> | \break %% 18-21 << { <c' f'>1._~ | <c' f'>1._~ | <c' f'>1._~ | <c' f'>1._~ } \\ { <f, a, c>4. <g, b, d> <a, c e> <b, d f> | c1. | b,4 a, g, b, d2 | f1._~ } >> | \break %% 22-25 << { <c' f'>1. } \\ { f1. } >> | r8 <e c>8 <d b,> <c a,> <b, g,>_~ g,2.._~ | g,8 a, b, c4. d8 e f g4._~ | <g e>16 <f d> <e c> <d b,> <c e> <d f> g2. r4. | \break %% 26-29 r1. | r1. | r1. | r1 r4 << { s4 } \\ { \once \stemUp <g, b, d>4_~ } >> | \break %% 30-33 << { \autoBeamOff f4. g8 a b c'2._~ | c'2 <b g>8_\( <a f> <g e> <f d> <e c> <d b,> <c a,> <b, g,>\)_~ | g,16_\( a, b, c d e f g a b c' d' e'2.\)_~ | e'1. } \\ { <g, b, d>4_~ <e, g, c>2_~ <e, c>2._~ | <e, c>2_~ <e, g,>1_~ | <e, g,>1._~ | e,1. } >> | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 e,2 r4 << \autoBeamOff { e'8 d' c' b a g_~ | g8 f e d c b, a,2 b,4_~ | b,4 <c e>2 <d f>_~ f4 | g1._~ } \\ { <e, g,>2._~ | <e, g,>1._~ | <e, g,>1._~ | <e, g,>1._~ } >> | \break %% 42-45 << { g1._~ } \\ { <e, g,>1._~ } >> | << { g2 f16[ e d c]_( c2) d16[ e f g] } \\ { g,1._( } >> | << { a1 g16_[ f e d c] b,[ a, g,] } \\ { a,1.)_( } >> | << { s1. } \\ { g,1.) } >> |\break %% 46-49 \override Glissando.style = #'zigzag g,4\glissando g1 r4 | \repeat percent 2 { f,1 \times 2/3 {a,4 c e } } | \times 2/3 { e4_\repeatTie c a, } f,1_~ | \break %% 50-53 f,1 r2 | r1. | r1. | r1 d'2_~ | \break %% 54-57 d'8 r1 g,4._~ | g,1._~ | <e, g,>4. <e, g, b,> <f, a,> <f, a, c> | <g, b,> c1 <b, g,>8[ | \break %% 58-61 <a, f,> <g, e,>] f,4. e,2.._~ | \arpeggioArrowUp <e, g, b, d>2\arpeggio \arpeggioArrowDown <c a, f, d,>\arpeggio \arpeggioArrowUp <e, g, b, d>2\arpeggio | \arpeggioArrowDown <c a, f, d,>\arpeggio \arpeggioArrowUp <e, g, b, d>2\arpeggio \arpeggioArrowDown <c a, f, d,>\arpeggio | \arpeggioArrowUp <e, g, b, d>\arpeggio \arpeggioArrowDown <c a, f, d,>\arpeggio g, \bar "|." \break %% 1(62)-3 \set Score.currentBarNumber = #1 \time 4/1 r\longa | r\longa | \time 3/2 <a, e>2 <b, f>1 | \break %% 4(65)-7 r1. | r1. | r1. | r1. | \break %% 8(69)-11 << \autoBeamOff { e2 f g8 a b c' | \noBreak f2 g a8 b c' d' | \noBreak g2 a b8 c' d' e' | \noBreak f2 g a8 b c' d' } \\ { <e, g, b,>1._~ | <e, g, b,>1._~ | <e, g, b,>1._~ | <e, g, b,>1._~ } >> | \break %% 12(73)-15 << \autoBeamOff { s1. | s1. | s1. | f2 g a8 b c' d' } \\ {<e, g, b,>1._~ | <e, g, b,>1._~ | <e, g, b,>1._~ | <e, g, b,>1. } >> | \break %% 16(77)-19 r1. | r1. | r1. | r1. | \break %% 20(81)-23 << { \pitchedTrill a,1._\startTrillSpan g, | \pitchedTrill b,1.\stopTrillSpan _\startTrillSpan c | \pitchedTrill g,1.\stopTrillSpan _\startTrillSpan a, | b,2\stopTrillSpan r1 } \\ { \pitchedTrill c1.^\startTrillSpan d | s1.\stopTrillSpan | \pitchedTrill d1.^\startTrillSpan e | s1.\stopTrillSpan } >> | \break %% 24(85)-27 << \autoBeamOff { e2 f g8 a b c' | \noBreak f2 g a8 b c' d' | \noBreak g2 a b8 c' d' e' | \noBreak f2 g a8 b c' d' } \\ { <e, g, b,>1._~ | <e, g, b,>1._~ | <e, g, b,>1._~ | <e, g, b,>1._~ } >> | \break %% 28(89)-31 << \autoBeamOff { g2 a b8 c' d' e' } \\ { <e, g, b,>1. } >> | << { \pitchedTrill g,1. _\startTrillSpan a, } \\ { \pitchedTrill d1.^\startTrillSpan e } >> | \time 4/1 r\longa^\fermata | r\breve b,\breve | \break %% 32(93)-35 b,\breve <g, d>\breve_~ | <g, d>\breve b,\breve_~ | b,\longa_~ | \time 3/2 <b, d>1^\fermata s2 \bar "|." \break } %%%%% end bass-sheet. bassM = { \partial 2 r2^\fermata | %% 1-2 \time 4/1 f\breve r\breve | r\longa | \break %% 3-5 << { s\longa | \time 3/2 s1. | s1. } \\ { r\breve g,\breve_~ | \time 3/2 g,1._~ | g,_~ } >> | \break %% 6-9 << { b,4 c d1_~ | d4 e f1_~ | f4 g a1_~ | a4 g f1_~ } \\ { <g, e,>1._~ | e,_~ | <e, g,>_~ | g, } >> | \break %% 10- << { f1 d4 b, } \\ { s1. } >> | g,8 a, b, c d e b, g, e, f,4. | g,16 a, b, c a, b, c d b, c d e f2._\( | c'1.\) | \break %% 14-17 r1. | r1. | << { <e a,>8._\( <f b,> <g c> <a d> <c' f'>2.\)_~ | <c' f'>1._~ } \\ { s1. | s1. }>> | \break %% 18-21 << { <c' f'>1._~ | <c' f'>1._~ | <c' f'>1._~ | <c' f'>1. } \\ { <f, a, c>4. <g, b, d> <a, c e> <b, d f> | c1. | b,4 a, g, b, d2 | f1. } >> | \break %% 22-25 << { <c' f'>1. } \\ { f1. } >> | r8 <e c>8 <d b,> <c a,> <b, g,>_~ g,2.._~ | g,8 a, b, c4. d8 e f g4._~ | <g e>16 <f d> <e c> <d b,> <c e> <d f> g2. r4. | \break %% 26-29 r1. | r1. | r1. | r1 r4 << { s4 } \\ { <g, b, d>4_~ } >> | \break %% 30-33 << { \autoBeamOff f4. g8 a b c'2._~ | c'2 <b g>8_\( <a f> <g e> <f d> <e c> <d b,> <c a,> <b, g,>\)_~ | g,16_\( a, b, c d e f g a b c' d' e'2.\)_~ | e'1. } \\ { <g, b, d>4_~ <e, g, c>2_~ <e, c>2._~ | <e, c>2_~ <e, g,>1_~ | <e, g,>1._~ | e,1. } >> | \break %% 34-37 r1. | r1. | r1. | r1. | \break %% 38-41 e,2 r4 << { \autoBeamOff e'8 d' c' b a g_~ | g8 f e d c b, a,2 b,4_~ | b,4 <c e>2 <d f>_~ f4 | g1._~ } \\ { <e, g,>2._~ | <e, g,>1._~ | <e, g,>1._~ | <e, g,>1._~ } >> | \break %% 42-45 << { g1. } \\ { <e, g,>1._~ } >> | << { g2 f16[ e d c]_( c2) d16[ e f g] } \\ { g,1._( } >> | << { a1 g16[ f e d c] b,[ a, g,] } \\ { a,1.)_( } >> | << { s1. } \\ { g,1.) } >> |\break %% 46-49 \override Glissando.style = #'zigzag g,4\glissando g1 r4 | \repeat percent 2 { f,1 \times 2/3 {a,4 c e } } | \times 2/3 { e4_\repeatTie c a, } f,1_~ | \break %% 50-53 f,1 r2 | r1. | r1. | r1 d'2_~ | \break %% 54-57 d'8 r1 g,4._~ | g,1._~ | <e, g,>4. <e, g, b,> <f, a,> <f, a, c> | <g, b,> c1 <b, g,>8[ | \break %% 58-61 <a, f,> <g, e,>] f,4. e,2.. | \arpeggioArrowUp <e, g, b, d>2\arpeggio \arpeggioArrowDown <c a, f, d,>\arpeggio \arpeggioArrowUp <e, g, b, d>2\arpeggio | \arpeggioArrowDown <c a, f, d,>\arpeggio \arpeggioArrowUp <e, g, b, d>2\arpeggio \arpeggioArrowDown <c a, f, d,>\arpeggio | \arpeggioArrowUp <e, g, b, d>\arpeggio \arpeggioArrowDown <c a, f, d,>\arpeggio g, \bar "|." \break %% 62-64 \time 4/1 r\longa | r\longa | \time 3/2 <a, e>2 <b, f>1 | \break %% 65-68 r1. | r1. | r1. | r1. | \break %% 69-72 << \autoBeamOff { e2 f g8 a b c' | f2 g a8 b c' d' | g2 a b8 c' d' e' | f2 g a8 b c' d' } \\ {<e, g, b,>1._~ | <e, g, b,>1._~ | <e, g, b,>1._~ | <e, g, b,>1. } >> | \break %% 73-76 << \autoBeamOff { r1. | r1. | r1. | f2 g a8 b c' d' } \\ {<e, g, b,>1._~ | <e, g, b,>1._~ | <e, g, b,>1._~ | <e, g, b,>1. } >> | \break %% 77-80 r1. | r1. | r1. | r1. | \break %% 81-84 << { \pitchedTrill a,1._\startTrillSpan g, | \pitchedTrill b,1.\stopTrillSpan _\startTrillSpan c | \pitchedTrill g,1.\stopTrillSpan _\startTrillSpan a, | b,2\stopTrillSpan r1 } \\ { \pitchedTrill c1.^\startTrillSpan d | s1.\stopTrillSpan | \pitchedTrill d1.^\startTrillSpan e | s1.\stopTrillSpan } >> | \break %% 85- << \autoBeamOff { e2 f g8 a b c' | \noBreak f2 g a8 b c' d' | \noBreak g2 a b8 c' d' e' | \noBreak f2 g a8 b c' d' } \\ { <e, g, b,>1._~ | <e, g, b,>1._~ | <e, g, b,>1._~ | <e, g, b,>1._~ } >> | \break %% 89-92 << \autoBeamOff { g2 a b8 c' d' e' } \\ { <e, g, b,>1. } >> | << { \pitchedTrill g,1. _\startTrillSpan a, } \\ { \pitchedTrill d1.^\startTrillSpan e } >> | \time 4/1 r\longa^\fermata | r\breve b,\breve | \break %% 93-96 b,\breve <g, d>\breve_~ | <g, d>\breve b,\breve_~ | b,\longa_~ | \time 3/2 <b, d>1^\fermata s2 \bar "|." \break } %%% end bass-midi. %%%%%%%%%%%%%%%% End %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% 3:09 Wednesday, February 11, 2026 %% Yukio Yoshida. \input colordvi.tex \input texinfo @c %**start of header @setfilename ukraine.info @c @settitle Ukraine @documentlanguage en @documentencoding utf-8 @setchapternewpage odd @c %**end of header @c *********** Body start ****************** @ifnottex @node Top, Music Sheet, ("dir"), ("dirTop") @comment node-name, next, previous, up @end ifnottex @c @node Top @ifhtml @html <p align = "center"> <span style="font-size: 40px;"><b>Україна</b></spam> </p> <code>[file-code; "ly,texi,sh are UTF-8"]</code><br /> <span style="font-size: 16px;"> <b>Normally; Windows & Linux</b> "[Prompt] <tt>lilypond --pdf name.ly</tt>[Enter]"<br /> <b>In</b> "<b>ukraine.tar.gz</b>";<br /> <i>Linux(Prompt)<kbd> <span style="color: red;">$ ./run--lily.sh name</span></kbd>[Enter]</i>(<b>need makeinfo</b>) ----<br /> <i>Linux;<kbd> <span style="color: red;"> $ ./run--multi.sh name</span></kbd>[Enter]</i> <==== (<b>run! LaTeX2e</b> need ghostscript[ps2pdf] ) ====> <i>Windows;<kbd> <span style="color: red;"> >run--multi name</span></kbd>[Enter]</i>)<br />           Click on the music score screen and the PDF will appear.<br /> </span> <br /> <br /> @end html @end ifhtml @c @top @c @ignore ------------------------------------------------------------------------ @ifhtml @menu * ukraine:: --- Music Sheet: Music Sheet. * ukraine.ly:: --- Source code framework: ukraine.ly. * color.ly:: --- Source code framework: color.ly. * ukraine-cv.ly:: --- Source code notes: ukraine-cv.ly. * ukraine.texi:: --- Source code document: ukraine.texi. * run--makeinfo:: --- Source code run-file: run--makeinfo. @end menu @end ifhtml @c @ignore ------------------------------------------------------------------------ @html <p align = "center"> <a href="ukraine.midi">ukraine.midi</a></del>           <a href="ukraine.pdf">ukraine.pdf</a>          • <a href="ukraine.tar.gz">ukraine.tar.gz</a> (All-files;<20,000bytes) </p> <p align = "center">The Jacket of a sheet is "png" and Sheets are "svg"</p> @end html @ignore <audio src="ukraine.mp3" controls> Download <a href="ukraine.mp3">episode 42 Learnung to love HTML5</a> </audio> @end ignore @ifnottex @node Music Sheet, ukraine.ly, Top, Top @comment node-name, next, previous, up @c @top @end ifnottex @unnumbered Music Sheet @html <div align="center"> <a href="ukraine-sheet.pdf"> @end html @ifhtml @html <img src="ukraine-page1.png" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="ukraine-2.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="ukraine-3.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="ukraine-4.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="ukraine-5.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="ukraine-6.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="ukraine-7.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="ukraine-8.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="ukraine-9.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="ukraine-10.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="ukraine-11.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="ukraine-12.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="ukraine-13.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="ukraine-14.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="ukraine-15.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="ukraine-16.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> <img src="ukraine-17.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> </a> @end html @end ifhtml @html </div> @end html @ignore <img src="ukraine-14.svg" alt="[picture of music]" /><!-- --> <hr style="width:68%; height:4px;" /> @end ignore @ifnottex @node ukraine.ly, color.ly, Music Sheet, Top @comment node-name, next, previous, up @end ifnottex @unnumbered ukraine.ly @html <blockquote><blockquote> @end html @verbatiminclude ukraine.ly @html </blockquote></blockquote> @end html @ifnottex @node color.ly, ukraine-cv.ly, ukraine.ly, Top @comment node-name, next, previous, up @end ifnottex @unnumbered color.ly @html <blockquote><blockquote> @end html @verbatiminclude color.ly @html </blockquote></blockquote> @end html @ifnottex @node ukraine-cv.ly, ukraine.texi, color.ly, Top @comment ode-name, next, previous, up @end ifnottex @unnumbered ukraine-cv.ly @html <blockquote><blockquote> @end html @verbatiminclude ukraine-cv.ly @html </blockquote></blockquote> @end html @ifnottex @node ukraine.texi, run--makeinfo, ukraine-cv.ly, Top @comment node-name, next, previous, up @end ifnottex @unnumbered ukraine.texi @html <blockquote><blockquote> @end html @verbatiminclude ukraine.texi @html </blockquote></blockquote> @end html @ifnottex @node run--makeinfo, , ukraine.texi, Top @comment node-name, next, previous, up @end ifnottex @unnumbered run--lily.sh @ifhtml @html <blockquote><blockquote> <span style="font: 16px;"> <table> <td> <span style="color: red;"> @verbatiminclude run--lily.sh </span> </td> </table> @end html @end ifhtml @ @ @ @ This is under the following environment.@* @ @ @ @ Linux[on WSL(windows11)]@ --- (GNU/Linux 4.4.0-26100-Microsoft x86_64) or (GNU/Linux 5.15.167.4-microsoft-standard-WSL2 x86_64) and so on(ver up)---@* @html </span> </blockquote></blockquote> <br /> <br /> @end html @c *********** End Body ********************* @bye
This is under the following environment.
Linux[on WSL(windows11)] — (GNU/Linux 4.4.0-26100-Microsoft x86_64) or (GNU/Linux 5.15.167.4-microsoft-standard-WSL2 x86_64) and so on(ver up)—